Originally titled "FairBnB or how to prevent Amsterdam from becoming a hotel," in this article, City Makers co-founder and member of Amsterdam's Fair City platform, Sito Veracruz, delves into the urban dilemma facing the Dutch city due to tourist pressure driven by platforms like Airbnb and the subsequent rise in housing costs for actual residents.

Amsterdam is one of the few cities where renting apartments through Airbnb and similar platforms is legal and regulated. Here, it is possible to rent an entire apartment for up to 60 days a year without registration. It is also legal to rent out one or two rooms in a home with no time limit, which only requires meeting certain conditions and notifying City Hall.

Amsterdam ranks in the top ten cities with the most listings on Airbnb, with 17,000 apartments, and can boast of being one of the few cities in the world that derives a direct financial return from these rentals. The agreement signed between Amsterdam and Airbnb in 2014 obliges the company to collect a tourist tax (5% of the total booking amount), which generated 5.5 million euros in revenue for City Hall last year.

Over his thirty-nine-year career, Chilean architect and landscape architect Juan Grimm has distinguished himself by creating over 1,000 hectares of gardens and parks across Argentina, Peru, Uruguay, and Chile.

In partnership with publisher Hatje Cantz, Ediciones Puro Chile has compiled his South American works in the monograph "Juan Grimm." This art book offers insight into the development of his creations through interviews, essays, and an extensive inventory of his works, design processes, projects, and sources of inspiration.

On Friday, August 10, the community of Licantén, Chile, gave its final approval to a new project by Chilean architect Sebastián Irarrázaval. The Licantén Theater, built primarily of laminated timber, will span 2,500 square meters and require an estimated investment of approximately 3 billion Chilean pesos (USD 4.47 million).

The Licantén Theater is developed under the Cultural Donations Act, resulting from a public-private partnership involving the Fundación la Fuente —the organization behind the Arauco Cultural Center and the Constitución Public Library—, the forestry company Arauco, and the Municipality of Licantén. Following community approval, the next step is "to apply for regional funds to finance its construction," Irarrázaval explained in an interview with ArchDaily.

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Part of the Eixão Sul, in downtown Brasília, collapsed this morning. Two of the three northbound lanes gave way and plummeted near the Galeria dos Estados, about one kilometer from the Plano Piloto bus station.

According to a report by the news outlet G1, the collapse buried two cars reportedly parked under the overpass, as well as tables from a restaurant. While the Civil Defense reported no casualties so far, there is still a risk that other parts of the concrete slab could collapse.

At a ceremony held on Monday, September 3, the Valparaíso Cultural Park, located in the Chilean city of the same name, was named the winner of the 3rd Rogelio Salmona Award. Organized by the Rogelio Salmona Foundation, the Latin American competition recognizes works whose architecture "clearly generates significant, open public spaces that are embraced and enjoyed by their community within a context of local and global communities."

Designed by the firm HLPS (Martín Labbé, Carolina Portugueis, Osvaldo Spichiger, and Jonathan Holmes), the Valparaíso Cultural Park is the result of rehabilitating the former Valparaíso prison, constructing a new cultural center, and converting the surrounding grounds into a public park.

En Reserva, Peru's pavilion at the Venice Biennale 2018, aims to reveal an ancient layer hidden within the city of Lima, showcasing its urban and architectural generosity across different scales.

The exhibition, curated by architects Marianela Castro de la Borda and Janeth Boza, and journalist Javier Lizarzaburu, presents a large volume with a perimeter path, inviting visitors to reconstruct the links between past and present, before imagining the future.

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In recent decades, architecture and the built environment professions have maintained an insular attitude, separating them from relevant conversations and preventing them from identifying opportunities and new territories to conquer. The future will require leaders with a broad and refreshing vision of our field: leaders, both men and women, with the sharpness and skills to identify real problems across a wider spectrum of fields than ever before, capable of transforming them into innovative, high-impact business opportunities that connect better with society and generate greater value.

The omnipresence of technology, demographic pressure, exponential urban growth, and various environmental threats are transforming how we plan, understand, and interact with space—in short, our way of life. To face this landscape, we must evolve faster than our context. As architecture and design professionals, we possess exceptional talent as a group. We have the capacity to think in systems, naturally combining creative and proactive approaches with strong analytical skills, and we are capable of integrating highly disparate factors into a long-term vision, making us excellent strategists. Leveraging this talent from a much broader professional perspective does not mean discarding our traditional roles, but it does require questioning the status quo: like a tree, the higher we aim to reach, the deeper our roots must grow.

Keeping the following ideas in mind can serve as a valuable guide in this compelling process of redefinition:

The Arquitetas Invisíveis (Invisible Women Architects) Collective is an initiative that seeks to promote gender equality within the field of architecture and urban planning by recognizing and promoting the life and work of women architects who have been historically overlooked. Founded by students at the School of Architecture and Urbanism of the University of Brasília, the group's initial effort aimed to expand the repertoire of architecture and urban planning students and professionals while sparking discussions on gender in both academic and professional spheres. Arquitetas Invisíveis was officially launched on March 8, 2014, in honor of International Women's Day, using Facebook to reach architecture students and professionals across Brazil.

Today, March 8, 2018, the Arquitetas Invisíveis Collective is launching the second edition of the Arquitetas Invisíveis Magazine, under the theme "In the Shadows."

The Government of Catalonia, having finalized its approval of the modification to the Metropolitan General Plan, has approved a new measure requiring 30% of housing in new residential developments and major building renovations in Barcelona to be allocated for social housing.

This regulatory change is backed by the 2007 Law on the Right to Housing, which already allowed for affordable housing allocations within the urban fabric. Under this framework, the Catalan Minister of Territory and Sustainability, Damià Calvet, and the Mayor of Barcelona, Ada Colau, explained that the Urban Planning Subcommission has amended an additional provision detailing the transition period for implementing this new rule.

As a team, we are proud to introduce a new editorial partner for ArchDaily en Español: Trama magazine, which over its forty-year history has documented the evolution of Ecuadorian architecture better than anyone.

This new editorial partnership aligns with our goal to bring both established and emerging voices into the discussion of our discipline "in Spanish." As part of this collaboration, ArchDaily’s network of Spanish-language sites will regularly publish articles and interviews from Trama magazine, bringing the dialogue surrounding Ecuadorian architecture to an international scale. This will allow our Spanish-speaking readers to learn firsthand about the main trends and debates shaping architecture in Ecuador.

We are witnessing a historic moment, standing at the dawn of an inevitable epochal shift. The economic, social, energy, and ecological crises in which we are immersed are some of its most evident symptoms. However, we must confront this bleak context from an optimistic perspective, viewing it as an opportunity to subvert the old paradigms that have led us to this dramatic situation.

But how do we prepare to face the urban challenges of a future that begins today? We certainly cannot do so by relying on outdated frameworks and tools; as Einstein famously said, “We need new ways of thinking to solve the problems created by old ways of thinking.”

The waters of the Gowanus Canal in Brooklyn, New York, still do not smell good, although the problem was once much worse. They carry the remnants of years of industrial pollution and untreated sewage.

The area, which in the 19th and 20th centuries was primarily industrial, has undergone revitalization in recent years through federal investment (see here). New green spaces were created, and service-oriented businesses moved into the neighborhood. Residential property prices also rose, ultimately displacing long-time residents.

On October 20, the Museu da Casa Brasileira will host the launch of the book Uma ideia de arquitetura – escritos de Lina Bo Bardi, by Marina Grinover. During the event, the author will join José Tavares Correia de Lira (Professor at FAUUSP), Renato Anelli (IAU-USP), and Ana Maria Belluzzo (FAUUSP) for a panel discussion.

Designed by Aedas, the Zhengzhou Zhenghong Airport Zone Office Project is located in Zhengzhou, the capital of Henan Province and a vital transportation hub in Central China. Comprising three interconnected office towers, the design offers a clean and intuitive solution by arranging the buildings along a narrow site to serve government departments, corporate tenants, and the client. The three structures are linked by shared amenities and roof terraces, creating a dynamic vertical urban space.

Today, companies seek to connect different generations and leverage their unique contributions to the workplace. They aim to maximize innovation through the synergy generated by combining the drive of younger generations with the experience of older workers. Given the specific characteristics of each age group—including differing values, experiences, styles, activities, and expectations—both the workspace and the way we work are being rapidly redefined.

Exorcity presents itself as the treatise on millennial architecture. It features 35 radical and subversive projects by daring students, all set within the urban context of Madrid. These are 35 projects in which the city is understood as a testing ground and a playground for thought. Elegance, violence, reason, seduction, chance, desire, emotion, power, dreams, and love come together here to challenge, alter, and stimulate the reader both visually and intellectually. It offers a fascinating, fresh vision from the young architects who will design the future of Madrid and Spain. 

As such, Exorcity represents an effort to give visibility to the necessary transformation that architecture has been undergoing in academia in recent years. This transformation is driven by a new generation of architects—defined as digital natives—who are responding and providing disruptive, intelligent solutions to the complex, difficult challenges of the urban context. 

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Urban form can be understood as the physical “face” of a city. The organization of public and built spaces is what determines a city's urban form. Consequently, a city can be sprawling – characterized by low population densities, a reliance on private transport, and long commutes –, or compact, featuring balanced densities and multiple centralities. Achieving this latter model requires robust land-use management closely integrated with public transit planning.

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'Oso Hormiguero' is an exhibition presented on November 21 at Fundación Alumnos 47. It serves as a metaphor for an experimental urban research practice that explores the fictional potential of a dormant urbanization, seeking to demonstrate that by challenging our habits and everyday objects, we can limitlessly reinvent how we view the surrounding urban landscape.

Editor's Note

São Paulo, a megacity of over 12 million people, hides many mysteries beneath the feet of those passing through its streets, despite the frantic hustle and bustle of daily commuters.

Unlike our guide to lookout points for experiencing São Paulo from above, we now present a selection of underground sites that are largely unknown to the general public, each preserving a piece of the city's history. Theaters, an aquarium, an unfinished subway station, and artistic and cultural institutions are among these semi-secret spaces. Explore our selection below:

On June 15, construction began on the new 'Fábrica de Cultura' in Barranquilla, Colombia. The project will provide spaces and opportunities for various artistic activities, aiming to expand cultural knowledge through community interaction. The facility will offer courses and a diverse cultural program organized across different units.

According to the Colombian newspaper El Tiempo, the project was selected as a winner at the International Architecture Awards and will integrate with the city's heritage restoration efforts. Barranquilla Mayor Alejandro Char, along with Atlántico Governor Eduardo Verano and the Secretary of Culture, announced the start of construction. The 24-billion-Colombian-peso (USD 8.16 million) project will accommodate more than 1,000 students per shift.

Today, August 24, architect Oswaldo Arthur Bratke would have celebrated his 111th birthday. As one of the leading figures of São Paulo's modernist architecture, he stands out alongside prominent names such as Affonso Eduardo Reidy and the Roberto brothers, among many others. He entered the School of Engineering at Mackenzie University in 1926, graduating in 1931 as an engineer-architect. Two years after graduating, he established a solid partnership with architect Carlos Botti, with whom he designed a series of collaborative projects, most notably the Grande Hotel in Campos do Jordão.

'Trenzando' is now underway. Designed by architect Daniela Gutiérrez and built from shipping containers, this traveling cultural center aims to promote decentralization by activating and traveling across the railway networks of northern, central, and southern Chile. 'Trenzando' will bring cultural and technological development programs—including workshops, exhibitions, seminars, training sessions, laboratories, artistic performances, and film workshops—to non-metropolitan communities.

National and local authorities are making "uneven progress" toward making cities safe, inclusive, resilient, and sustainable by 2030, warned UN-Habitat at the High-Level Political Forum (HLPF), the primary UN platform for sustainable development and tracking the 2030 Agenda.

This is the main conclusion of the report produced by the agency and its partners to monitor the 2030 Agenda, an action plan adopted in 2015 by the United Nations General Assembly to end poverty and hunger through 17 global goals.

The Docomomo SP recently published a free e-book featuring the contributions received during the fifth edition of its annual seminar, which took place in 2017. Spanning over a thousand pages, the publication compiles articles addressing modern heritage in São Paulo across three thematic areas: recognition, intervention, and management.