As part of the London Festival of Architecture, French-Lebanese architect Annabel Karim Kassar and her award-winning studio AKK have unveiled a new installation at the Victoria and Albert Museum in London titled The Lebanese House: Saving a home, Saving a city. The installation explores the aftermaths of the Beirut explosion, and the rebuilding of the city with a life-size replica of a typical Lebanese home, one of the few remaining classic Ottoman-Venetian houses left in old Beirut, along with documentary films.

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UNStudio has been announced as the winner of the international competition "Un Iași pentru Viitor" to design a new residential district in the historical center of Iași, Romania. For this competition, organized by Iulius company, four offices have been invited to participate, Foster + Partners, MVRDV, UNStudio, and Zaha Hadid Architects. The main challenge of the competition brief was designing a building well integrated into a complex urban environment marked by historic monuments of different ages, new archeological discoveries, and open public spaces and gardens. The winning proposal, titled „Bridging Time, Bridging Communities,” aims to offer a coherent response to the particularities of the site.

At the end of the 19th century, skateboarding emerged in the United States. Officially patented in 1936, the sport has already faced several prejudices, but like the social and urban dynamics of which it is a part, it has lasted to demonstrate that its experience goes far beyond conservative views and brought a new way of experiencing the city by trying movements of our own bodies in light of the urban or architectural design.

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At the onset of the coronavirus pandemic in March 2020, affluent Parisians flocked to second homes on France’s Atlantic coast as a nationwide lockdown came down on the country. In June 2020, as the lockdown was eased in England, residents headed to seaside towns like Bournemouth to soak in sunny weather. The former scenario reflects the widening gap between France’s wealthy and the poor, whilst the latter is a reflection of the democratizing power of public-access beaches.

In both situations, what is sought out is the ecological calmness usually found on beaches. Globally, however, there’s an unsettling phenomenon, where intertwined with climate change and policy decisions, beaches are increasingly becoming private, inaccessible spaces.

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Hello Wood launches the Builder Method; an international collaboration to develop a presence and action-based educational methodology. Through the process of building, participants not only build an object but they build a community and develop themselves.

Façades don't always have to be opaque. Whereas in the past the only options were heavy and raw–such as stone and brick–in recent years façades have adopted an increasingly lighter appearance, with innovative materials becoming the protagonists. These give the building a different look, delicate and transparent, while still maintaining privacy and thermal comfort. Examples of these include polycarbonate, translucent sheets, perforated tiles, glass and even metal chain links, which was the chosen material for a building in Montpellier, France.

As part of the ideas competition organized by the Buenos Aires Institute of Technology (ITBA), Aisenson Arquitectos, together with associated firm MGHS, won first prize for the design of the institution's main headquarters building, to be located along the central axis of the Innovation Park in the Autonomous City of Buenos Aires.

Reminiscing on his childhood, Peter Zumthor once said: “Memories like these contain the deepest architectural experience that I know. They are the reservoirs of the architectural atmospheres and images that I explore in my work as an architect.” These words allude to a fundamental concept behind kid friendly-design: everything we encounter in the first years of our lives, including architecture, can have a great impact on our future perspective of the world. When spaces are designed according to children’s specific needs, they stimulate their physical and mental well-being, as well as boosting autonomy, self-esteem and socialization skills. Therefore, architects have the responsibility to ensure that kids live, play and learn in environments that contribute to their long-term healthy development.

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The terms critical regionalism, popularized by theorist Kenneth Frampton, proposed an architecture that embraced global influences, albeit firmly rooted in its context. That is, an approach defined by climate, topography and tectonics as a form of resistance to the placidity of modern architecture and the ornamentation of postmodernism. Bringing familiar elements to a particular location can allow the building to be better accepted and incorporated into the local context. This was the case of the New Maitland Hospital, which incorporated a large brick panel next to the main façade, as a reference to the community's traditional symbols.

Aedas has unveiled the design of the Hangzhou Yun He Wan International Tourism and Leisure Complex in Hangzhou, China. Located in the southern area of the Grand Canal New Town in the Gongshu District of Hangzhou, the site is the first phase of a larger project, starting off as a vibrant international tourism and leisure complex that highlights the waterfront of Yun He Wan and the historical remains of the nearby industrial pier.

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In Mexico, until recently, unknown to many, an architectural project has been slowly revealing itself to society. The Environmental Sciences Museum (MCA for its Spanish acronym) of the University of Guadalajara in the state of Jalisco is one of the most ambitious architectural projects in Western Mexico. Not only because of its unusual architecture but also because of how it seeks to communicate the mission of a natural history museum, one that can hardly be called traditional.

In theory, urban planning is a process of elaborating solutions that aim both to improve or requalify an existing urban area, as well as to create a new urbanization in a given region. As a discipline and as a method of action, urban planning deals with the processes of production, structuring and appropriation of urban space. In this sense, its main objective is to point out what measures should be taken to improve the quality of life of the inhabitants, including matters such as transport, security, access opportunities and even interaction with the natural environment.

If you’re reading this right now, or have read an article on ArchDaily, it’s because you were in a place that enabled you to connect to the internet. Think about a time when you found yourself in a dead zone, where the internet was lagging and you were unable to connect your computer to WiFi to finish an assignment or even without the ability to connect your phone to quickly Google something. You likely dashed to the nearest coffee shop, or place where WiFi was more reliable, just to have the feeling of being online again. The internet, in an ideal world, is equally open to all providing access to knowledge and the ability to easily connect with others. But what happens when you don’t have internet? How is your life impacted if you’re on the wrong side of the digital divide and live in an area without broadband access?

As companies rattle their social and environmental consciences and define new goals toward the achievement of absolute circularity, the whole lexicon of furniture design and manufacture is on the move. While exploring ways to limit its impact on the world’s ecological balance to zero, the industry is mobilising a whole army of r’s: from reuse and repurpose, to recycle and repair, remanufacture and replace, and increasingly also rental.

At the end of June, the exhibition marking the end of the First Stone program opened at the National Coach Museum in Lisbon, Portugal. Initiated in 2016 by the cultural association experimentadesign, the program involved 36 architects and designers from 15 different countries, including Michel Rojkind, Álvaro Siza, Amanda Levete, Bijoy Jain, Carla Juaçaba, Eduardo Souto de Moura, Elemental, João Luís Carrilho da Graça, Manuel Aires Mateus, Mia Hägg, Paulo David, Studio MK27, Vladimir Djurovic, Claudia Moreira Salles, Estudio Campana, Fernando Brízio, Frith Kerr, Ian Anderson, Jasper Morrison, Jonathan Barnbrook, Jonathan Olivares, Jorge Silva, Michael Anastassiades, Miguel Vieira Baptista, Pedro Falcão, Peter Saville, Philippe Starck, R2 Design, Ronan & Erwan Bouroullec, Sagmeister & Walsh, Ai Weiwei, Alexandre Farto aka Vhils, Carsten Höller, Fernanda Fragateiro, Julião Sarmento, and Marina Abramovic.

The Antofagasta Public Space Design Guides, developed by Allard&Partners for CREO Antofagasta, aim to improve the quality of life for the city's inhabitants, “by gradually complementing and consolidating a coherent identity for the city that strengthens the character of each area and its communities.” The four volumes, corresponding to their respective neighborhood typologies—Commercial (Downtown District), Under Transformation (Station District), Mixed Residential (Brasil District), and Coastal Edge—are available on the CREO Antofagasta website for direct download and free use.

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Vienna in Austria has topped the rankings of The Economist Intelligence Unit (EIU) 2022 Global Liveability Index, gaining back its previous position from 2019 and 2018, mostly for its stability and good infrastructure, supported by good healthcare and plenty of opportunities for culture and entertainment. Western European and Canadian cities dominated the top positions with Copenhagen, Denmark in second place and Zurich, Switzerland, and Calgary, Canada in third place. Adding 33 new cities to the survey, one-third of which are in China, bringing the total up to 172 cities, the classification excluded this year the city of Kyiv, due to Russia’s invasion of Ukraine.

Classified across 5 categories, stability, healthcare, education, culture and the environment, and infrastructure, the index was largely driven by the covid-19 pandemic. While covid-19 restrictions have eased in big parts of the world, liveability rankings started resembling “those seen before the pandemic”, however, the global average score remained below the pre-pandemic time. Although covid-19 has receded, a new threat to liveability emerged when Russia invaded Ukraine this year.

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Architecture has always played a key role in exhibitions. Museums, exhibitions, and expositions are not only cultural offerings, but are defined by space, by an exhibition itinerary that is able to surprise and fascinate the visitor who is drawn inside an active and inspiring experience.

For an exhibition, architecture is as fundamental as works of art, collections, and artifacts and their contents. The “Architecture for Exhibition” course has been created on these premises: its aim is to train professional designers who are able to materialize diverse artistic and museum experiences, enhancing the ever-changing story behind each cultural proposal. The students will acquire new skills in exhibition design and will move into a very prestigious environment – culture – which nowadays registers an increasing demand by the most critical and exclusive customers.

One of the most urgent problems faced by Ukrainians today is the unsettled situation faced by displaced citizens, along with the challenge of returning to the cities they were forced to abandon earlier this year. Ukrainian president Volodymyr Zelenskiy has shared that efforts to rebuild Ukraine will require ‘colossal investments’, and as leaders gather to work out ‘Marshall plan’ to rebuild the country, local architects have already begun developing emergency housing, healthcare, and educational facilities in cities further away from the Russian border.

As a temporary solution to the displacement of north-eastern and eastern Ukrainians, Drozdov&Partners, together with Replus Bureau and Ponomarenko Bureau, have begun refurbishing shelters for internally displaced persons (IDPs) in Lviv and its region, using school campuses and other large-scale facilities as temporary housing.

Architecture practice Grimshaw has revealed designs for the Futures Institute at Dollar Academy (FIDA) in Scotland, UK, an open-access learning platform developed by the Dollar Academy, one of Scotland’s leading independent schools. The Institute’s new building will receive the country’s first Living Building certification.

FIDA was launched in May 2021 to tackle fundamental challenges in education: providing equitable access and closing the poverty-related attainment gap; finding compelling alternatives to traditional teaching and exam systems; and addressing sustainability. The initiative invites young people across Scotland to participate in innovative projects rooted in the United Nations Sustainable Development Goals. These challenges include workshops, skills-based courses, design challenges, and competitions, all offered in-person and via an online platform to enable the broadest possible participation.

Manga is an umbrella term for a wide variety of comic books and graphic novels originally produced and published in Japan, and unlike western comic books that we may be more familiar with seeing printed in full color, are primarily published in black and white. Manga is the Japanese word for comics published in Japan, with the word itself comprising of two kanji characters: man (漫) meaning 'whimsical' and ga (画) meaning 'pictures'.

Not to be confused with the popular Japanese medium of anime, manga is print media whilst anime stands as visual media that is either hand-drawn or computer-produced, combining graphic art, characterization, cinematography, and other forms of creative and individualistic techniques. It is most notable that a lot of anime is developed as a result of a successful franchise that began as mere manga novels, but what continually unites the medium of manga and anime is the use of diverse art styles throughout various narratives that have been constructed for us consumers to follow.

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In a world where our understanding of what makes something luxury is being turned on its head, the once humble construction material, MDF, is coming off pretty well. When it comes specifically to the realm of design and architecture, what is now considered luxurious is not so much the shiny, rare resource, but the thoughtfully and sustainably produced. It’s defined not by carat or lustre, but by circularity, durability and adaptability. In the right hands, humble can become noble.

From early 20th-century hygienism to the macro-planning of urbanization in the 1970s, the urban model aimed at carving out wide avenues to connect neighborhoods (the center and its extensions) via motorized transport: the city on wheels. This North American urbanization model, adopted by Brazilian cities, privileges high-rise development and private vehicles over public transit.

Many of us agree with Roman Mars of 99% Invisible when he says that we "tend to not notice things that are well-designed"—yet we also agree that design is often considered a privilege for the few. Consequently, we must ask ourselves what truly constitutes democratic design, using this reflection to help define and contribute our vision toward a more equitable society.

From the perspective of architecture and design, democratization can be examined from several angles, ranging from debates on addressing everyday needs to strategies for inclusive design. At the core of these discussions lies a shared goal: finding ways to improve accessibility and livability in our daily lives.

Is it truly possible to design for everyone? And if so, how do we achieve it? We posed this question to you, our readers, in an open call. After reviewing the vast number of responses from industry professionals, students, and architecture enthusiasts, we were struck by a common thread: we not only experience design directly or indirectly in our daily lives, but we also need it to dismantle stereotypes and paradigms. Read a selection of these perspectives below.