"The public square and civic infrastructure are the front lines against this kind of attack", proclaimed then-President of the American Institute of Architects, Thomas Vonier. The decades since 9/11 and mass violence have pressured cities, in the United States and globally, to reconsider what "safety" means. Is it about barriers, bollards, surveillance? Or is it about trust, visibility, evidence, resilience? Several projects confront these questions at various scales to demonstrate how architecture and forensic thinking can collectively protect communities and civic life.
The noise of overlapping conversations, the flashing lights of a billboard, hurried footsteps on the sidewalk, and the constant hammering of a nearby construction site: public spaces are sometimes experienced as environments where stimuli accumulate and often overwhelm us. Each person perceives and responds to these sensory inputs differently, and recognizing neurodiversity means understanding that some individuals require more time to adapt, slower-paced journeys, or more gradual interactions with their surroundings. These encounters raise fundamental questions about contemporary public space: how can it accommodate the diversity of ways people perceive and inhabit it? How can we envision it as a space that embraces all ways of experiencing it?
The intersection of neuroscience and architecture/design has brought innovations to the way spaces are conceived.Recently, the relevance of inclusive and regenerative design has come to the fore, addressing the need to create environments that welcome human diversity, including older adults and neurodiverse individuals. This approach not only broadens accessibility but also promotes environmental regeneration and user well-being.
The way we perceive and experience spaces extends beyond aesthetics—they directly influence our emotions, thoughts, and even creativity. Spacious environments with high ceilings often evoke a sense of freedom and inspiration, while smaller, enclosed spaces encourage focus and introspection. This is not merely a subjective impression but a scientifically studied phenomenon. In the 1960s, anthropologist Edward T. Hall introduced the term "Cathedral Effect" to describe how ceiling height impacts cognition and behavior. More recent research has expanded on this idea, demonstrating how architecture shapes decision-making and emotional states in various contexts.
Designing for the human experience has been at the forefront of architect's intentions and motivations behind their work. While traditional processes prove beneficial, the industry is peering over boundaries to find opportunities for collaboration with other design and non-design fields. New approaches have emerged with collaborations between architects and service designers, or even psychologists, to create more human-centric spaces. A new intersection captures the attention of practitioners, especially with a recent installation at Salone de Mobile neuroarchitecture. ArchDaily breaks down the scope and potential for this new field with Federica Sanchez, architect and neuroscience researcher at Italian firm Lombardini22, responsible for revamping the Salone.
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Concept redesign routes Salone del Mobile.Milano - Ph. Cristian Catania, Lombardini22. Image Courtesy of Salone del Mobile.Milano
The 62nd edition of the Salone del Mobile at Rho Fiera brought together designers, architects, producers, and prominent figures from the design realm. With more than 1950 exhibitors, the six-day event, running from April 16 to 21, 2024, emphasized conviviality, well-being, and sustainability. Designed with a human-centric approach, incorporating neuroscience principles to enrich visitor interaction, Salone del Mobile is revolutionizing the future of fairs.
On-site during the event, ArchDaily had the opportunity to speak with Cristian Catania, Senior Architect and Project Director for Reinventing Fairs at Lombardini22, responsible for revamping Salone, about the primary changes in the fair’s layout and the implementation of neuroscience approaches in conceptualizing the exhibition spaces.
Salone del Mobile.Milano has announced the opening dates and events program, expanding the trade fair event to encompass more narratives and projects relevant to the design community. The 62nd edition will take place at Rho Fiera Ilano from April 16 to 21, 2024. It is expected to include over 1900 exhibitors from around the world, with contributions from emerging designers and several design schools under the recurring SaloneSatellite, now in its 25th-anniversary edition. The cultural program also includes immersive installations, like David Lynch’s “Thinking Rooms.”
Environmental neuroscience is an emerging field devoted to studying the impact of social and physical environments on brain processes and behaviour. From the various opportunities for social interaction to noise levels and access to green spaces, the characteristics of the urban environment have important implications for neural mechanisms and brain functioning, thus influencing our physical state. The field paints a different image of how cities impact our health and well-being, thus providing a new, scientific layer of understanding that could help architects, urban planners, and decision-makers create more equitable urban environments.
Cognitive decline is a growing public health concern that affects millions of people around the world. Amid an aging population, strategies that help prevent or mitigate cognitive deterioration become increasingly relevant to support healthy aging and maintaining independence for longer. Studies in the field of neuroscience applied to architecture (neuroarchitecture) have shown that the physical environment, both internal and external, public and private, plays a fundamental role in this aspect [1]. In this sense, architects and urban planners can direct their projects to create solutions that significantly contribute to this objective.
https://www.archdaily.com/1007274/architecture-for-preventing-cognitive-decline-contributions-from-neuroscience-to-healthy-agingAndréa de Paiva
How did modern architecture happen? How did we evolve so quickly from architecture that had ornament and detail, to buildings that were often blank and devoid of detail? Why did the look and feel of buildings shift so dramatically in the early 20th century? History holds that modernism was the idealistic impulse that emerged out of the physical, moral and spiritual wreckage of the First World War. While there were other factors at work as well, this explanation, though undoubtedly true, tells an incomplete picture.
It is unquestionable that environments directly influence the behavior and emotions of their users. Human beings spend approximately 90% of their lives indoors, making it imperative that the spaces we inhabit stimulate positive behavior and emotions, or at least don't influence us negatively. There exists a specific term describing the stimuli that the brain receives from its environment: neuroarchitecture. Several studies have been published on this topic, most focusing on its impact on work environments. This article approaches this concept through a different, yet essential lens: emphasizing its importance in the design of spaces for children in early childhood.
