HHF Architects, in collaboration with landscape architects from Westpol, have won a competition with their design for Jardin Métropole, a 30-meter-tall apartment tower and neighboring green space. Located in Biel, Switzerland, the project is expected to become the symbol of the city and contribute to the area’s general enhancement through its angled cube massing and public element.

Based on the theme of a “city garden,” the building will constitute the beginning of a new, park-like passage to Rue du Moulin, and will feature access to gardens with private planting beds, a shared roof terrace, and landscaped loggains.

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Tod Williams and Billie Tsien have been selected of the recipients of the 2017 LongHouse Award for their “for their outstanding body of work in architecture.”

At Wednesday evening’s ceremony, the husband-wife team opened up about the conceptual ideas driving their yet-to-be-revealed design for the Obama Presidential Library. In a lively discussion with Vanity Fair architecture critic Paul Goldberger, the architects revealed the nature of their working relationship with the President and First Lady, and how their upcoming library may draw from what TWBT learned in designing the Barnes Foundation in Philadelphia.

Contrary to some beliefs, climate change is not simply some unidentifiable threat perpetually on the horizon, but a phenomenon that has already had real impact on real world places. To illustrate the effects of our changing environment, the New York Times has launched a new multi-media series called “Changing Climate, Changing Cities,” written by architecture critic Michael Kimmelman, that aims to expose how climate change is “challenging the world’s urban centers.

The first installment takes a look Mexico City, where environmental issues that have already wreaked havoc for centuries, such as water shortage and ground subsidence, are beginning to see their effects multiplied by the city’s changing climate. The piece explains the root of these problems, and their effect of an already fragile infrastructure and social fabric.

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Lumen by Jenny Sabin Studio has been named the winner of The Museum of Modern Art and MoMA PS1’s annual Young Architects Program. Opening on June 27 in the MoMA PS1 courtyard, this year’s construction is an immersive design that evolves over the course of a day, providing a cooling respite from the midday sun and a responsive glowing light after sundown. Drawn from among five finalists, Jenny Sabin Studio’s Lumen will serve as a temporary urban landscape for the 20th season of Warm Up, MoMA PS1’s pioneering outdoor music series. Lumen will remain on view through the summer.

Now in its 18th edition, the Young Architects Program at The Museum of Modern Art and MoMA PS1 has offered emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water. The architects must also work within guidelines that address environmental issues, including sustainability and recycling.

Iran’s geography consists largely of a central desert plateau, surrounded by mountain ranges. Due to the country being mostly covered by earth, sand, and rock, Iranian architecture makes fantastic use of brick or adobe elements. Most of the buildings seen in larger cities such as Tehran and Isfahan are constructed using similar brick-laying methods as can been seen in other parts of the world, but certain constructions, usually ones that date further back, contain incredible geometrical treasures. And it doesn’t stop there - old Iranian architecture often contains a layer of tiles over the brick constructions that can create just as mesmerizing geometrical wonders. The art of creating complexity by using many incredibly simple elements is one that has been mastered in Iran. In an architectural world where construction has become hidden by layers of plaster and plywood, we could learn a lot from the beauty of Iran’s structural geometry, where skin and structure are (almost always) one and the same.

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Researchers at Princeton University’s Department of Civil and Environmental Engineering have discovered that hydroxyapatite, the primary compound found in human teeth and bones, can be used to help preserve the condition of marble, which is prone to cracking and deteriorating as a result of the effects of pollution and the weather.

This article is part of our 'Innovative Materials' series where we ask architects about the creative process behind choosing the materials they use in their work.

The Museo Internacional del Barroco (International Baroque Museum) by Toyo Ito is located 7km from Puebla, Mexico. The place is noted for its easy access, not only for cars, but also for being connected to a network of bike paths and public transport. In this interview we spoke with Alejandro Bribiesca Ortega and Miriam Carrada.

In this article, Dirk van den Heuvel links (Dutch) Structuralism to current day developments – more specifically in the digital realm. The following essay was first published by Volume in their 50th issue, Beyond Beyond, the editorial of which is available to read here.

Throughout his life the Dutch architect Jaap Bakema (1914-1981) sought to convey to his students and colleagues the notion of what he called 'total space', 'total life', and 'total urbanization'. In his view, architectural design had to help in making people aware of the larger environment to which they belong and in which they operate. Architecture could not be uncoupled from urbanism, it was related to the deeper structure of society. His conceptualization of architecture was programme and process based and it put social and visual relationships at the centre, which betrays his adherence to Structuralism as voiced in the Dutch journal Forum of which he was an editor together with Van Eyck and Hertzberger, and to the Team 10 discourse, of which he himself was one of the leading voices. At the same time, Bakema would expand on the legacy of the Dutch De Stijl movement and Dutch Functionalism. In particular his concept of space and spatial continuity is derived from De Stijl. His diagrammatic approach to architectural design and programmatic organization, as well as the elementary architectural language of his projects were elaborations of the Dutch Functionalist tradition.

What's a better way to follow up on one of our most popular posts (of all time) than by providing a key design tool: the mighty template. Many of you enjoyed seeing the examples of CVs and resumes submitted by ArchDaily readers, but you also asked for a simple, fast way to jump start inspiration for your own creations.

Here are five hand-picked, well-organized, easy-to-use templates that have been downloaded and tested by our team of editors. 

As rising rents have began to drive out historic garment companies from New York City’s storied Garment District in Midtown Manhattan, mayor Bill de Blasio has announced plans for a new development that would bring together the artistic fields into one creative hub in Brooklyn’s Sunset Park neighborhood. Conceived and designed by WXY architecture + urban design, the $136 million “Made in NY Campus” will provide the setting for film and television production, virtual reality tech offices, and a new home for New York’s fashion and garment manufacturing industry.

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After two weeks of nominations and voting, last week we announced the 16 winners of the 2017 Building of the Year Awards. In addition to providing inspiration, information, and tools for architecture lovers from around the world, ArchDaily seeks to offer a platform for the many diverse and global voices in the architecture community. In this year's Building of the Year Awards that range of voices was once again on display, with 75,000 voters from around the world offering their selections to ultimately select 16 winners from over 3,000 published projects.

Behind each of those projects are years of research, design, and labor. In the spirit of the world's most democratic architecture award, we share the stories behind the 16 buildings that won over our global readership with their urban interventions, humanitarianism, playfulness, and grandeur.

Zaha Hadid Architects has released new images of Leeza SOHO, their mixed-use design in Beijing's Lize Financial Business District. The project is notable for its 190-meter tall atrium, which rises the full height of the building, uniting two twisting sections which contain 172,800 square meters of office and residential space. At the base of the tower, a new transit hub straddles a subway tunnel that is currently under construction.

With ever-increasing rates of chronic and veteran homelessness amongst low-income households, Los Angeles’ pressing demand for affordable social housing is being addressed by Lorcan O’Herlihy Architects, with their design of MLK1101 Supportive Housing, which has just begun construction.

Working in collaboration with non-profit Clifford Beers Housing, LOHA’s intention is to focus on health and community within a comfortable environment. This is achieved through a number of strategies, including exposing the building towards the street to integrate the building into the neighborhood creating strong community ties.

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Lima-based architect Karina Puente has a personal project: to illustrate each and every "invisible" city from Italo Calvino's 1972 novel. Her initial collection, which ArchDaily published in 2016, traced Cities and Memories. This latest series of mixed media collages, drawn mainly using ink on paper, brings together another sequence of imagined places – each referencing a city imagined in the book.

Invisible Cities, which imagines fictional conversations between the (real-life) Venetian explorer Marco Polo and the aged Mongol ruler Kublai Khan, has been instrumental in framing approaches to urban discourse and the form of the city. According to Puente, "each illustration has a conceptual process, some of which take more time than others." Usually "I research, think, and ideate over each city for three weeks before making sketches." The final drawings and cut-outs take around a week to produce.

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A mere six months after the torch was snuffed, the Brazilian Olympic sites that once hosted scores of locals, tourists, and athletes in a global celebration of athleticism and camaraderie now lie in ruin. This "ghost town" cost Brazil around $4.6 billion plus an estimated $1.6 billion in budget overages, according to reports by the Financial Times and Quartz.

In stories recently published by The Guardian, Business Insider, Mashable and Bored Panda we can see the heartbreaking reality and aftermath in the disused venues.

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The following three video testimonials explain why you should participate in the International LafargeHolcim Awards.

Looking to add a beautiful piece of art to your render to really sell your project? Look no further.

The Metropolitan Museum of Art has announced its new Open Access policy, which releases over 375,000 images of artworks from their expansive collection for free download, with absolutely no restrictions under copyright law – meaning you are completely free to copy, remix, or distribute any image for any use, including commercial.

Richard Meier & Partners has completed 3 new mixed-use buildings as part of their “Teachers Village” master plan in downtown Newark, New Jersey. The development, led by RBH Group, centers around two Charter Schools completed by Meier & Partners in 2013, to provide a variety of retail spaces and 123 residential units marketed specifically at teachers.

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This article was originally published by Autodesk's Redshift publication as "Haresh Lalvani on Biomimicry and Architecture That Designs Itself."

It’s the holy grail for any biomimicry design futurist: buildings and structures that use generative geometry to assemble and repair themselves, grow, and evolve all on their own. Buildings that grow like trees, assembling their matter through something like genomic instructions encoded in the material itself.

To get there, architecture alone won’t cut it. And as such, one designer, Haresh Lalvani, is among the most successful at researching this fundamental revision of architecture and fabrication. (Or is it “creation and evolution”?) He employs a wildly interdisciplinary range of tools to further this inquiry: biology; mathematics; computer science; and, most notably, art.

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Five European projects have been selected as finalists for the 2017 EU Prize for Contemporary Architecture - Mies van der Rohe Award. Chosen from a shortlist of 40 projects, the five finalists were lauded by the jury for their ability to “respond to the concerns of today’s European society.”

“Our instincts could be summed up by the words of Peter Smithson: ‘things need to be ordinary and heroic at the same time,’” said Jury Chairman Stephen Bates. “We were looking for an ordinariness whose understated lyricism is full of potential’.”

Through April, the jury members will visit each finalist project to evaluate the buildings firsthand and to see how they are used by the public. The Prize Winner will be announced in Brussels on May 16.

The five finalists are:

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Bjarke Ingels Group (BIG) have been revealed as the winners of a competition to conceptualize and design a new headquarters and bottling plant for San Pellegrino, located in the terme of the same name in the Alps of northern Italy. Finalists included MVRDV, Snøhetta, and aMDL, each of whom presented their proposals in October last year.

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Artist and photographer Rob Carter shared with us a video in which, through montages and digital collages, shows the urban growth of the city of Charlotte, in the state of North Carolina, USA. The video, titled Metropolis, is "an abbreviated city narrative [...] that uses stop-motion animation to physically manipulate aerial imagery, creating a landscape in constant motion."

Charlotte is one of the fastest growing cities in the US and Carter's production features the changes that have taken place in recent years in its central region. Verticality and density of buildings (not necessarily people) continue to mark the urbanization of the city.

This project, by Spanish architects Longo + Roldán, turned out to be a great solution for an unused space that was unexpectedly getting a lot of attention in the interior of a quarry.

Instead of building new buildings or remodeling existing cabins they designed an intricate metal lattice structure that forms a web of planters of different depths, containing various species of plants. This solution not only revitalizes the space but also protects existing buildings from the sun, improving their thermal conditions.

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Richard Meier is well-known for his love of the color white, describing it as “the most wonderful color, because within it you can see all the colors of the rainbow” in his Pritzker Prize acceptance speech. As such, many of his buildings, including the City Hall of The Hague in Netherlands (completed in 1995), are painted head-to-toe in the snowy pigment. But now, all that white has given the building a new unintentional function: as a perfect canvas for the world’s largest Mondrian painting.