
Many of our ideas about the cities of tomorrow are shifting as we confront today's pressing global challenges—from the climate crisis to how we will live together.

Many of our ideas about the cities of tomorrow are shifting as we confront today's pressing global challenges—from the climate crisis to how we will live together.

The three practices hiring this week represent "small is beautiful" design teams: Beijing-based PRAXiS d'ARCHITECTURE and AFFD Design Studio, along with Jane Z Studio, which is deeply rooted in southern China. Active across diverse architectural fields with their distinct design philosophies, they are now seeking talented architects to join their teams.

Outbreaks of contagious diseases can exert a long-term influence on urban design—many have undeniably shaped the way modern cities look and operate. Parks, wide streets, and even the bathrooms in our homes are a significant legacy of past cholera outbreaks. Today, these features are so deeply embedded in our daily lives that they are considered basic elements of modern cities. Over generations, cities have recovered from the initial shock of contagion and rebuilt public trust after periods of uncertainty.

#Anodized Aluminum Panels
In recent years, anodized aluminum panels have emerged as a prominent material, utilized across numerous interior and exterior architectural projects in China. Anodized aluminum features six key characteristics: 1. Metallic Appearance, protected by a transparent anodic oxide film, the natural, soft metallic texture of aluminum is fully preserved; 2. Workability, anodized aluminum features exceptional workability, as well as outstanding forming and bending capabilities; 3. Surface Consistency, across diverse architectural forms, anodized aluminum panels maintain a highly uniform color; 4. Corrosion Resistance, the anodization process generates a dense oxide film on the metal surface, providing superior corrosion resistance and enhancing structural hardness and strength; 5. Weatherability, the static-free surface does not attract dust, making it easy to clean and maintain its pristine, like-new appearance even after repeated washing. This ensures the building facade stands the test of time; projects completed with anodized aluminum 40 years ago still look as good as new today; 6. Sustainability, functioning as an environmentally friendly material classified as Class A non-combustible.
#Almeco Anodized Aluminum Panels
Almeco is a global expert in pre-treated aluminum surfaces, offering a range of innovative anodized aluminum products for interior and exterior curtain walls and decoration. Their unparalleled metallic texture, rich colors, and excellent workability bring new vitality and artistic form to interior and exterior architecture, turning every building into a unique work of art. Consequently, Almeco has become the material of choice for renowned architects such as Jean Nouvel, Thom Mayne, MAD, and UNStudio.

“Without chasing the discovery of forcedly original forms, without seeking novel aesthetic effects, the strict and consistent adaptation of the dwelling to the climate has progressively led to a new, native, and authentic architecture.” (1)
Wladimiro Acosta was born in Odessa on June 23, 1900. There, he graduated from the School of Fine Arts with a degree in Construction Technology in 1917. Later, in 1919, he moved to Italy to continue his architectural studies, enrolling in the Higher School of the Institute of Fine Arts in Rome, where he received his degree in Architecture and taught Architectural Design between 1920 and 1921. In 1922, he relocated to Germany, where he lived until 1928, the year he left Europe for Buenos Aires.

Senshang Architecture Design is a creative and passionate emerging architecture practice focusing on human habitats and the rapid development of both urban and rural environments. The practice primarily engages in architecture, interior, master planning, and landscape design. We emphasize the integration of practice and theory, prioritizing design value and spatial experience within the contemporary social context. Over years of exploration and experience in urban renewal and rural practice, the firm has gained recognition from various sectors. From rural construction and urban regeneration to agritourism, cultural-creative development, and the renovation and adaptive reuse of self-built housing, we approach every project with a developmental perspective and a critical attitude toward design.

The restoration, rehabilitation, and recognition of urban rivers and canals must be integrated into state and federal policies, going beyond the mere practical use of the resource. In many developing nations, including Mexico, water-related challenges are heavily concentrated in cities, driven by the haphazard urban growth of recent decades.

Construction shores, which typically support formwork for pouring concrete, have been used to structure a temporary chapel in Bogotá. These elements, usually relegated to construction processes, combine with zinc sheets and exposed structural trusses to define the project's spatial experience. Designed to be mobile, the chapel can be easily disassembled, ensuring its components can be reused in future projects.
Discover the project, born from a collaboration between SCA and Colab-19, designed to meet the desire of Bogotá's faithful to celebrate Easter.

On Thursday, March 25, the agency that provides air navigation services in Mexican airspace (SENEAM) announced the implementation of the first phase of the Mexico City Airspace Redesign. Listed benefits of this redesign include reductions in flight times, operational delays, and fuel consumption, although the primary driver behind it is to integrate the future Felipe Ángeles International Airport in Santa Lucía into the capital's airspace. From day one, areas that previously did not experience aircraft noise from arrivals at the Mexico City International Airport (AICM) began to notice the effects of the redesign. How significant is the noise impact of this airspace redesign for the population of the capital's metropolitan area?

Founded in 2017, Studio 10 is an architectural-focused, multi-disciplinary design studio based in Shenzhen and Hong Kong.

Redecorating the Oval Office is not just a statement of presidential taste; yet, as all spaces reveal principles that extend far beyond the visual, it is ultimately a statement of control. It is here that the president meets with international dignitaries and addresses the cameras to deliver messages of great importance, which is why he (or, one day, she) does not want it to look as though their predecessor still claims ownership of the space.
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The 'Flor Urbana' (Urban Flower) installation—located on the esplanade of the Periférico Sur Light Rail Station in Guadalajara, Mexico, which sees a daily flow of around 20,000 people—stems from the need to address key concerns of the 'Public Infrastructure Prototypes for a City of the Future' (PIP Ciudad Futuro) project. Developed by dérive LAB, the initiative aims to reimagine public buildings as spaces for climate mitigation in the Guadalajara Metropolitan Area through the installation and adaptation of technologies that monitor noise, air quality, transit, and energy efficiency, among other metrics.
"Can we make clay form a structure that can bear loads?" John Pawson asks Alejandra Sepúlveda from Taller Barros. Together, they are working on the Ruta de la Greda (The Clay Route) in Pomaire, Chile.

During September, the 4th edition of the Chicago Architecture Biennial took place under the title Available City, providing the perfect opportunity to open a debate on the role of architecture in urban equity.
Can architecture foster equity in cities? Are there limits to what it can achieve? From a critical perspective, we discussed this issue through an initial question posed to our readers: How equitable is architecture?
After reading and compiling all the comments received from construction professionals, students, and architecture enthusiasts alike, we agree that equity in architecture is, first and foremost, a multiscalar issue—a global problem that concerns us all.

As part of a new initiative accompanying the launch of the 2021 collection, Studio David Pompa has transformed its Mexico City showroom into a space showcasing the "Palma" project—an experimental body of work comprising a series of interior design and lighting pieces centered on the craftsmanship and origins of palm in Mexico.
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This article was originally published in Revista Trópico Absoluto under the title "El Teatro Teresa Carreño: una historia personal" on March 6, 2020. Below, the German-born Venezuelan architect Dietrich Kunckel recounts in his own words the precise details of the design and construction process of one of the most important architectural works in Caracas, Venezuela.

INCLUSIVE ARCHITECTURAL PRACTICE is a pioneering international firm integrating architecture, interiors, landscape, and graphic design. Composed primarily of designers with extensive study, work, and life experience both in China and abroad, the team is dedicated to creating cutting-edge, inclusive architecture that brings future-oriented change to the educational, cultural, R&D, office, and commercial sectors.

The following article, based on the exhibition conceived by the Projective Drawing course and developed by the Digital Fabrication and Parametric Design Laboratory of the Institución Universitaria Colegio Mayor de Antioquia (FABLAB COLMAYOR), demonstrates the adaptability of undergraduate programs after COVID-19. This initiative, utilizing rendering and augmented reality, showcases a new approach to applying relevant tools in both academic and professional fields.

The Cocina Mendoza project is located in the municipality of Ixmiquilpan, in the heart of the Mezquital Valley in central Hidalgo, Mexico. This is home to the community of San Nicolás de Tolentino and the Mendoza family, who belong to the Otomí people and held the *mayordomía* (stewardship) during 2019 and 2020.

Every year, our curatorial team presents a retrospective of house projects that stood out over the period. This collection, a small selection of the more than two thousand projects published on ArchDaily Brasil this year alone, comprises a series of residences with specific design solutions that address, each in their own way, factors such as materials, construction techniques, structural systems, building processes, and programs.

It might seem that the concept of “urban gardens” emerged alongside the gentrification of Mexico City—a model of food autonomy that not only provides us with fresh, organic, ready-to-eat produce, but also beautifies the urban landscape and reconnects us with nature. However, nothing could be more mistaken than viewing urban agriculture as a mere trend.

Creating a public space capable of reclaiming the neighborhood's heritage value while fostering participation and community appropriation among local residents was one of the primary goals driving the creation of the Zenteno Cultural Plaza. It is part of a balanced densification project that seeks to integrate local historical and cultural heritage while designing flexible, integrated spaces. Carried out by Activa Inmobiliaria, the project also enabled the preservation of the "Inmaculado Corazón de María" Basilica, a heritage building adjacent to the new plaza. Located in the historic center of Santiago, at the corner of Zenteno and Copiapó streets, the project freed up an area previously occupied by a warehouse building to expose and restore the brick facade of the basilica, which was declared a historic monument in 1987.

Small unmanned aerial vehicles (UAVs), commonly known as drones, have opened up new possibilities for documenting built works. Aerial photography reveals aspects of a project that are often difficult to capture from a pedestrian perspective. Much like roof plans, aerial views more clearly illustrate design decisions regarding site placement, orientation, typology, relationship with the immediate surroundings, and pre-existing structures, among other aspects.

To mark the 60th anniversary of the iconic Jean Mermoz House—a precursor of sorts to the ideas of the Open City in Ritoque—architect Igor Fracalossi proposes a reconstruction of its wooden formwork system.