As revolutionary as the construction sector may seem nowadays, it currently accounts for nearly 40% of the world’s carbon dioxide emissions, 11% of which are a result of manufacturing building materials such as steel, cement, and glass. Fast forward a couple of years later, after a life-changing global pandemic and indisputable evidences of climate change, CO2 emissions are still on a rise, reaching a historical maximum in 2020 according to the 2020 Global Status Report for Buildings and Construction. Although a lot of progress has been made through technological advancements, design strategies and concepts, and construction processes, there is still a long way to go to reduce carbon emissions to a minimum or almost zero in the development of built environments.
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Courtesy of Design Center Baden-Württemberg
Last year, the International Design Award Baden-Württemberg celebrated its 30th anniversary. For this year's prize, designers and brands are invited to apply until March 18 with designs that are either ready for production or have been on the market for less than two years.
By 2025, Dubai plans for a fourth of its buildings to be printed in 3D construction methods, demonstrating the potential of a fast-growing technology capable of redefining and pushing the limits of traditional architecture. As the technique emerges as a viable solution in the construction, engineering, and architecture areas, its popularity is quickly increasing. In fact, just between 2021 and 2028, the global 3D construction market is expected to grow by 91%, according to a July 2021 report by Grand View Research. Why this rapid growth? Besides being a faster alternative and having lower construction costs, it can also provide affordable housing solutions and allow countless design possibilities, among many other benefits. Thus, as architects must adapt to a new technological era, where speed and efficiency have become key factors in design and execution processes, the rise of 3D printing shows enormous promise. It could even help reshape construction as we know it.
We are all experienced and we have all done it! I am referring to one's reaction to less than good lighting of course. Think about it.
We have all experienced architectural spaces wherein something about the lighting is not quite right. It could be any of the following issues, to name a few: appearance, color quality, controllability, emphasis or lack thereof, flicker, harshness of shadows, lack of shadows, illumination levels on horizontal and/or vertical surfaces, luminaire placement, proportions, and/or scale. Any of these issues can be perceived as bad lighting.
Courtesy of Menilmonde via screenshot from 2°C New York City video
Following an extensive report on the impacts of climate change last year, the second installment of the Intergovernmental Panel on Climate Change (IPCC), the United Nation's body for assessing the science related to climate change, addresses the current and anticipated impacts of climate change on ecosystems, biodiversity, and human communities across the globe, along with action plans on how the natural world and human societies could adapt to these changes before reaching an "irreversible" state.
The floor is one of the largest areas of coverage of an environment, and therefore, its choice goes through several criteria related to both aesthetic and visual identity issues, as well as technical issues of resistance and maintenance. It is common to use different floors for areas with different uses and often this transition is not marked by walls or doors. Next, we will bring you tips on how to make this transition harmoniously when there is no physical boundary between the floors.
El Sindicato was born in 2014, when Xavier Duque, Maria Reinoso and Nicolás Viteri joined forces against the boss-employee way of working. They stop working for other people. They do their own thing. What they like the most inside and outside the profession. They affirm that it is not, and they do not want it to be, an architecture office, but a life project.
According to a Harris Poll/Lego survey that questioned children across the United States, UK, and China, nearly one-third of children aged eight to 12 want to be a “YouTuber” when they grow up. That’s three times as many children who said that they wanted to be astronauts just a decade ago. The implications of how this generation of future influencers and content creators has a significant impact on the architecture and design profession begs the question- are we on the cusp of experiencing the rise of architecture influencers?
Courtesy of UN-Habitat and Global Utmaning/ Edited by ArchDaily
The built environment destined for everyone is still, to this day, not envisioned by everyone. Last year on Women’s day, we stated that “the battle for equality is far from over”. Highlighting continuously women architects and gender-related topics, this year, ArchDaily is turning the tables and seeking guidance from our audience. We highly value our reader's opinions, and now more than ever, we are seeking your input, to reach more realms and shed light on unfamiliar female figures to the international scene.
In your opinion, who are the female architects missing from our platform? Help us put the spotlight on women implicated in the built environment and nominate major female characters from across the globe, so that we can adjust the narratives, feature their work, and share knowledge and tools for a more inclusive world. These women can belong to any part of history: from young upcoming forces to established individuals or firms to figurines that were part of architecture's history. They can also have diverse professional backgrounds, from architects, planners, designers, to builders and decision-makers, all profiles involved in shaping the environment that surrounds us are eligible.
The early 20th century saw the birth of Modernist architecture. It brought with it a central architectural movement that in turn birthed off-shoots of its own. A figure often seen as the defining face of this movement is Le Corbusier, whose 1923 treatise Toward an Architecturewas influential to his Modernist contemporaries – a manifesto including the phrase “a house is a machine for living in” where good architecture would have to be intrinsically linked to function and the demands of industry.
A new place for design - State of Address (SOFA) - is a world-first design community on the blockchain, shifting how design and architecture is made, owned and collected.
Founded by four Melbourne entrepreneurs - Chris Stribley, Domenic Cerantonio, AJ Batra and Anmol Sekhon - SOFA uses non-fungible tokens (NFTs) to turn products of architecture and design into tokenized and investable assets that are unique, scarce, and transferable. All of which provide a plethora of digital and physical utility and have the potential to be on-sold for longer term gain.
As OMA New York / Jason Long's Greenpoint Landing residential towers near completion, new renders have been released that showcase the amenities, interior spaces, and landscape of the project. Developed by Brookfield Properties and Park Tower Group, the Eagle + West Towers feature 745 units of mixed-income housing, 8,600 sq. ft. of retail space, along with recreational amenities such as a pool, lounge, gym, workshops, and test kitchen.
Farshid Moussavi (photograph: Anne Purkiss) and Mona Hatoum (credit: The Japan Art Association / The Sankei Shimbun / Mizuho Miyazaki). Image Courtesy of Architectural Review
Farshid Moussavi and Mona Hatoum have been named this year's recipients of the Jane Drew and Ada Louise Huxtable Prizes, two awards celebrating women's contribution to the architecture profession and the broader architectural culture. The 2022 Jane Drew Prize commends Farshid Moussavi for her achievements as architect, educator and writer, while artist Mona Hatoum, whose works take on an architectural scale, was awarded the Ada Louise Huxtable Prize in recognition of her significant contribution to architecture.
Over the last couple of years, terraces have become an important part of urban life, acting as a refuge, a space for enjoyment and gathering, for contemplation or as an outdoor workspace. As a result of periods of confinement around the beginning of the Covid-19 pandemic, these outdoor spaces where people can exercise, connect with nature, study or work, have become particularly popular with those living in large cities.
Scandinavian interiors and products have had an affinity with design excellence for the better part of a century. Although the local landscape is one of doubtless natural beauty, it remains frustratingly covered in darkness for a large portion of the year.
Amsterdam is one of the most beautiful cities in Europe. Its origins lie in the 12th century when fishermen living along the banks of the River Amstel built a bridge across the waterway near the IJ, then a large saltwater inlet. Most of the city’s territory is below sea level and therefore it lies on land that has been reclaimed from the water.
Amsterdam is all about practical urban planning, amazing cycling infrastructure, tulip-lined canal bridges, and old merchant houses that tilt at impossible angles. I visited Amsterdam again last year and discovered some new places.
Tsz Yan Ng is a Michigan-based firm principal, professor, researcher, and artist whose interdisciplinary and collaborative work seeks to challenge and improve upon modern fabrication and manufacturing practices. “We haven’t changed the way we build in so long,” Ng said. “We need to think of it more productively—not just economically—but as a collection of different voices. Architecture is a global ecosystem of people, where the sum is greater than the parts.”
What is success to you might be different to how the architecture industry views success.
One thing is certain: Everyone wants and deserves more. And to have more, you have to learn how.
I am not here to discuss philosophical concepts behind our drive as architects to be better or have more. I am here to promote a better life for architects. More recognition, more clients, more awards, more money.
Maybe you are happy where you are, maybe you struggle, but either way all of us could benefit from knowing what to do to improve the state of our careers.
Designed by Herzog & de Meuron, Tate Modern’s Switch House was Tate Modern’s latest extension in 2016, radical in form and surface, yet intimately relative to the vast building to which it joins, which opened as London’s foremost modern art gallery in 2000. Shot recently by Bahaa Ghoussainy, the building that opened in 2016, is a model for museums in the 21st century.
Nordic Structures. Image Courtesy of Quebec Wood Export Bureau
Offsite construction is a fast-growing sector within the global building construction industry. With that growth, many challenges lie ahead for all parties involved, especially architects, who have traditionally remained at arm’s length to the means and methods of construction. Cost challenges have led many firms to want to learn more about optimizing for offsite delivery methods. To help speed up industry transformation, a cooperative and open-source initiative led by the Quebec Wood Export Bureau has been developing a suite of nonprofit and collaborative tools for architects. At www.offsitewood.org, they offer a free Revit plugin, detailed content packs, and a BIM-integrated early-phase embodied carbon estimator called Carbon Fixers.
In this powerful new visual from Spirit of Space, we are introduced to Ricardo Bofill’s headquarters ‘The Factory’ or La Fábrica, Taller de Arquitectura. Once a disused and decaying cement factory from the turn of the century, with 30 silos, machine room, and galleries, it is now a significant transformative project, satisfying the Architect's longing for space via adaptive reuse.
A haven in the urban sprawl, engulfed by a floury of palm, olive, and eucalyptus trees. Spirit of Space visits the former hive of activity, now a tranquil mid-city refuge, an immense contrast to the industrial grime that used to reside here. Through moving pictures and multi-sensory experiences it explores the Brutalist form; a concrete shell… a skeleton intertwined with nature itself.
Fazlur Rahman Khan was a pioneer in the structural engineering of tall buildings. After buildings exceed sixty stories height, gravity loads account for a smaller proportion of structural weight than wind loads. Khan developed the tubed truss tower design to stiffen the building at taller heights without adding significant weight. The tube design had the added consequence of pushing the structure out to the exterior of the building to become part of its architectural expression. However, the acceptance of visible steel trusses was a slow process that parallels the acceptance of engineering infrastructure like bridges as aesthetic productions. This video traces a lineage of this process from Eiffel — who’s pylon designs look much like the Hancock Tower — to today.
This week’s curated selection of Best Unbuilt Architecture highlights competition-winning projects submitted by the ArchDaily Community. From large scale urban developments to interventions in the landscape, from housing projects to educational spaces and commercial buildings, this article showcases a variety of design approaches, programs and scales. The proposals featured are the results of local and international competitions, either creative concepts or projects currently in progress.
The competition-winning entries include a range of different projects, designed by both new practices and established firms. are a few of this week's highlights. A "city within a city" urban development in Ukraine, an EV station design in Canada that reinterprets the traditional typology of highway rest areas, a sustainable housing block in Finland and a clubhouse in the landscape of New Zealand are some of this week's highlights.
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.jpg?1646040749 "SOM Explores Future Timber Construction Methods at the 2021 Chicago Biennial. Image © Kendall McCaugherty © Hall+Merrick Photographers")
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