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The contemporary kitchen is no longer just a space for food preparation; it has become one of the most dynamic areas of the home. Design decisions can redefine both spatial configurations and the layout of elements as they integrate with various social areas, incorporate new technologies, or adapt to changing domestic habits. In this scenario, and in response to multiple needs, the balance between functionality, comfort, durability, and aesthetics is directly linked to the selection of finishing materials. Depending on the countertop finish or the cabinet opening system, each kitchen configuration helps build environments tailored to different activities and ways of living.

A new capital is usually introduced through its principal buildings: the assembly, the secretariat and the ceremonial spaces that give a seat of government its public image. In Amaravati, India's Andhra Pradesh, that image of a new capital sits within an older landscape of cultivated fields, villages and established routes. Before the capital project, the region was already occupied by agricultural villages, local roads and settlements connected to the Krishna River and its water systems. The capital project is reorganizing this agrarian territory into a planned administrative city, bringing existing settlements and land ownership into the process of urban development. Its architectural identity will depend on how the new buildings, infrastructure, and public spaces relate to the settlements and landscapes already there.

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From the end of Mere Boulevard in Tallinn, Linnahall appears as a long, low mass of limestone and concrete laid between the Old Town and the bay, kept deliberately beneath the line of the medieval silhouette so that the spires remain visible from the water. Broad stairways climb its flanks to a roof paved as a public square, and from there a sequence of terrace steps down toward a small pier, a helicopter pad and the open Gulf of Finland. Under that surface sit an amphitheater for 4,200 people, a foyer of 6,000 square meters, an ice hall, cafés, a bowling alley and a recording studio.

The building opened in the summer of 1980 as the V. I. Lenin Palace of Culture and Sport, in time for the sailing regatta of the Moscow Olympics, which Tallinn hosted on behalf of a capital with no coastline. It was one of more than 120 projects planned under the city's Olympic program, alongside the yachting center in Pirita, the TV Tower, Hotel Olümpia and a new airport terminal.

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The New Mexico Literacy Institute (NMLI), a 31,000-square-foot educational center designed by Multistudio in collaboration with Albuquerque-based Design Plus Architects, is scheduled to open in December 2026. Located in New Mexico, the project is a legacy initiative of Governor Michelle Lujan Grisham and is intended to provide a statewide facility for literacy education, serving learners of different ages and abilities. The design brings together educational, recreational, and community spaces, approaching literacy as a process that extends beyond conventional classroom settings.

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Designed by Franco-Japanese architects Moreau Kusunoki, with Australian architecture firm Genton as local architects, Powerhouse Parramatta is, according to the NSW Government, the largest cultural infrastructure project in Australia since the Sydney Opera House. The project was first announced in 2019, construction began in 2022, and the opening was first announced for 2025. The main building was completed earlier this year, giving way to the upcoming opening this Saturday, November 7, 2026. Powerhouse Parramatta is part of Powerhouse, the largest museum group in Australia, a network of cultural venues dedicated to arts, design, science, and technology. The new building's program offers the public five exhibitions and a 23-day Opening Festival of talks, workshops, music, and performances around the different exhibition topics.

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Cabins offer architects opportunities to experiment playfully with architectural form, materials, landscaping, and spatial configurations. Their compact footprints, relatively simple programs, and close proximity to the natural surroundings allow for unconventional design approaches and the ability to test experiential, architectural ideas. Often constructed as spaces of rest, cabin architecture encourages architects to prioritize the experience of inhabiting a space, exploring how individual design elements contribute to the character and atmosphere of the interior.

Natural light plays an important role in shaping this experience, particularly in compact spaces where the placement of openings will significantly influence spatial perception. While conventional window openings establish visual connections with the surrounding landscape, skylights introduce daylighting from above and create a unique opportunity to observe seasonal variations and the movement of shadows during the day. Beyond providing natural light for the inhabitants, well-designed skylights create a dynamic relationship with natural light and establish a closer connection to the surrounding environment and day.

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The Sharjah Architecture Triennial (SAT) has announced the opening programme of its third edition, Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Curated by writer and anthropologist Vyjayanthi Rao, with Associate Curator Tau Tavengwa, the Triennial will take place from November 14, 2026, to April 14, 2027, with its six-day opening programme running from November 14 to 19. Co-curated by Rao and Sharmeen Inayat, SAT's Research and Civic Engagement Curator, the programme brings together participatory projects, live performances, film screenings, lectures, and discussions across the Emirate of Sharjah, culminating in a two-day international conference on November 18 and 19.

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This week started with World Cities Day, which this year, in line with World Architecture Day, was an occasion to spotlight deficient access to adequate housing, secure tenure, basic services, and affordable living conditions worldwide. Once again, we are faced with a call to approach architecture and urban design differently, making design a social tool rather than merely a market tool. Examples of sensible approaches can be seen in this week's announcements: waste-based materials, adaptive reuse of industrial heritage, and the recognition of the evolving nature of drawing. The controversial proposal to replace Milan's San Siro Stadium with a new design by Foster + Partners raises questions about notions of value and beauty in the contemporary world, while at ArchDaily, we invite students to imagine new forms of urban life through architecture. To reasonable conflicts, creative solutions. Finally, in this week's radar, we received news from the XIV Ibero-American Biennial of Architecture and Urbanism (BIAU), held this year in Brasília; a new curved timber-and-concrete building by OODA in Lisbon; and a masterplan by SOM for a brand-new city in Egypt.

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Located on the Caribbean coast of Central America, Belize is a small country with an intriguing history. It is bordered by Mexico to the north and Guatemala to the west and south, with the Caribbean Sea along its eastern edge. Known as British Honduras for most of its past, it was formally made into a British colony in 1862, long after its Central American neighbors had won their independence from Spain. As the territory transitioned toward independence, it adopted two symbols of its emerging identity: a new name, Belize, and a new capital, which was built not just to govern the new nation, but also as a way to prevent hurricanes from putting the country's institutional stability at risk.

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This October, architecture across Latin America became a platform for exchange, bringing together discussions on inhabitation, cultural identity, emerging practices, and the relationship between the built environment and its wider context. From conversations on emerging architectural practices and material research at Design Week Mexico to new approaches to housing, landscape, and public space in Chile and Mexico, recent developments highlight how architecture responds to specific local conditions. Across the region, initiatives addressing climate adaptation and heritage recovery in the Dominican Republic and Colombia also bring attention to the changing responsibilities of cultural institutions and the built environment.

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Launched in 2017, The Architecture Drawing Prize is organized annually to celebrate and showcase the art of architectural drawing across multiple formats and techniques. Co-curated by Make Architects, Sir John Soane's Museum and the World Architecture Festival (WAF), and supported by Iris Ceramica Group with ArchDaily as media partner, the ninth edition has announced the 11 recipients. This year, the drawings were selected from 168 entries from around the world, with a special prize for hand-drawing. An overall recipient will be announced at Sir John Soane's Museum in London in early 2027, where The Architecture Drawing Prize exhibition will run from January 27 to February 28, 2027.

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Sharjah Design Centre (SDC), a new institution dedicated to design, material research, prototyping, and production, is scheduled to open in 2029 as part of the Sharjah Creative Quarter in the United Arab Emirates. Designed by Taller de Arquitectura – Mauricio Rocha in collaboration with architect Daniel Rosselló, the centre will bring together specialist laboratories, research facilities, production spaces, and public programmes within a purpose-built building. Under the leadership of H.E. Sheikha Hind bint Majid Al Qasimi, SDC aims to connect designers, manufacturers, researchers, and entrepreneurs through an integrated framework for material experimentation, fabrication, and knowledge exchange.

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Pritzker Prize laureates Anne Lacaton and Jean-Philippe Vassal have been announced as the recipients of the 2027 Le Prix Charlotte Perriand. Organized annually by the Créateurs Design Awards (CDA), the prize recognizes practitioners whose contributions have advanced architecture and design through a peer-led voting process. For its eighth edition, the organization highlighted the work of the French architectural studio as a demonstration of "how the adaptation of existing structures can improve living conditions while preserving resources and architectural heritage." Previous recipients of the prize include Xu Tiantian; Kazuyo Sejima and Ryue Nishizawa; Frida Escobedo; and Jeanne Gang.

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The second edition of the ArchDaily Student Project Awards is now open for submissions, and this year we are proud to present it in partnership with Dropcity, a center for architecture and design in Milan. Together, we are asking students around the world one question: What can architecture enable in the city?

At ArchDaily, we believe the future of architecture takes shape today in classrooms, studios, and workshops around the world. Guided by our mission to empower architects and designers with tools, knowledge, and inspiration, the Student Project Awards recognize students who expand the definition of architecture, work across disciplines, and engage with the urgent challenges of our time.

Whether in residential interiors, workplaces, hospitality environments, or public spaces, the relationship between aesthetic intentions and technical performance can redefine how surfaces are used and how they perform. A material selected for its specific color, texture, or finish must remain visually coherent when applied to furniture fronts, cabinetry, countertops, and other interior elements. Yet how can architects and designers create visually distinctive and tactilely engaging interiors while preserving their original design intentions across different applications?

The Eames Institute of Infinite Curiosity has unveiled the masterplan for its forthcoming archives in Marin County, California. The project, designed by Swiss architects Herzog & de Meuron and Bay Area-based EHDD, transforms a mid-century modern warehouse into a cultural destination, with art installation space, flexible galleries, learning and gathering spaces, a theater, and dining offerings. The large-scale adaptive reuse project is accompanied by a transformation of the gardens and grounds of the surrounding 88.5-acre site, led by Field Operations. While the Institute's Eames Archives will form one part of the museum, its exhibitions and programming are intended to extend far beyond the work of Charles and Ray Eames, bringing together different disciplines, creative processes, and ideas.

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AC Milan and FC Internazionale Milano (Inter) have unveiled the design for Generali Stadium, a 71,500-seat venue planned to become the shared home of the two football clubs in Milan, Italy. Designed by Foster + Partners and MANICA, the new stadium will be built alongside the existing San Siro as part of a 281,000-square-meter redevelopment of the surrounding area. The project follows years of discussions over the future of the historic venue, which the clubs acquired in 2025 with the intention of replacing it. Construction is expected to begin in 2028, with the stadium scheduled to host its first match during the 2031/32 season, subject to planning approvals.

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Outdoor kitchens are no longer just an exclusive accessory; they have become a natural extension of the home. Gardens, terraces, and porches are transforming into spaces where cooking and, above all, entertaining can take place without having to step inside. In addition to offering convenience, this solution increases property value and responds to a lifestyle that is increasingly connected to the outdoors.