Architecture firm Sordo Madaleno Arquitectos (now SOMA) has unveiled the design for the new Park Hyatt mixed-use development in Mexico City's Polanco district. Comprising a luxury hotel, residences, and offices, the project marks Hyatt Hotels Corporation's first such complex in the country.
https://www.archdaily.com/1127671/sordo-madaleno-arquitectos-designs-the-first-park-hyatt-complex-in-mexico-cityArchDaily Team
The following article is a contribution from Juan Pablo Aschner, PhD, architect, founding dean, and tenured professor at the new Facultad de Creación at Universidad del Rosario in Colombia, which offers undergraduate degrees in architecture, arts, creation, design, and musical theater. Below, the text explores the contribution of transdisciplinary creativity, accompanied by illustrations created for the school by Antoine Cosse, under the art direction of Tangrama.
https://www.archdaily.com/1127675/creative-education-the-academic-union-between-architecture-art-design-and-related-tradesJuan Pablo Aschner
Dedicated to creating environments for a wide range of human activities, Armando de Holanda practiced as an architect in Northeast Brazil. Unsettled by the persistence of European building traditions that proved ill-suited to the region, he developed a set of strategies for designing and building with a focus on performance tailored to the tropical environment, prioritizing the presence of nature, light, and climate.
March 9 marks the birth anniversary of one of the most globally significant Mexican architects, a pioneer of the Modern Movement in Mexico whose work has transcended geographical boundaries to be studied by generations of architects who have rewritten his teachings to make them their own. Luis Barragán, the Guadalajara-born architect and 1980 Pritzker Prize laureate, left a timeless legacy that continues to pave the way for new research and discoveries today.
Studio Zhu-Pei was founded in Beijing in 2005 by Zhu Pei. The practice has consistently focused on the exploration and practice of cultural architecture, driven by an artistic and experimental creative ethos. To date, the studio has completed 18 art museums and cultural projects, with another 17 currently under construction or in the design phase. Design Philosophy: "Nature Architecture" is neither landscape architecture nor green architecture. Rather than referring to nature in a narrow sense, it represents a natural attitude—an exploration of the natural tectonic laws behind architecture. It seeks to uncover the sensory roots defined by one's own culture, establishing a deep-seated connection between architecture and local culture, geography, and climate.
https://www.archdaily.com/1127686/beijing-jobs-studio-zhu-pei-architect-landscape-architect-internMilly Mo
With the growing interest in virtual tours driven by recent public health conditions, access to these experiences has become increasingly common. While not a new technology, it is rapidly evolving to engage art and architecture enthusiasts. With this in mind, a project titled "San Lázaro 40 (X) 5 / 40 years, 5 murals" was launched to showcase one of the most iconic spaces designed by architect Pedro Ramírez Vázquez: the San Lázaro Legislative Palace.
PILLS is a Beijing-based, research-oriented architecture studio. Our practice spans speculative endeavors, including architectural and interior design, installation and exhibition design, urban and landscape design, as well as cross-media production and cultural dissemination. Ranging from installations to public buildings, and from cultural projects to commercial developments, PILLS actively delivers a diverse range of urban and architectural design services while leveraging various media to drive the production of contemporary architectural culture.
https://www.archdaily.com/1127664/beijing-jobs-pills-studio-architect-exhibition-designer-interior-designer-technical-designer-research-assistant-intern-etcMilly Mo
Edificio de la Ex Cervecería de Limache. Image Cortesía de Compañía de Cervecerías Unidas CCU
The adaptive reuse of the former production center seeks to revitalize the history of local industry through the preservation of its physical and cultural heritage. Transforming the historic building of the former Limache Brewery in Chile into a museum open to the public is the primary goal of the open call launched by CCU. Submissions for the heritage adaptive reuse of this industrial building will remain open until August 15.
Ecuadorian illustrator and architecture student Ariel Triana Ayarza (Arluz Ilustraciones) has created a series that explores Guayaquil's architecture through digital illustrations. The graphic collection aims to highlight the beauty of heritage landmarks, colonial buildings, and all the representative works that shape the city's identity.
This article by Susana Romero Sánchez was originally published under the title "La historia olvidada de la arquitectura en Colombia: la vivienda rural y la modernización durante la República Liberal" in issue 29 of Dearq journal on January 1, 2021 (DOI: https://doi.org/10.18389/dearq29.2021.04).
This article analyzes the "campaign for the improvement of peasant housing," launched by the Instituto de Crédito Territorial (ICT) during the Liberal Republic (1930–1946). Contrary to traditional narratives of modern architecture in Colombia, which overlook experiments in rural architecture or relegate them to a form of prehistory, this study shows that peasant housing influenced the subsequent development of modern social housing. The article argues that the rural housing campaign was central to a concept of modernity in Colombia based on the prosperous, mid-sized peasant landowner.
In a privileged location in the Autonomous City of Buenos Aires, with unparalleled accessibility for both national and international events, the project by Frazzi Arquitectos is built upon the history of Club Vélez Sarsfield, seeking to embody the legacy left by its illustrious figure, Don José “Pepe” Amalfitani.
Following decades of informal, well-intentioned interventions aimed at addressing emerging needs, the new project proposes a comprehensive overhaul. Moving beyond a mere functional solution and drawing on the club's history and sensitivity, it seeks to bring character and local relevance to the community.
This article by Ana María López-Ortego was originally published under the title "Transformaciones territoriales y desbordes en la zona rurbana de la localidad de Bosa (Bogotá) desde la perspectiva de movimientos urbanos de base" (Territorial Transformations and Overflows in the Rurban Zone of the Locality of Bosa (Bogotá) from the Perspective of Grassroots Urban Movements) in issue 30 of the Dearq journal on May 1, 2021 (DOI: https://doi.org/10.18389/dearq30.2021.06).
This article examines the conflicts between planning culture and urban culture in the rurban areas of the locality of Bosa (Bogotá, Colombia), where an urban model is being reproduced that is disconnected from both its territorial border status and the cultural identities of its residents (rural-to-urban migrants, Indigenous populations, and youth collectives linked to urban culture, sports, and hip-hop). A bottom-up analysis of the area's transformations reveals perceptions of urban segregation and a loss of governance mechanisms, while also identifying processes of spatial appropriation and resignification by grassroots, collective, and independent rurban movements.
The following is presented as part of a joint collaboration to help disseminate research, analysis, and commentary from the national and international academic community on architecture, urban issues, and related fields.
https://www.archdaily.com/1127756/territorial-transformations-and-overflows-in-the-rurban-zone-of-the-locality-of-bosa-bogotaAna María López-Ortego
During the 1980s, NGOs and other organizations interested in housing highlighted the urgent need to address the housing issue comprehensively—seeking a dignified home and environment for vulnerable populations, particularly in Latin America, which was already the world's most urbanized region by the turn of the 21st century. Eight megacities concentrated 14% of the global population, including Mexico City, São Paulo, Buenos Aires, and Rio de Janeiro, among others. Furthermore, urban areas have expanded so rapidly that they have outpaced population growth, driven by the construction of residential complexes, shopping malls, and industrial parks.
As part of an initiative to document the history of Monterrey, Nuevo León, Mexico, REGIOPOLIS emerged as a documentary video series narrated from the perspective of the city's creators, aiming to leave an architectural record of the Monterrey metropolis. Each episode showcases some of the most significant works that laid the foundation for its urban fabric, exploring the historic and emblematic architecture built to this day.
In recent years, "real-time rendering" has become an increasingly prominent concept in architectural visualization. Initially dismissed as a theoretical tool far from practical application—plagued by critiques of poor quality, lack of compatibility, and sparse asset libraries—it was deemed incapable of replacing traditional visualization workflows, let alone serving as a primary tool for architects. However, several recent animations created with D5 Render have piqued our curiosity, prompting a closer look at what real-time rendering can now achieve.
https://www.archdaily.com/1127743/a-brand-new-real-time-architectural-rendering-workflow-for-seamless-creative-expressionMilly Mo
The Ministry of the Environment of Mexico City announced the winning project of the National Thematic Garden-Ethnobotanical Garden, Environmental Culture Center Competition in the Second Section of the Chapultepec Forest, which will form part of a master plan for the “Chapultepec Forest: Nature and Culture.” Upon completing the analysis and deliberation of the projects, the jury members highlighted the quality and high standard of the participants across the five submitted proposals. The first, second, and third-place winners are listed below. Read on to discover the winning project and the four finalist proposals.
Industrial buildings are perhaps the ultimate exemplification of Louis Sullivan's famous adage: form follows function. They are typically functional, efficient, fast to build, and unornamented. Consequently, studying the industrial heritage of cities and countries allows us to understand the materials, technologies, and local construction traditions of each era, while reflecting on the industrial past. This quickly brings to mind England's red-brick factories, as well as the skylights used to flood production floors with natural light, among many other typical solutions. Today, steel frames and precast concrete structures are the most widely used due to their combination of construction efficiency, cost-effectiveness, and capacity for large spans. Typically, these industrial warehouses are also characterized by being extremely cold and impersonal, in addition to carrying a substantial carbon footprint. However, Canada's experience in recent years stands out. In this country, timber buildings for industrial programs are gaining increasing acceptance.
This article by Diego Navarro-Mateu, Oriol Carrasco, and Ana Cocho-Bermejowas originally published under the title "Diseño inverso para superficies doblemente regladas: aproximación geométrica y optimización del hypar de la Iglesia de Nuestra Señora del Valle de Félix Candela" in issue 27 of the Dearq journal on July 1, 2020 (DOI: https://doi.org/10.18389/dearq27.2020.08). The following text proposes a reverse engineering/design methodology based on evolutionary computation to discover the hidden, primal hyperboloid that forms the roof of the Church of Nuestra Señora del Valle (Spain), a legacy of the work of architect Félix Candela.
It is presented here as part of a joint collaboration to help disseminate the research, analysis, and opinions developed by the national and international academic community on architecture, urban issues, and related fields.
https://www.archdaily.com/1127880/inverse-design-for-doubly-ruled-surfaces-in-the-iglesia-de-nuestra-senora-del-valle-by-felix-candelaDiego Navarro-Mateu, Oriol Carrasco y Ana Cocho-Bermejo
This week, we feature job openings from two of China's leading architecture practices: Beijing-based People's Architecture Office (PAO) and Shenzhen-based Meng Architects. Known for their distinct design philosophies and active presence in different sectors of the architectural field, both offices are looking for talented architects to join their teams.
https://www.archdaily.com/1127866/jobs-of-the-week-peoples-architecture-office-meng-architectsMilly Mo
MOVYT has launched Trayectopia, a card game designed to foster reflection on our experiences of mobility in public space. The tool was created to support public officials tasked with developing mobility plans under Chile's new Public Space Contributions Law.
Collective Architectures Meeting - Sant Pere de Torelló 2009. Image via LFDTV Archive
Arquitecturas Colectivas defines itself as “a network of people and collectives interested in the participatory construction of the urban environment.” Looking at this network in perspective, two things stand out. The first is that it seems quite sensible for a group of people and collectives to organize to tackle urban transformation projects with a bottom-up philosophy, collaboratively developing the necessary tools. The second is that this does not happen more often.
The bid award meeting for the "Full-Phase Design of the Guiwan Unit 4 Nine-Year School Project" was held on January 29, 2021. The tenderer legally established a bid selection committee, and following a vote by the committee, the final rankings are as follows:
https://www.archdaily.com/1127856/tender-award-results-whole-process-design-of-guiwan-unit-4-nine-year-school-projectMilly Mo
Traveling to Colombia, as a Brazilian, felt like recognizing a sister country. Over the course of a month, as a participant in the Field Stations workshop, I recorded personal perspectives of my impressions of the places visited. The theme is the river landscape, and the records carry the fragility and subjectivity of a logbook. The desire to share them is driven by the desire to express this sense of identification, showing how I saw similarities between us—problems, complexities, and beauties—as well as the clear recognition that we would be stronger together. It envisions the idea of eliminating the invisible borders that separate us and uniting peoples divided by colonizers.
Driven by necessity, various building types have changed their use. Churches that are now libraries, abandoned warehouses turned into cultural centers—and while much has been written on the subject, from N. John Habraken's 1970s Open Building concept to Adamo Faiden's contemporary From Mixed-Use to Diff-Use, today we are experiencing, more than ever, a compelling global debate surrounding housing adaptability. Is it necessary to dedicate so much square footage to offices when, during the pandemic, we realized that a large portion of work can be done remotely? This was one of the central questions during the lockdowns of recent years.
Undoubtedly, buildings are on the radar for what we can do with them in the near future—especially as the climate crisis enters the equation. "The greenest building is the one that is already built," says Carl Elefante. Adaptive reuse and adaptability will surely be the defining terms on the lips of architecture professionals worldwide. Thus, it is time to reflect further on how design can address this challenge.