The Korean contribution at the 2027 International Architecture Exhibition – La Biennale di Venezia will focus on the country's condition of hyper-shrinkage, the accelerated stage of population contraction and societal aging, within the context of global demographic change. Commissioned by the Arts Council Korea (ARKO) and led by curator Janghwan Lee, the exhibition will feature contributions by architects Bae Yoonkyung, Kyo Suk Lee and Jaehyub Ko. The curatorial project is named "Catabolism," after the metabolic process through which complex molecules break down into simpler units and release energy. Moving away from an expansion-focused view of cities and architecture, the team uses the concept as a lens to understand urban shrinkage as a reconfiguration of existing relationships and the emergence of new uses and ways of living.
On Tarkwa Bay, off the coast of Lagos, the transformation of an abandoned building offers a way to consider how architecture might emerge from the materials, relationships and conditions already present in a place.
Architecture is often encountered at the end, when the uncertainties of making have been resolved into a building, a surface, a space. Less visible are the conditions that allow these outcomes to exist, the movement of materials, the availability of labour, the knowledge held by people and places, and the negotiations through which an idea becomes possible. On Tarkwa Bay, an island off the coast of Lagos accessible only by boat, these conditions are difficult to separate from the act of building itself.
The crossing from the Lagos mainland introduces a different relationship to access. People, tools and materials move across water; some resources are readily available, others less so. Materials move across water; reclaimed elements carry histories from elsewhere; salt and sun alter the behaviour of surfaces; and the availability of local artisans influences how work unfolds. These are not necessarily prohibitions; rather, they make visible the dependencies that building elsewhere can allow us to overlook.
What happens when structure is treated not as something added to architecture, but as something the architecture itself provides?
Throughout architectural history, form has provided structure. Arches, trusses, and other structural geometries used the arrangement of material to achieve strength, often allowing individual elements to serve multiple functions. Today, however, building envelopes often rely on a hierarchy of separate elements: a primary frame carries loads, secondary supports hold panels in place, brackets connect the pieces, and additional layers provide enclosure or finish. Together, these components require added material, weight, fabrication steps, and on-site coordination.
Aerial view of Mumbai’s coast. Image via Shutterstock
Along India's coast, the boundary between land and sea is not always a line of concrete. In places, it is a forest of tangled roots, tidal channels, and sediment, a landscape that changes character with the water. Mangroves influence how water moves, how shorelines evolve, and how coastal communities experience flood risk. Their role in coastal protection depends on the width and condition of the forest, the movement of tides, and the accumulation of sediment.
Selecting a material during the design process involves more than defining an appearance. Its behavior in response to light, sound, touch, and the passage of time can transform how a space is perceived and used. At the same time, factors such as durability, strength, recyclability, and the environmental impact associated with its production introduce new variables into architectural decision-making. For Stephanie Forsythe and Todd MacAllen, cofounders of Vancouver-based design and production studio molo, these considerations have led to an exploration of paper and its potential to shape flexible, sensory spaces.
The concept of "eyes on the street" is perhaps the most famous within architectural and urban literature when it comes to urban security. Jane Jacobs uses this expression to refer to people who - consciously or unconsciously - use public spaces or observe them from their homes, generating natural surveillance. A movement that, within our discipline, is encouraged both through quality public spaces and through the powerful relationship between the public and private created through building facades. Advocating for this daily control, Jacobs believes in a way of making architecture and cities that condemns excessive verticalization, reinforced by isolated buildings and single-use ones that deny contact with the street.
Where rivers, reservoirs, and rainfall can no longer be relied upon consistently, water is increasingly being sought in the atmosphere. Fog, atmospheric humidity, and condensation each offer different ways of collecting it. When architecture begins to collect water from the air, surfaces, structures, and open spaces become part of the water system.
According to UNICEF, Jordan's National Water Strategy estimates that each person has access to only about 61 cubic meters of renewable water per year, far below the 500 cubic meters commonly used as a threshold for absolute water scarcity. Around half of the population receives piped water only once a week, while groundwater is being extracted faster than many aquifers can naturally recharge.
Vivos xPoint, USA. Image by VigilanteScout, CC BY-SA 4.0, via Wikimedia Commons
Inverting the conventional narrative, this story begins at the end. The day after the world's collapse. While almost the entire population struggles to survive flames and solar storms, a tiny fraction is greeted by a heavily armed guard at the entrance to the Survival Condo Project, a former missile silo in Kansas converted a few years ago into luxury apartments.
Forget, then, the hermit who stockpiles canned food in his basement or the end-times prophet. In recent years, survivalism has expanded into wealthier circles, taking root in Silicon Valley among technology executives and hedge fund managers. What could once be seen merely as an eccentricity has also become a way of thinking about the future and, for some, an investment.
As one walks along the beachfront of Barcelona, the shoreline feels like it has always been there: sand, palm trees, a long promenade, restaurants, shops and modern hotels, when the reality is that it has not always been this way. Until the 1980s, Barcelona's seafront was a working barrier of railway lines, factories and informal housing, and wastewater ran straight into the Mediterranean. Starting in 1987, Barcelona has continuously created large promenades and passages between the city and the sea, creating an environment that today many might read as previously empty space, but is actually the result of decades of infrastructure and social complexity, along with a municipal effort to transform the city's territory and its relationship to the water. Following that transformation raises three questions that frame this article: who was displaced to open the waterfront, who governs it today, and who keeps it standing?
The buildings and construction sector accounts for around 39% of global CO₂ emissions and nearly 50 per cent of global material extraction. Operational carbon emissions which are associated with the energy consumed to run the buildings also rose by 1% to 9.9 billion tonnes of CO₂ in 2024, even as building energy use intensity (EUI) has improved. These figures point to persistent gaps in the way buildings are designed, constructed and upgraded. One important area for closing those gaps is the building envelope insulation, which remains central to controlling energy demand, improving thermal resilience and reducing carbon emissions.
The RIBA Stirling Prize 2026 has been awarded to Lion Green Road, a housing development in Coulsdon, South London, designed by Mary Duggan Architects with RUFFARCHITECTS for Croydon Council. Comprising 157 homes across five residential blocks, the project combines privately owned and socially rented housing on a former car park. Presented annually by the Royal Institute of British Architects (RIBA), the Stirling Prize recognizes a building considered to make a significant contribution to the evolution of architecture and the built environment. The 2026 winner was announced at a ceremony at Old Billingsgate in London on October 15, marking the prize's 30th anniversary.
Hurst Castle in Hampshire, England. A fortress built by Henry VIII that suffered partial collapse in 2021. Image via World Monuments Fund
The World Monuments Fund (WMF), an independent nonprofit organization dedicated to the preservation of historic architecture and cultural heritage since 1965, receives nominations through the World Monuments Watch, a flagship advocacy and conservation program. Every two years, the Watch selects 25 sites from the nominations received from individuals and community-based organizations worldwide. Nominations for the 2027 World Monuments Watch closed on March 20, 2026, with a total of 372 public nominations from 84 countries and territories. Before announcing the selected sites in early 2027, the WMF offers an analysis of the nominations. Global data shows three main causes of heritage endangerment worldwide: government austerity, intensifying climate impact, and lack of access to specialized skills and expertise. At a time when political priorities tend to stray from history, the call is to recognize heritage sites as an area of shared opportunity rather than a burden.
What do architects do? This age-old question reveals the perennial dichotomy between two aspects of building–how to construct, and why to build. Despite its ancient origins and its name deriving from Ancient Greek, the profession is one that has transformed over the centuries. Its present-day form, usually dated to the Italian Renaissance, makes a distinction between the act of building and the intellectual and aesthetic decision-making behind it. However, we may be in the midst of another nascent transformation. The commissioning of architecture has historically remained separate from the practice, but as can be seen in the work of MASS and projects like the Moving Windmills Innovation Center, this distinction is beginning to blur.
Architect: Tina Hočevar. Image Courtesy of VELUX Group
What happens to the space beneath a roof? In many houses, the answer is simple: it becomes an attic, a storage space, or a largely unused volume between the upper floor and the roof. Yet the same space can become a bedroom, home office, playroom, or additional living area if the roof and the room beneath it are considered together.
This potential matters in both existing buildings and residential architecture. Converting an attic can add usable space without extending the building's footprint, while designing a new house with a usable roof space in mind can make it more adaptable over time. The question is therefore not only how to convert an attic, but how to recognize the architectural potential of underused space created by a sloped roof.
This week, questions about housing, safety, and the future of cities came into focus, from the impact of natural hazards to architecture's role in shaping more inclusive urban environments. The International Day for Disaster Risk Reduction, observed on October 13 under the theme "Resilience Starts at Home," highlighted these questions just days after a magnitude 7.7 earthquake struck Panama, damaging buildings and prompting evacuations nationwide. Beyond disaster preparedness, the week's developments also reflect broader efforts to address housing needs, give existing buildings new purposes, and create spaces that support education, culture, and public life.
Portuguese architecture and urbanism practice OODA has released new images of an urban design project in Prague, Czech Republic. The design transforms an existing building block into a permeable site with municipal social housing, commercial units, and a landscaped central plaza. The project, titled Kodaňská 1441, prioritizes walkability, green mobility and public space. In addition to opening new connections between the existing building and the urban fabric, it includes a landscape design by LJ-Group and a water management system that increases the permeable surfaces of the courtyard by 21.5%. The project is an example of urban renewal that incorporates contemporary concerns such as communal spaces, a regulated relationship with public space, planted environments, and the sustainable use of natural resources.
An architecture degree provides the foundations of the discipline, but the transition into professional practice often extends well beyond the classroom. Building experience, developing a portfolio, and navigating the realities of architectural offices are challenges that many graduates face in their first years of practice.
Regenerative Salt Landscapes, winning entry of the ArchDaily Student Project Awards 2026. Image via ArchDaily Student Project Awards
On paper, entering an architecture competition is one of the most challenging things an architecture student can do. What draws students to them is the chance to experiment, approaching a loosely defined program that leaves room to test unconventional ideas and unfamiliar tools outside the rhythm of the semester. That distance from assessment is a relatively recent development, as competitions were once central to architectural education.
At the École des Beaux-Arts, teaching was split between the atelier, where students developed projects under a practising architect, and the competition, where a jury of professors judged the students' work without having followed its development. This model was later brought to schools such as MIT, Penn, and Cornell by French-trained instructors. Over time, most schools held on to the atelier, which became the design studio, and pushed the competition to the edges of the curriculum.
Breidablikk Gården / Asplan Viak and Facade Cladding by SolarLab. Image Courtesy of SolarLab
Solar panels are often treated as equipment added to a building. What happens when they become part of the architecture itself? Once integrated into the envelope, photovoltaics can generate energy while also influencing the building's form, construction, and environmental performance.
Roofs are often the most obvious location for photovoltaic panels, yet other parts of the building can generate power while performing additional architectural functions. Facades can provide shading, louvers can control sunlight, and ventilated rainscreens can combine weather protection with energy generation. Their orientation, position, and integration into the building envelope therefore become part of the architectural design rather than a separate technical decision.
This month's Brazil in Focus looks at how architecture and urban development intersect with questions of housing, education, public space, and mobility across the country. This month's selection includes an indigenous settlement in Maricá recognized by UN-Habitat for its approach to adequate housing, editorials examining university campuses and planned cities as frameworks for collective life, and projects ranging from a timber-structured airport expansion to a commercial building that engages São Paulo's public realm and a residence shaped by its landscape. Also on the radar are the winning proposal for Itaú Cultural's new headquarters on Avenida Paulista, international recognition for two Brazilian landscape architecture projects, and a national diagnosis highlighting persistent gaps in pedestrian infrastructure and road safety.
On October 11, 2026, Donald Insall Associates announced the passing of its founder, Sir Donald Insall. Describing him as "a man of great tact, charm and humour," the practice recognized his contribution to the structures, institutions, and tools of heritage preservation in England, as well as his practical knowledge and application of the craft of restoration. An architect, conservationist, planning consultant, author, and teacher, he led one of Britain's leading conservation practices for four decades after founding it in 1958. His practice undertook the renovation of William Morris's Kelmscott Manor in Oxfordshire and Robert Adam's Kedleston Hall in Derbyshire, the conservation of Chester's historic center, and the restoration of Windsor Castle following the 1992 fire, among other British landmarks.
