Nowadays, the term “utopia” is used to describe an idea that seems unattainable —at least in the contemporary context— intrinsically related to philosophical, scientific, urbanistic, and architectural concepts, among others. The close connection between utopias and architecture is evident, as this discipline is often associated with imagination. Some notable examples include “The Unreliable Utopia of Auroville's Architecture” and “The City in Space: A Utopia” by Ricardo Bofill. In this context, architects and designers alike use design as a means to develop innovative and disruptive ideas through various elements.

Although considered an idealized concept that does not exist, some designers have ventured into exploring the notion of utopia. AXOR, in conjunction with the Valencia-based design studio Masquespacio, has turned the page by conceiving and bringing to reality a new bathroom concept for a unique hotel suite that embodies their vision of personal luxury. Titled “Utopian Dream”, this design response blends vibrant colors with unexpected details, a combination that this duo defines as a mystic experience above the clouds.

The European Commission and the Fundació Mies van der Rohe have announced the 2024 European Union Prize for Contemporary Architecture / Mies van der Rohe Awards (EUmies Awards) nominees. A total of 362 works of architecture realized over 38 different European countries have been selected, marking the first stage of the EUmies Awards’ 18th cycle. In the next stage, the jury will choose 40 outstanding projects, followed by visits to the finalists and interviews with the architects, their teams, and the project clients.

The 2024 EUmies Awards aims to recognize the best-built works in Europe completed between April 2021 and May 2023. The selection of projects reflects the current changes within the European context, with increasing attention given to environmental, social, and economic awareness expressed through architecture, landscape architecture, urban planning, and design. This year’s jury is chaired by Frédéric Druot (Paris/Bordeaux), who will be accompanied by Martin Braathen (Oslo), Pippo Ciorra (Rome), Tinatin Gurgenidze (Tbilisi/Berlin), Adriana Krnáčová (Prague), Sala Makumbundu (Luxembourg), and Hrvoje Njiric (Zagreb).

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The National Building Museum announced that Theaster Gates will be the 25th recipient of the Vincent Scully Prize. Initiated in 1999, the award serves as a recognition of excellence in the fields of design, architecture, historic preservation, urban design, encompassing practice, and criticism. Theaster Gates is an artist internationally renowned for his interdisciplinary blend of social performance, urban regeneration, and cultural activations.

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Ailton Krenak is a renowned environmentalist, philosopher, writer, and poet who holds honorary doctorates from the Federal University of Minas Gerais and the Federal University of Juiz de Fora. As an Indigenous leader, he played a pivotal role in advocating for Indigenous Rights, which were eventually enshrined in the 1988 Constitution of Brazil. His profound ideas have been disseminated through lectures, educational courses, and books, including notable works such as Ideas to Postpone the End of the World, Life is not Useful, and Ancestral Future.

Krenak has a unique talent for transforming his life experiences into profound concepts, which he conveys through oral and poetic language. His worldview blurs the boundaries between landscapes, human beings, animals, rivers, and mountains. He strongly advocates for a reassessment of our lifestyle, emphasizing the importance of 'breaking up the ground to allow the channeled waters to resurface.' On September 5th, he participated in a discussion in São Paulo during the Archtrends Summit 2023, organized by Portobello. During this event, he shared his insights on topics such as cities, forests, and the future of our planet.

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In light of the looming climate crisis and the pursuit of sustainability, the concepts of revival and reuse have emerged as crucial strategies in the quest for decarbonization in the architecture industry. These principles preach that creating new structures may be sustainable but encourage architects to minimize their ecological footprint by reactivating and recycling existing resources. This year specifically, innovative projects in line with these themes were displayed as part of the 18th International Architecture Exhibition – La Biennale di Venezia. This world-renowned event’s core purpose is to serve as a platform for architects, designers, and thinkers to collectively reimagine sustainability, decarbonization, resource conservation, and the industry's future.

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Implemented as a means to take full advantage of space, built-in furniture has grown in popularity as well as ingenuity as designers tackle the needs and tastes of a wide range of users. It's ability to adapt and integrate into architectural spaces allows it, through a variety of configurations and materials, to fulfill various functions; however, this poses an interesting question. Is it truly the furniture that adapts to our living spaces? Could it not itself become the protagonist and creator of the spaces that we project?