Charles (June 17, 1907 – August 21, 1978) and Ray Eames (December 15, 1912 – August 21, 1988) are best known for their personal and artistic collaboration and their innovative designs that shaped the course of modernism. Their firm worked on a diverse array of projects, with designs for exhibitions, furniture, houses, monuments, and toys. Together they developed manufacturing processes to take advantage of new materials and technology, aiming to produce high-quality everyday objects at a reasonable cost. Many of their furniture designs are considered contemporary classics, particularly the Eames Lounge & Shell Chairs, while the Eames House is a seminal work of architectural modernism.
Industrial Design: The Latest Architecture and News
San Francisco Design Week 2020:
The First Regional Virtual Design Festival
Virtual Edition: June 15th - 25th, 2020
The 14th Annual SAN FRANCISCO DESIGN WEEK (SFDW), which attracts annually 60,000 visitors from around the world, is returning this year as the first regional virtual design festival. The all-online program kicks off June 15-25, celebrating with the provocative theme “Intentional Distortions” which is now more relevant than ever.
Highlights include talks, webinars, web-conferences, and virtual tours with leading designers in multi-disciplines, from user experience, interactive design,VR Experiences and Virtual Art to branding, architecture, interior design, and fashion.
New this year is the first annual Product Showcase,
Hacking the home to make play part of everyday
(a) Competition Overview
Play is an essential part of all our lives, whether child or adult. Be it playing sports, a board game or simply sharing jokes with friends, play is just as important to adults as building a den or playing dress-up is to a child.
The Coronavirus outbreak has left many of us having to spend extended periods of time at home in lockdown, restricting the opportunity to socialise and play in ways that we are used to.
How can we use creativity to encourage play at these unique
AZURE announces the opening of submissions to the 2020 AZ Awards!
Now entering its 10th year, the AZ Awards celebrates the best in architecture and design from around the world. Each winner will receive the AZ Awards trophy, get international exposure through our media partners, and have their achievements recognized by AZURE in print, online and at the AZ Awards gala in June 2020.
The AZ Awards is open to architects, interior designers, landscape architects, product designers, industrial designers, experimental graphic designers, product manufacturers and students in design-related disciplines.
Early-bird deadline: January 31, 2020
Competition closes: February 18, 2020
Don’t miss this exciting opportunity! Submit
DROP-A-PIN is a project started by a couple dedicated to architecture and graphic design who have traveled the last five years to document some of the most fascinating buildings. Within this process, about a year ago, they wanted to find a pin with some of these great works. As they failed to, the duo decided to create it themselves.
The use of steel in architecture is considered as one of the most innovative construction developments in history, allowing architects to create structures in scales they never thought they could. Fast-forward a few centuries, and steel remains as one of the most crucial materials in architecture. But there is a lot more to the material than just tensile strength and durability, some architects were well-aware of steel's potential and transformed it into lighting fixtures, facades, decorative elements, and finishes.
Here are 15 projects where architects looked beyond steel as structural support and explored its diverse possibilities in architecture.
Sir Norman Foster has received the American Prize for Design, an award presented the Chicago Athenaeum Museum of Architecture and Design and The European Centre for Architecture and Urban Studies. The award, which was established in 2016, is presented to an individual for their lifetime achievement in the fields of design.
Chicco and Desall invite you to design a new transformable system to meet the needs of parents and children during their activities outside home.
In a bold attempt to identify the next, upcoming generation of European architecture practitioners, The European Centre for Architecture, Art, Design and Urban Studies announces the 2018 submission dates for the European-wide Awards Program that identifies, promotes, and exhibits the next generation of European architects under the age of 40.
The objective of the program is to generate tangible prototypes and solutions along the theme of "DESIGN H(ij)ACK - When Art & Design Meet Public Space". Cross-disciplinary collaboration is a necessity, combined with strong knowledge integration from research, concepts, design, to execution, “DESIGN H(ij)ACK” encourages all participants to think differently, design efficiently, and work economically, mostly important: collectively.
The AZ Awards for Design Excellence celebrates the finalists and winners at a gala celebration on Friday, June 23 from 6 to 10 pm. Join colleagues and designers from around the world as we celebrate the very best in international architecture, interiors and product design. For more information and to get tickets, please visit http://azm.ag/AZAwardsGala17
New product design contest on Desall.com: Elite invites you to design the new metal Coca-Cola bottle, creating a handy product, suitable for indoor and outdoor use, with an easy to drink system.
For more info: http://bit.ly/CocaColaDesignAward
Upload phase: 14th April - 3rd July 2017 (1.59 PM UTC)
Client Vote: from 3rd July 2017
Winner announcement: approximately by the end of October 2017
Participation is free of charge and open to all creative people (at least 18 years old).
Are you an innovator? Do you see the beauty of design in everyday things, from a toothbrush to an automobile? Then Vid'yut's the one for you. Sketch, Design and Build to Win!
B. Alexandra Szerlip gives a free, public talk about her new book, The Man Who Designed the Future: Norman Bel Geddes and the Invention of Twentieth-Century America (Melville House).
A ninth-grade dropout who found himself at the center of the worlds of industry, advertising, theater, and even gaming, Norman Bel Geddes designed everything from the first all-weather stadium to Manhattan’s most exclusive nightclub, to Futurama, the prescient 1939 exhibit that envisioned how America would look in the not-too-distant sixties.
Experiences are intrinsically composed by the tangible and intangible architectures that trigger the senses. It is through this delicate exchange of sensory information that we create lasting impressions from space, objects and interactions. What new exchanges can we envision and suggest through meaningful design? We invite design thinkers to envision new modalities for exchange.
Propose an innovative “skin” in which humans could interact with their surrounding environments and everyday activities through the different intertwined senses. The proposed “skin”/ product could be at any scale and serve any function that the designer envisions.
Foster + Partners' Craft + Manufacture: Industrial Design exhibition is currently on display at The Aram Gallery in London. It is the firm’s first exhibition dedicated to the industrial design work they have created over the past fifty years. It shows how “the science, art, and craft of making things” has been the foundation of the firm, and how the “collaborative nature of the design team pioneered by Norman Foster” has been translated into their architectural practice.
Crafted from pure silver and standing at 40-centimeters-tall, the Loa and Vesu vases by Zaha Hadid Architects are as bold and dynamic as the firm's architecture. In this fascinating video, watch Austrian silversmiths Wiener Silber Manufactur handcraft the ornamental vases in their Viennese studio using a combination of traditional and modern techniques. Designed by Zaha Hadid, Patrik Schumacher, and a team of four designers, the vases reference "the volcanic forces of expansion and compression, subtle fluctuations and distortions of ripples", and are both as functional as they are sculptural.
Grimshaw Architects' dual focus on industrial and architectural design will be celebrated this month in a featured exhibit at Milan Furniture Fair. In this article, originally published by Metropolis under the title "Down to the Details," author Ken Shulman presents the firm's evolution in the context of the exhibit, touching on the projects being presented and more intriguingly — on how they are being presented.
Shortly after he joined Grimshaw Architects, Andrew Whalley was tasked with putting together an exhibition at the Royal Institute of British Architects (RIBA) in London. Titled Product + Process, the 1988 show was decidedly counter-current—a parade of pragmatic, largely industrial structures Grimshaw realized in the UK in the face of surging postmodern fervor. Featured projects included the transparent building the then 15-person firm designed to house the Financial Times’ London printing facilities, and a flexible, easily reconfigurable factory Grimshaw built for Herman Miller in Bath. But it wasn’t the selection of projects that caught the public eye. “We asked our clients to take apart pieces of their buildings, and then rebuild them for the exhibition,” says Whalley, now deputy chairman of Grimshaw. “This wasn’t a typical show of architectural drawings and models.”