Architecture may have its roots in sheltering humans from the elements, but that is not to say that architecture is for humans alone. Around the world, there are numerous examples of buildings and shelters designed by architects for other species. Some of these can be whimsical, such as the Dogchitecture exhibit by 10 Mexican architecture firms back in 2013, or the series of BowWow Haus kennels designed by over 80 architects back in 2017, including Zaha Hadid Architects. But others are designed for a more direct impact.
Whether it's by sharing a meal at a restaurant or preparing a home-cooked meal together, food does in fact, bring people together. With that in mind, architects placed kitchens at the heart of homes, giving residents a space to cook, dine, and spend quality time with their families and friends. However, not all homes can fit spacious kitchens, some are too small and others don't have the proper spatial configuration for it. In this interior focus, we will explore how architects and designers opted for different kitchen layouts based on different spatial and user needs.
In 1929, Ludwig Mies van der Rohe and Lilly Reich design the German National Pavilion for the 1929 Barcelona International Exhibition. The official reception for the exhibition was held there, presided over by King Alfonso XIII and the German authorities. From then on, the story is well known to everyone. A symbolic work of the Modern Movement, the Pavilion has been extensively studied and interpreted, and has inspired the work of several generations of architects.
Textile forms of habitation are far from new; in fact, humans have been using fabric to create shelter for thousands of years, becoming an archetypal form of building. Today, contemporary architecture has rediscovered the principle of the tent and taken its development further, implementing new technologies to generate more advanced and durable fabrics which allow larger areas to be spanned. Becoming a highly specialized sector within the construction industry, multiple textile forms have become common in a wide range of architectural applications – not just for temporary structures, but also for permanent buildings. Apart from their use in facades, these can be utilized in interiors to create highly functional spaces with unique sensory experiences.
Last year, a series of new museums, expansions and several museum renovations have opened their doors to the public, adding a new dimension to the cultural landscape around the world. From the long-awaited re-opening of the Neue Nationalgalerie in Berlin, to Ryue Nishizawa's Jining Art Museum merging with the landscape, and MVRDV's reflective Art Depot, discover the architecture of the latest venues of art and culture.
Renovation projects are often perceived as being more limited and therefore less exciting. In this article, we present renovation projects with unexpected solutions that show that it is possible to be creative when adapting and reusing an existing space.
After being awarded with the top prize at the Munch Museum Competition in 2009, Spanish architecture firm Estudio Herreros has finally completed the construction of the museum and will open its doors on October 22, 2021. The long-awaited museum will showcase a rich collection of Norwegian heritage and culture and thousands of artworks by artist Edvard Munch, as well as present a contemporary museum concept that highlights architecture's urban role and historical responsibility of Oslo and the nation as a whole.
The choice of Lacaton & Vassal to receive the 2021 Pritzker Prize was, above all, emblematic. Under the mantra “never demolish, never remove or replace, always add, transform and reuse”, the French duo built a career focused on renovating buildings, providing them with spatial quality, efficiency and new programs. Their approach contrasts with most of the architecture we are used to honoring: iconic, imposing and grandiose works. It also contrasts with the notion of the tabula rasa, of building and rebuilding from scratch, so well represented in Le Corbusier's Ville Radieuse, and which has fascinated architects and urban planners ever since.
Whether because of the sustainability demands currently in vogue, or simply because there are already enough buildings around the world, the task of rehabilitating spaces and buildings has been seen as an important driver of change. The focus is generally to center efforts on interior spaces, paying special attention to the environmental quality and comfort of the inhabitants, in addition to adapting the uses to contemporary demands. The main question revolves around how to update (and even automate) the buildings of the past to adapt to new needs for efficiency, sustainability and well-being.
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