The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the National University of Colombia has shared with us their interview with Lorenzo Castro. This is part of a series featuring seven Colombian architects, including prominent figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Fernando de la Carrera, whose interviews will be released on their channel.

Colombia has an immense territory with some of the greatest biodiversity in the world thanks to its privileged geography, and human presence spans the majority of this territory, regardless of how far it is from urban centers. Below, Sebastian Contreras of Estación Espacial Arquitectos presents the experience and both the human and architectural challenges of building a Maloca with and for the Ticuna community deep in the Colombian Amazon.

Spring’s fallen blossoms, summer’s thunderstorms, autumn’s mountain mists, and winter’s drifting snow. Once again, our annual **yearbook** arrives as promised, and we thank you for accompanying us through another year. Time flew by: only yesterday we were talking about buildings on the verge of completion, yet construction has been delayed until next year—as if this year was stolen from us. Fortunately, we have left behind space. While we may forget the viral gossip of the internet, architecture stands as a constant reminder of the stories of our era.

Throughout December, we have been compiling our year-end reviews, selecting the Building of the Year, the Most Inspiring Architectural Photographs of the Year, the Best Drawings of the Year, the Best Houses of the Year, and Holiday Cards from One Hundred Architecture Offices Worldwide. In this article, we present ArchDaily's own Architectural Yearbook. Below, you will find the major events that ArchDaily witnessed, followed, and documented over the past year.

On July 31, during the 103rd Ordinary Plenary Session, the CAU/BR Temporary Commission on Gender Equity released the 1st "Gender in Architecture and Urbanism" Diagnosis. Conducted online from July 2019 to February 2020, the survey was answered by 987 professionals (767 women and 208 men), with a margin of error of plus or minus 3.11%.

The place where we are born, where we live, and our urban reference points are part of history and shape our identity. Can we decipher what these spaces tell us? Can we express our perception of them? Vale do Anhangabaú signals an essential part of São Paulo's development and is woven into the imaginary of those who have built memories there. This article is an exercise in traversing different themes to instigate multiple possibilities—collective and individual, real and utopian—of experiencing this space.

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Weeks after Casa da Arquitectura, the Portuguese center for architectural documentation, archives, and exhibitions, announced that it had received the complete collection of projects by Paulo Mendes da Rocha, we spoke with Nuno Sampaio, the institution's executive director, about the processes involved in the donation, the Portuguese team's work in cataloging and making the material available online, and the next steps in safeguarding what is one of the most valuable archives of Brazilian architecture.

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Chilean architect Carlos Martner, known for designing the Tupahue and Antilén swimming pools and the Pablo Neruda Mirador Square in Santiago's Metropolitan Park, has passed away at the age of 93.

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us their interview with Fernando de la Carrera. This conversation is part of a series featuring seven Colombian architects, including figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others, whose interviews will be published on their YouTube channel.

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As part of the feminist demonstrations that took place last weekend in Mexico, a group of Mexican women architects organized to join the march held on Sunday, March 8, in various parts of the country. The march aimed to 'take back the city' to demand direct state action to reverse the wave of violence and historical bias against women in Mexico, where numbers have reached 10 femicides a day.

The following article is the result of a thesis research project by Colombian architect Sebastián Rojas (Pontificia Universidad Javeriana), which explores the materialities and vernacular construction techniques across 23 prototypes from regions such as the Coffee Axis, the Colombian Amazon, the Cundiboyacense Highlands, and the North Coast.

The private preliminary design competition for the Day Center for the Elderly and the CBI Comprehensive Wellness Center, managed by the Compensar compensation fund, sought a design solution that would connect directly with the green space network of Simón Bolívar Metropolitan Park and primarily serve older adults. The competition awarded first place to taller de arquitectura de bogotá, second place to De la Carrera Cavanzo, and third place to David Delgado Architects.

An architect colleague of mine once mentioned that her firm had hired a new intern. He was a competent, dedicated student in the middle semesters of his architecture program. His hiring was primarily due to his strong skills in BIM (Building Information Modeling) software, with a portfolio filled with well-resolved, medium-scale projects.

When I look at the architecture of Guillermo Acuña, I am quickly reminded of those well-known Chilean wooden houses scattered across the territory—those that mark distant points on the hills and gently blur the edges of the coastline, those that rise lightly and blend with nature, teaching us about material honesty and a connection to the landscape. Those that remind us of where we come from and of what humans create.

This is why we reached out to the office of GAAA for a brief interview, to hear the story behind their inspirations, purposes, explorations, and future vision.

In today's world, where the urban footprint is expanding rapidly and construction costs severely impact the planet, alternative solutions have emerged that return to essential principles. During the 2020 Academic Housing Forum at the Universidad de los Andes in Bogotá, key issues surrounding the critical housing situation in a developing country like Colombia were presented.

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The National Social Distancing Campaign in Mexico began on March 23, 2020. However, even a couple of weeks prior—despite the federal government's recommendation to continue daily activities as normal—social media users were already choosing to replicate the European model of self-isolation. Some architecture firms immediately decided to close their physical spaces and transition to remote work, while others took several weeks to adapt. Ultimately, this period of social and physical (spatial) distancing is experienced differently in every home. The months of this pandemic have exposed not only the systemic inequalities regarding basic needs in dense urban areas, but also the fragility of our established social order. Whether at a macro or micro scale, these experiences are shaped by the built environment, positioning architecture as both a witness to and a defining factor in this equation. 

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As one of Mexico's most internationally renowned tourist destinations, Cancun is a city founded just 50 years ago. Since then, it has woven a unique narrative, both in its urban layout and in the culture and heritage that residents actively seek to elevate to foster a shared historical consciousness. While primarily known for its massive resort complexes and nightlife, Cancun is much more than that. Several emerging practices, such as Warm Architects and TAFF Arquitectos, are constantly striving to promote a regional architecture that responds to the unique ways of living in this tourism-driven area.

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Due to its climate and territorial characteristics, Ecuador possesses an immense diversity of bamboos: it has 6 genera and 42 identified species, of which 11 are endemic. Among them, Guadua angustifolia cane is considered the most important species in terms of abundance and physical and mechanical properties. The indigenous term guadua was used by the native communities of Ecuador and Colombia to designate this species of "native bamboo," which was later renamed "Guadua angustifolia"—meaning "narrow leaf"—and taxonomically belongs to the Poaceae family and the Bambusoideae subfamily. The use of this material is so ancient that, according to the book *Nuevas técnicas de construcción en bambú* (1978), remains have been found in buildings in Ecuador estimated to be 9,500 years old.

Interior design offers almost limitless creative possibilities, especially when it comes to commercial use. Within this realm, dining venues introduce a layer of experience defined by the temporary habitation of these spaces. These experiences are shaped as much by the food as by the atmosphere, and it is in this latter aspect where interior design plays a crucial role.

This article is part of a collaboration with the website coolhuntermx and was originally published under the title "Marianne Gast: una artista no reconocida de la modernidad" written by David Lozano Díaz.

The founding of Guadalajara's first School of Architecture is a story often told as an almost ‘heroic’ feat, brought to fruition after years of effort. Once a series of fortunate events aligned, the capital of Jalisco finally achieved creative, architectural, and urban independence, fostering its own professionals to build a better Guadalajara.

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One of the most interesting challenges and boundaries in architectural design revolves around the conceptualization and design of ephemeral spaces. Ephemeral architecture is communication at its core—a spatial, three-dimensional format that drives and generates perceptions to connect with visitors and convey specific messages.

Naturally, the word "ephemeral" implies a finite lifespan, which introduces unique constraints across the entire development process of a project. This ranges from the initial concept and design phase, through the construction of the budgeted executive project agreed upon with the client, to its eventual disassembly and the recycling of its materials.

This article by Alberto Bravo de Laguna Socorro was originally published in the 12th issue of revista rita_ under the title "Transgression, experimentation and communicability of the graphic in collective architectures: Indices of an engaged graphic expression."

Finishes are the skin of the projects we build, serving as the canvases and frames that contain the atmospheres of the spaces we inhabit. As Pritzker laureate Peter Zumthor expresses in his book Atmospheres, it is through the consonance of materials—by joining, mixing, or altering their formats—that a harmonious effect is created in relation to the spatial atmosphere.

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The public ideas and preliminary draft competition for the Quito Metropolitan Corridor, organized by the Municipality of the Metropolitan District of the city (MDMQ), invited professionals to submit urban and architectural proposals for the comprehensive reconfiguration of a 55-kilometer corridor. This axis integrates the Panamericana Sur, Pedro Vicente Maldonado, Guayaquil, 10 de Agosto, Galo Plaza Lasso, and Panamericana Norte highways, connecting and articulating the entire city from south to north. This reconfiguration aimed to incentivize planned growth in the sector, reinspiring its inhabitants and improving their quality of life through an accessible, equitable, resilient, and environmentally sensitive city that restores vitality to avenues, buildings, and public spaces. The winning proposal was submitted by the team led by Grace Yépez, with the participation of a large number of interdisciplinary collaborators and advisors from YES Innovation, Rama Estudio, Raíz Estudio, GMG diseño y construcción, Gabriela Naranjo, Universidad Central del Ecuador, Ziette Diseño, and UrbanaData.

PRODUCTORA is a Mexico City-based architecture studio founded by Abel Perles (1972, Argentina), Carlos Bedoya (1973, Mexico), Víctor Jaime (1978, Mexico), and Wonne Ickx (1974, Belgium). The firm is characterized by its emphasis on precise geometries in an effort to generate legible projects with clear gestures, as well as its pursuit of timeless material and spatial resolutions.