This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

The comic strip, la bande dessinée, the graphic novel. These are all part of a medium with an intrinsic connection to architectural storytelling. It’s a medium that has long been used to fantasise and speculate on possible architectural futures, or in a less spectacular context, used as a device to simply show the perspectival journey through an architectural project. When the comic strip meshes fiction with architectural imagination, however, it’s not only the speculation on future architectural scenarios that takes place. It’s also the recording and the critiquing of the urban conditions of either our contemporary cities or the cities of the past.

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Architecture education is not only about learning how to design and construct buildings but it gives a whole new perspective on our built environment and on how design can contribute to create quality spaces and experiences. Moreover, a big percentage of this design thinking can be used by professional architects as a resource to create other spatial configurations that vary from the traditional building, opening up to a diverse world of possibilities in terms of spatiality and materials. 

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Urban Radicals is a design collective based in London, founded in 2019 by Era Savvides and Athanasios Varnavas. The practice operates at the intersection of multiple disciplines, exploring public space and the notion of collectivity across a variety of scales, contexts and design expressions. One of Archdaily's Best New Practices of 2021, Urban Radicals shrinks and grows organically through the projects, dissolving the boundaries between diverse fields of knowledge and circumventing traditional office structure to integrate a multiplicity of perspectives within architecture.

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Beijing 2022 Winter Olympic Games and Paralympic Games have officially opened on February 4, 2022. The Winter Olympics made a brave move by adding two snow zones in Zhangjiakou and Yanqing to the ice zone in Beijing, creating an unprecedented three-zone system for the Winter Olympics.

Architectural Design & Research Institute of Tsinghua University (THAD), has led the planning and architectural design of the whole and all venues in Zhangjiakou Zone and Shougang Venue in Beijing Zone. Planning and Venue design for Yanqing Zone was elaborated by the China Architectural Design & Research Group. Chinese architects took the initiative to create while serving the principle of sustainable development and closely integrating architectural planning methodologies and architectural design during the approximately six-year construction cycle. They proposed the design framework of "full-scale spatial intervention" based on the "General Plan, Regulatory Plan, Urban Design, Architecture Design and Equipment System Design," completing the Chinese practice of sustainable Winter Olympics.

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American artist Theaster Gates unveiled his design for the 21st Serpentine Pavilion. Curated for the first time by a non-architect, the 2022 edition named Black Chapel, “will pay homage to British craft and manufacturing traditions”. Realized with the architectural support of Adjaye Associates, the pavilion will open to the public on Friday 10 June 2022, in Kensington Gardens.

The built environment we inhabit can be hostile, both on an individual architectural scale and in a wider urban context. Homeless people, for instance, are dissuaded from resting on public benches by the menacing presence of spikes and other forms of exclusionary design. From a global lens, we see the impact that borders have amidst anti-immigration hostility, imposingly exemplified by the Melilla border fence on the Morocco-Spain border. This “hostility” can be found in a large number of settlements around the world, settlements that have been formed as a result of organic migration or settlements predicated on control – like company towns.

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While research seems intrinsic to the design process, architectural research is a professional path in itself, whose purpose is to highlight scientific evidence and explore alternatives outside of pre-established norms or empirical considerations. Its purpose is to create a framework of knowledge that can inform the design to reach objectively better outcomes. The following discusses the role and state of research in architecture, some prominent areas of inquiry, and the architects or institutions that dedicate their work to these subjects.

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Whether or not architecture is an art, buildings and spaces shape daily life. Pushing the boundaries of architecture and the categorization of art, contemporary investigations between disciplines are rethinking tradition. As transformations grounded in human experience, these installations and structures share qualities of purpose, function and creative expression. At the same time, they reorient the limitations and possibilities of each profession.

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Stating that “design and sustainability are indissociable”, the 2022 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, centered its nominations on social inclusion, sustainability and circularity, and aesthetic research. So far, 40 shortlisted projects are moving to the next level. The biennial contest that gives tribute to works completed within the previous two years in general, will announce the 5 finalist works in February 2022, and the winner in April 2022.

Focused on 3 main titles, "the European city: a model for the sustainable smart city", "defining common European culture while reflecting the diversity of expression" and "an architecture that has social impact and transmits a cultural message", we have grouped the selected projects, nominated by a jury formed by Tatiana Bilbao, Francesca Ferguson, Mia Hägg, Triin Ojari, Georg Pendl, Spiros Pengas and Marcel Smets to give a better understanding of the selection criteria and the architectural situation in Europe. 

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It has been said that we are living through a trans-apocalyptic era. Not pre-or post-apocalyptic, but something in between: a series of interconnected crises that demand action, at a time when it’s too late to prevent the world from changing, but not late enough that all hope has been lost for a (changed, yet positive) world. Architecture is deeply involved in this process, as the transformation of the built environment and the construction industry are key to the way we live.

For ArchDaily, this means our mission rings truer than ever. After a record-breaking 2021, with over 22 million monthly visits across the ArchDaily network, we continue to ask ourselves and our readers: how can we continue to provide inspiration and tools to a new and evolving generation of architects, designers, and - increasingly - architecture enthusiasts, home-owners and anyone who is interested in how we live, where we live and how to move forward? One of the most important ways that we have of doing this is through the Building of the Year Awards.

ArchDaily exists thanks to our readers - you - and so it makes sense that you are also the ones that continue to pick the best of the year in architecture, this time for the 13th consecutive year of the Building of the Year Awards. It is your turn to recognize and reward the outstanding projects that are making a difference, as part of an unbiased, distributed network of jurors and peers that has elevated the most relevant projects over the past decade. Over the next two weeks, your collective intelligence will filter over 4,500 projects down to just 15 stand-outs for the best in each category on ArchDaily.

The 2022 Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Over the last century, cars have been the dominant element when designing cities and towns. Driving lanes, lane expansions, parking garages, and surface lots have been utilized as we continue our heavy reliance on cars, leaving urban planners to devise creative ways to make city streets safe for pedestrians and cyclists alike. But many cities, especially a handful in Europe, have become blueprints for forward-thinking ideologies on how to design new spaces to become car-free and rethink streets to make them pedestrian-friendly. Are we experiencing the slow death of cars in urban cores around the world in favor of those who prefer to walk or ride bikes? And if so, how can it be done on a larger scale?

Cities are growing, and they are growing upwards. This is far from just being a contemporary phenomenon of course – for more than a century, high-rises have been an integral part of urban settlements worldwide. This growing of cities encompasses a complex web of processes – advancements in transport links, urbanisation, and migration to mention a few. This growth of cities, however, is all too often linked with governmental failure to adequately support all facets of the urban population. Informal settlements are then born – people carving out spaces for themselves to live amidst a lack of state support.

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Taiwan proposes that architecture can transform a place, and to represent this idea, the work of Sheng-Yuan Huang and his practice, Fieldoffice, were chosen for the Taiwan Exhibition at La Biennale di Venezia in 2018, entitled Living with Sky, Water, and Mountain: Making Places in Yilan. Sheng-Yuan and Fieldoffice demonstrated that the notion of making places is more than building a physical space, but is equally about establishing a linkage between people, as well as people and their environment.

Alessandro Martinelli explores Sheng-Yuan and his colleagues at Fieldoffice as the avant-garde of a new architectural movement in his book, The City Beyond Architecture, which seeks to produce a new form of collective living through the lens of design and culture, touching on what the design culture of the majority of future urbanization could become. In the following, we will discuss Shen-Yuang's impact on Taiwanese architecture as he spearheaded the call to integrate and imagine public spaces that inhabited the capacity to structure a particular landscape to provide both social spaces and a sense of identity to its occupants.

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There is so much more to know about architects and their projects when you begin to learn the stories behind their work. When you know where and how they draw their inspiration from and how an idea becomes a reality that you can touch, feel and experience, you get a better idea of why the project ended up the way it did.

Together with photographer Marc Goodwin, as part of his project Atlas of Architectural Atmospheres this time in the city of Berlin, we had the opportunity to meet with German architect Christoph Hesse, of Christoph Hesse Architects, based in Korbach and Berlin, and we spoke about all these things that make up his idea of architecture and his work. Meeting a creator on their own workspace is also an added value; we went through different projects while looking at the physical models and the narrative of his work became a beautiful story about a place, a countryside town in Germany, its people, and their lives, and a sustainable future in nature.

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Videos

“A Broken House” is a documentary directed by Jimmy Goldblum that highlights the story of Mohamad Hafez, a Syrian native that moved to the US on a single-entry visa to study architecture and was not able to return home. Facing his fate, he channeled his homesickness in his artwork, and started producing miniature sculptures of his hometown, in order to build the “Damascus of his memories”.

“If you can’t get home, why don’t you make home”. Telling the story of the human being that lived within, the architectural project gained a political dimension after the eruption of the Syrian civil war, portraying the extent of the destruction suffered by the city, humanizing refugees, and sharing their stories.

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'Innovation' and 'design thinking' could possibly be two of the most extensively-used phrases both online and offline during the past decade. To respond to the global need of "changing the status quo", established companies, start-ups, and even universities have used this framework to generate novel ways of solving problems and create new products, taking into account their desirability, feasibility, and viability. And with that, a new archetype was conceived: the design thinker, someone who has the creative toolkit to generate something disruptive. So what is the meaning behind design thinking and what is its relationship with architecture?

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As the new year kicks off, we're taking a look ahead to the projects we're most looking forward to in 2022. With a mix of cultural and commercial programs, the designs are located across five continents, with many under construction for multiple years. Designed across a wide range of scales, they represent a mix of interconnected landscapes, museums, and new skyscrapers. 

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When we started ArchDaily 14 years ago, we wanted to represent it through the archetypal image of a building, in an isometric view, blue color. After a quick sketch, we had the first version of our logo, which iterated throughout the years, adapted to diverse applications from wooden trophies to stickers, becoming a staple brand among architects.

As we continue into a new era, that started in 2020 together with Architonic and that continues today with the announcement of our new group DAAily Platforms, we thought it was time for an upgrade and we started to explore what we want to represent as a symbol, connected with our mission and views about architecture.