Implementing universal design in built environments is no easy task—especially regarding the minimum requirements for making public spaces accessible and adapting urban intersections (sidewalks, pedestrian crossings, and bike lanes). For this reason, the Corporación Ciudad Accesible has shared its constantly updated article, Accessibility on Sloped Terrain.

This article by Jaime Coll López was originally published in the 10th issue of revista rita_ under the title "Determination vs Indeterminacy in Domestic Space." It is a critique of flexibility in housing, one of the primary paradigms of 20th-century domestic architecture.

Due to the current social distancing and mandatory quarantine measures, the film series dedicated to documentaries and films on architecture and urbanism—which ran for seven years in the auditorium of the Professional Council of Architecture and Urbanism (CPAU), programmed and coordinated by Ezequiel Hilbert since 2012—has been restructured to continue online.

Peripheria Films shares a video about the emigration of a young Spanish architect couple "who thought that their reward would come after university."

Videos

For years, Mexico City has been what many authors call a "living organism"—built day by day and choreographed in diverse ways. In recent years, the work of Mexican photographer Santiago Arau has portrayed a city where time passes, a city built by its inhabitants, spanning from aerial shots to the daily perspective of a commuter on public transit. Yet, what has happened over these past few months as the COVID-19 pandemic swept across the globe?

As part of the interventions that occupied Sesc 24 de Maio and its surroundings during the 12th International Architecture Biennale of São Paulo, the firms Vão and Adamo Faiden, from Brazil and Argentina, respectively, proposed a mirror installation on the building adjacent to the esteemed Sesc. Located at the level of its 11th floor, the intervention establishes a series of intersecting visual dialogues between the buildings, their occupants, and the urban landscape.

On Tuesday, December 1, 2020, during the inaugural session of the new National Board elected by members in the 2020 CA Elections, the new Executive Committee and officers of the College of Architects of Chile were selected for the 2020–2022 term.

Peripheria Films has shared with us their audiovisual piece developed for the exhibition "The Cathedral of Malaga, an Unfinished Symphony," curated by Juan Manuel Sánchez La Chica and Adolfo de la Torre (marinauno arquitectos).

The video traces the construction process of this unfinished building over time—a classic of Andalusian architecture in Spain.

We live in an era marked by profound transformations: urban sprawl, monoculture farming, cattle ranching, mining, and species introduction. These are some of the primary drivers accelerating environmental degradation. As landscape architects, we have both the opportunity and the responsibility to propose more sustainable ways of shaping our landscape. 

Naturalistic landscape design incorporates fundamental ecological concepts to envision gardens tailored to their specific contexts, celebrating the unique qualities of each biome. To achieve this, we must understand the environment in which we are situated. While this article focuses specifically on the Cerrado, the same logic can be applied to any biome.

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Cross-ventilation, solar radiation control, rainwater harvesting, indirect natural lighting, graywater treatment and reuse, and solar energy harnessing through panels are some of the passive strategies that allow for greater thermal and environmental comfort at low energy costs. When based on a proper understanding of a site's geographical and climatic conditions, these bioclimatic principles can significantly optimize building performance and foster the development of better interior spaces.

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As seen throughout architectural history, ephemeral installations and pavilions are key elements for addressing specific architectural moments and social manifestations in an almost immediate way. While some pavilions have proven so significant that they transcended their temporary nature to become permanent, exemplary expressions of a historical moment—such as the Barcelona Pavilion, designed by Ludwig Mies van der Rohe and Lilly Reich for the Barcelona International Exposition in Montjuïc—others remain documented in photographs, plans, and experiences, to be rewritten in future projects.

During the presentation of the Obra del Año Awards held earlier this month at the Mirador Pablo Neruda, ArchDaily CEO David Basulto shared a series of data with the audience, providing a quantitative and qualitative overview of Chilean architecture in 2019:

“Based on the data we have collected over nearly 12 years, at ArchDaily we have managed to build a highly representative profile of how architecture is designed and built in Chile. I hope this information is useful for creating more and better cities, and for understanding how the digitization of architecture has influenced how we inhabit our cities.”

This interview is part of a collaboration with the digital magazine Hysteria.mx. It was originally published on January 24, 2020, under the title "Stories from the US-Mexico Border" as part of Issue No. 31, titled "Bodies and Territories," and was conducted by Tadeo Cervantes.

Alejandra Aragón is a visual artist, photographer, documentarian, and activist from Ciudad Juárez, Chihuahua—a city on Mexico's northern border infamous for the cases of femicide recorded from the early 1990s to the present. From this vantage point, Aragón narrates various aspects of daily life for women in a territory shaped by violence, conflict, and complexity.

Spring’s fallen blossoms, summer’s thunderstorms, autumn’s mountain mists, and winter’s drifting snow. Once again, our annual **yearbook** arrives as promised, and we thank you for accompanying us through another year. Time flew by: only yesterday we were talking about buildings on the verge of completion, yet construction has been delayed until next year—as if this year was stolen from us. Fortunately, we have left behind space. While we may forget the viral gossip of the internet, architecture stands as a constant reminder of the stories of our era.

Throughout December, we have been compiling our year-end reviews, selecting the Building of the Year, the Most Inspiring Architectural Photographs of the Year, the Best Drawings of the Year, the Best Houses of the Year, and Holiday Cards from One Hundred Architecture Offices Worldwide. In this article, we present ArchDaily's own Architectural Yearbook. Below, you will find the major events that ArchDaily witnessed, followed, and documented over the past year.

On July 31, during the 103rd Ordinary Plenary Session, the CAU/BR Temporary Commission on Gender Equity released the 1st "Gender in Architecture and Urbanism" Diagnosis. Conducted online from July 2019 to February 2020, the survey was answered by 987 professionals (767 women and 208 men), with a margin of error of plus or minus 3.11%.

The place where we are born, where we live, and our urban reference points are part of history and shape our identity. Can we decipher what these spaces tell us? Can we express our perception of them? Vale do Anhangabaú signals an essential part of São Paulo's development and is woven into the imaginary of those who have built memories there. This article is an exercise in traversing different themes to instigate multiple possibilities—collective and individual, real and utopian—of experiencing this space.

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Weeks after Casa da Arquitectura, the Portuguese center for architectural documentation, archives, and exhibitions, announced that it had received the complete collection of projects by Paulo Mendes da Rocha, we spoke with Nuno Sampaio, the institution's executive director, about the processes involved in the donation, the Portuguese team's work in cataloging and making the material available online, and the next steps in safeguarding what is one of the most valuable archives of Brazilian architecture.

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Chilean architect Carlos Martner, known for designing the Tupahue and Antilén swimming pools and the Pablo Neruda Mirador Square in Santiago's Metropolitan Park, has passed away at the age of 93.

The private preliminary design competition for the Day Center for the Elderly and the CBI Comprehensive Wellness Center, managed by the Compensar compensation fund, sought a design solution that would connect directly with the green space network of Simón Bolívar Metropolitan Park and primarily serve older adults. The competition awarded first place to taller de arquitectura de bogotá, second place to De la Carrera Cavanzo, and third place to David Delgado Architects.

An architect colleague of mine once mentioned that her firm had hired a new intern. He was a competent, dedicated student in the middle semesters of his architecture program. His hiring was primarily due to his strong skills in BIM (Building Information Modeling) software, with a portfolio filled with well-resolved, medium-scale projects.

The student collective Post_Arq from the Leopoldo Rother Architecture Museum at the Universidad Nacional de Colombia has shared with us their interview with Fernando de la Carrera. This conversation is part of a series featuring seven Colombian architects, including figures such as Sebastián Serna, Santiago Pradilla, Leonardo Álvarez Yepes, and Lorenzo Castro, among others, whose interviews will be published on their YouTube channel.

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As part of the feminist demonstrations that took place last weekend in Mexico, a group of Mexican women architects organized to join the march held on Sunday, March 8, in various parts of the country. The march aimed to 'take back the city' to demand direct state action to reverse the wave of violence and historical bias against women in Mexico, where numbers have reached 10 femicides a day.

The following article is the result of a thesis research project by Colombian architect Sebastián Rojas (Pontificia Universidad Javeriana), which explores the materialities and vernacular construction techniques across 23 prototypes from regions such as the Coffee Axis, the Colombian Amazon, the Cundiboyacense Highlands, and the North Coast.

When I look at the architecture of Guillermo Acuña, I am quickly reminded of those well-known Chilean wooden houses scattered across the territory—those that mark distant points on the hills and gently blur the edges of the coastline, those that rise lightly and blend with nature, teaching us about material honesty and a connection to the landscape. Those that remind us of where we come from and of what humans create.

This is why we reached out to the office of GAAA for a brief interview, to hear the story behind their inspirations, purposes, explorations, and future vision.