Urban Refuge Studio House / Estudio Berzero Jaros. Image
While many of the homes built during the Modern Movement—as design experiments on new ways of living—fostered the early emergence of "programmatic hybrids" by typically linking the residences of artists, painters, or architects with their workspaces (one need only recall, for instance, the atelier Le Corbusier designed for painter Amédée Ozenfant in 1922), today, new work models and hyperconnectivity have further driven the development of a new typology where workspaces are integrated into residential architecture. Architects, writers, photographers, designers, and painters increasingly choose to integrate their studios and workshops into their homes, merging living and working into a single whole.
Concéntrico is an International Architecture and Design Festival that, through a democratic approach open to all citizens and visitors, aims to reflect on the urban environment and the city.
On Thursday, September 5, ArchDaily México celebrated its seventh anniversary. This year, Proyecto Público Prim was chosen as the venue—an early 20th-century building of great architectural value featuring interventions by architect Alberto Kalach and the firm PRODUCTORA. The venue served as the backdrop for some of the most influential figures on the contemporary scene to connect with the ArchDaily México team.
The article series by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit investigating social housing in Latin America continues by exploring the choice of building materials. Read all past articles and the new piece below.
https://www.archdaily.com/1120321/the-need-for-adaptable-materials-in-latin-american-social-housingNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
Ciudad Juárez is an industrial city located on the northern border with the United States, specifically bordering the city of El Paso, Texas. Over the years, Juárez's economy has been dominated by the ‘maquiladora’ assembly industry, and the city was once considered one of the most violent in the world due to a wave of crime between 2008 and 2012. In response to these conditions, in 2014, a group of friends from Ciudad Juárez, Chihuahua, eager to contribute to their city's resilience and recovery, came together to discuss and pitch ideas for reclaiming streets, plazas, and parks through sociocultural projects and public space interventions, ultimately giving rise to Nómada Laboratorio Urbano.
In its most recent edition, BBConstrumat, Spain's largest construction trade fair, underscored its commitment to supporting a new model in the construction industry—one centered on the circular economy and sustainable development.
Among the event's key highlights, Ricardo Devesa—editor-in-chief at Actar and urbanNext and professor at IAAC—curated the refreshing congress Logics of Innovation and Change, where presentations and discussions revolved around global challenges such as climate change, robotics, resilience, migration, and new global narratives.
As a result of programmatic uncertainty, the diversity of individual lifestyles, and the impossibility of planning future ways of living, our architectural spaces have begun to call their own boundaries into question. The inability to confine contemporary activities to specific rooms, combined with new demands for adaptability and constant mutation in *micro-spaces*, has led to various architectural strategies in pursuit of flexible living.
Life Reusing Posidonia. Image Cortesía de IBAVI (Instituto Balear de la Vivienda)
Continuing with the series of articles by Nikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit on the study of social housing in Latin America, this installment discusses construction work processes and operating systems. Review past publications and the new article below.
https://www.archdaily.com/1120293/maintenance-strategy-for-social-housing-in-latin-americaNikos A. Salingaros, David Brain, Andrés M. Duany, Michael W. Mehaffy & Ernesto Philibert-Petit
What Will Happen Here? (O que vai acontecer aqui?) is a new documentary by Left Hand Rotation, in collaboration with Stop Despejos and Habita, on the housing struggles in Lisbon—a city where rents have increased by 50% over the last three years and that has become the leading European city for real estate fund investment.
"The Metropolitan Rural Landscape" is a compendium that presents diverse, intentional perspectives on metropolitan rural territory. These viewpoints aim to highlight and open a discussion on the challenges and potential of these spaces. Below are some excerpts from the project:
Promoted by the Uruguay River Administrative Commission, organized by the Society of Architects of Uruguay (SAU) and the College of Architects of the Province of Entre Ríos (CAPER) —and sponsored by the Argentine Federation of Architect Associations (FADEA)— the call for entries is now open for the binational preliminary design competition to develop a Control Laboratory for the environmental analysis of the Uruguay River.
Vista_Panorámica. Image Cortesía de leonmarcial + Ghezzi Novak
The results of the National Catalog of Modular Schools Competition in Peru were recently announced, with a single winning team unanimously selected for all five categories across their respective bioclimatic zones: Coast, Rainy Coast, Highlands, Frost, and Rainforest. Remarkably, this team was formed by an alliance of several highly influential architecture firms in the country, as evidenced by the caliber of their proposals. What made this outcome so compelling was that unity and diversity prevailed in a competition that seeks to foster those very principles through architecture and education.
However, there is an important detail in the competition's process—and processes are journeys worth remembering. The project developed by the architecture offices leonmarcial + Ghezzi Novak was awarded first place by the jury in the Highlands Catalog category; however, it was disqualified for failing to meet the required documentation. Such situations are common in architectural competitions, where regulations must ultimately be upheld.
Beyond the outstanding projects that ultimately won, what happens to those left behind? What becomes of all that valuable material? They, too, deserve visibility, as they represent efforts that should lead to some outcome. We are committed to sharing quality architecture, and this project, given its winning caliber, is undoubtedly one of them.
They represent one of the many treasures of northern Peru: its immense windows. When I learned I was heading pa'l norte to Trujillo, I immediately began to dream of its windows. I had encountered them in an excellent university course, and their dimensions were striking enough to occupy a significant place in my memory—compounded by a natural obsession with windows of any size or shape, their purpose, and what they make possible. Although I had been there years ago as a child, I was now returning with a fresh, more architectural perspective.
This is a photographic journey and compilation of the diverse variations of the Trujillo window. The images are not limited to the well-preserved areas of the city; they also reveal neglect or deterioration. Either way, their beauty shines through.
Kuélap, a pre-Inca site built by the Chachapoyas culture, is located in the north-central part of Peru, in the Amazonas Region. It forms a massive stone architectural complex characterized by its monumentality, featuring a large artificial platform seated on a limestone ridge at the summit of the mountain. Its colossal walls and complex interior architecture bear witness to its function as a well-organized settlement, which included administrative and religious enclosures, ceremonial spaces, and permanent residences.
For a long time, the Peruvian government had targeted the archaeological complex for ongoing visitation and conservation. As an essential destination for both domestic and international tourists, the cable car circuit project was finally brought to fruition through a public-private partnership. Here, we present an intriguing architectural project developed by FD Arquitectos y Urbanistas. Its design successfully reconciles the technology and modernity required by the project's complexity with the traditional vernacular construction of Amazonas, promoting environmental sustainability and a deep understanding of the high-jungle territory.
As part of Semana UTEM 2019—"The Project Within the Project"—21 teams from the Faculty of Architecture at the Metropolitan Technological University of Chile (UTEM) participated in the Domestic Pre-Existences workshop. The students proposed interventions for the historic "C Blocks" in Santiago's pericenter—residential complexes designed by the state Housing and Urban Development Service (SERVIU) between 1986 and 1996.
If you are looking for something different for your architectural presentations, virtual reality can be a compelling option (and a challenge if it is your first time working with it). Do you know which headsets are the most suitable, or what the ideal file size of a 360-degree render or 3D model is for VR viewing?
We hope the following answers to frequently asked questions are helpful!
https://www.archdaily.com/1119786/how-to-implement-virtual-reality-answers-to-architects-frequently-asked-questionsArchDaily Team
Pirwi, the leading national design editor, recently presented new collections featuring collaborations with Mexican artists and designers, including Daniel Pouzet, Joel Escalona, Moisés Hernández, Pablo Herrera, Sebastián Ángeles, Sergio Morales, and Mario García Torres. These collaborations range from small objects such as shelves and furniture to design pieces that offer a critique and reflection on the era we inhabit. Some of the pieces shown below come together as a complete range of daily-life objects designed by Pirwi, reflecting the brand's aspiration to reach a more inclusive audience and refresh its image with materials and finishes not previously explored.
When designing outside of urban areas, where property lines are not constrained by party walls and adjacent buildings do not dictate the layout, some of the most honest architectural responses emerge regarding how to intervene and what stance to take toward the surrounding landscape.
The following four architectural projects located in the Province of Córdoba, shaped by the topographical conditions and the specific characteristics of their surroundings, establish a profound sense of belonging with the landscape. By blurring the line between the natural and the artificial, they offer valuable tools and insights for designing on suburban plots.
From La Candelaria to Teusaquillo and Santa Fe, Bogotá's modern architecture not only stands in stark contrast to the historical legacy of local forms, but also served as a call to rethink the modernization of the Colombian state around 1930.
The featured city sites serve as a starting point—an invitation to explore the capital and discover an architectural heritage that is distinct, yet remains an integral part of the urban fabric and the daily lives of Colombian citizens.
Automation has become a major talking point—not only for its potential to replace countless low-income or low-skilled jobs, but also for its capacity to render entire professional careers obsolete through artificial intelligence and machine learning.
At ArchDaily, we opened the floor to this discussion in 2017 with an in-depth report on the subject, and we recently turned to our Instagram audience to ask what they think about automation. Do they believe it will affect them? Our readers seem confident: some argue that architecture is an art—or rather, a discipline centered on emotions—even if they overlook the standardization and modulation processes already established in the real estate market. According to those who responded to our poll, this emotional dimension inherent to architecture is precisely what makes it harder to automate.
Cortesía de Arq.Bravo Nieto Ralph Tomas y Godoy Richard Marcelo
In December of last year, the provincial government of San Luis, Argentina, alongside San Luis Agua, launched the Portales de los Lagos Provincial Ideas Competition. The objective was to design an icon to identify and showcase a key local natural resource: water. Read on to discover the first-prize-winning project in the words of its authors:
Even if you already know the answer, it is always worth reviewing key considerations regarding a building's square meters. Not only are they fundamental to determining construction costs and materials, but they also lay the groundwork for tax assessments and regulatory compliance.
A spotlight illuminates a window opening in a Madrid building. A woman looks out. "I am a young, beautiful dove, full of hope," she declaims before breaking into Volare, the 1980s flamenco hit by the Gipsy Kings. This is one of the scenes from Kópera, the dystopian opera written by architects and neighborhood organizations for the first edition of Imagina Madrid.
In 2017, the experimental public art program of the Madrid City Council, coordinated by Intermediae, launched an open call to explore new forms of cultural intervention in the Spanish capital's public space. Out of 175 submissions, an international jury selected ideas, merged teams, reassigned proposals, and designated nine districts on Madrid's periphery.
"Since childhood, I had lived by the warmth of the stove that heats and at the same time gathers the family. Seeking that warmth was a necessity in southern Chile. Here in the tropics, it is the cooling shade that gathers us, and unlike the stove, it is everywhere."
Based in Costa Rica, Bruno Stagno does not simply initiate reflections on how environmental responses can form the basis of architectural inspiration and identity; he proposes to go further, advocating for an architecture tailored to a specific latitude.