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Architects: MAKER architecten
- Area: 400 m²
- Year: 2025
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Manufacturers: Jansen, Reynaers Aluminium, ALUMES, Gramitherm
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Professionals: Beneens, VK architects + engineers, VITO


As the architecture community looks ahead to the announcement of the 2026 Pritzker Architecture Prize, anticipation is once again building around who will be named this year's laureate. While the official date has yet to be confirmed, the annual reveal traditionally takes place in early March, marking one of the most closely watched moments in the architectural calendar. Established in 1979 by the Hyatt Foundation, the Pritzker Architecture Prize is widely regarded as "the profession's highest honor." Each year, it recognizes a living architect, or architects, whose work demonstrates a consistent and significant contribution to humanity and the built environment. Over the decades, the award has reflected shifting priorities within the discipline, highlighting practices engaged with social equity, environmental responsibility, material experimentation, and cultural continuity.

World Monuments Fund (WMF) is an independent organization dedicated to safeguarding treasured places around the world that enrich lives and foster mutual understanding across cultures and communities. On February 10, WMF announced a $7 million commitment to support 21 heritage preservation projects launching in 2026. These investments advance work at sites included on the 2025 World Monuments Watch, WMF's nomination-based advocacy program, while also supporting new phases of conservation, planning, and training at additional heritage sites across five continents. The selected sites reflect a wide chronological and geographic range, from ancient cultural landscapes to modern architectural landmarks. The projects highlight the diversity of global heritage, spanning Mughal gardens and Ottoman religious complexes to modernist cinemas, industrial mining landscapes, Indigenous cultural routes, and sacred shrines, and point to the long-term cultural knowledge embedded in its preservation.


What if industrial leftovers weren't waste, but the start of architectural design? At Rieder's headquarters in Maishofen, Austria, over 1,300 cubic meters of timber, 180 ceiling elements, and hundreds of upcycled glassfiber-reinforced concrete fragments come together in a building shaped as much by reuse as by planning. The new production hall, designed by Kessler² Architecture, treats material leftovers as a design resource. Developed as part of a long-term investment in sustainable manufacturing, the timber-concrete hybrid building introduces a facade technique that inverts conventional architectural workflows: instead of designing first and producing components afterward, the building envelope is generated from the material remnants already available on site establishing a new language for industrial architecture.



