This year we celebrate the fourteenth edition of the Obra del Año 2022 award—the highest recognition in the Spanish-speaking architectural world, where the winners are chosen by popular vote. Starting today, Tuesday, March 8, our readers will be responsible for determining which projects inspired us during 2021, faithfully representing the identity of our local contexts while shaping the way architecture is practiced around the world.

Over the next three weeks, the entire ArchDaily en Español network (Plataforma Arquitectura, ArchDaily México, ArchDaily Colombia and ArchDaily Perú) will serve as the platform to celebrate the best built architecture in Spanish-speaking America and Spain.

With nearly a thousand projects published in 2021, you can easily find your favorites by browsing through each category and using the search engine to filter projects by country and architecture firm. 

The 2022 Obra del Año Award is brought to you by Dornbracht, renowned for its design leadership in architecture, which can be found internationally in bathrooms and kitchens.

Ana García, architect and founder of NeuronaLab, recently interviewed Aureli Soria-Frish from the company Starlab. They discussed how the latest technological advances are increasingly being used to objectify neural activity and the emotional states associated with architectural spaces. Below, she shares her key reflections.

Through the construction of a narrative fiction, this work by Federico Lagomarsino, framed around the landscape, aims to depict everything that unfolds in contemporary society when a singular event occurs—in this case, the impact of the two largest meteorites detected to date in South America.

Could a space be one and many at the same time? Under the name Minimum Common Multiple, Estudio BNAA has designed a space of minimal footprints—typically used for commercial premises or offices—with the unique feature of being able to transform into multiple spaces simultaneously. Located in San Luis, Argentina, the project references the mathematical concept of the least common multiple (LCM) but from a different approach and function, combining movement, flexibility, and the use of magnetism as a construction system.

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CHINAS CHINAS is a research project conducted by FLORA. It maps a trajectory through the city of Buenos Aires, Argentina, based on a typological analysis of Chinese supermarkets. Its objective is to recognize and explore the modes of appropriation and domestic micro-scales that occur within them, demonstrating that urban architecture is shaped by everyday banalities. Ultimately, architecture takes on meaning when living conditions are defined by the people themselves. Inhabiting—beyond mere functionality—is precisely about this.

In the midst of today's information age, several Latin American architecture firms are returning to analog formats, ranging from fanzines and illustrations to manuals and postcards.

Against the backdrop of the Taller Social Latinoamericano in Colombia, we spoke with the firms Ruta 4 Taller (Colombia), Coonvite (Colombia), La Cabina de la Curiosidad (Ecuador), and República Portátil (Chile)—all of whom have, coincidentally, explored these formats in their recent work.

More than a trend, industrialization is a necessity in the construction industry. In recent years, we have witnessed its importance in increasing productivity and speed of execution—as well as reducing waste—in architectural projects. Beyond streamlining construction processes, this serial, mechanical, and standardized production increases quality and shortens delivery times. If initial project decisions incorporate the modulation of the various stages that can be industrialized within vertical and horizontal parameters, the outcome is much more efficient than if these are evaluated during construction (when it is no longer possible to reduce waste through modulation). Furthermore, by minimizing waste and reducing the consumption of energy and water resources, it also contributes to a more sustainable industry.

When designing residential interiors, architects increasingly lean toward creating environments where flexibility and space optimization provide solutions tailored to programmatic and functional needs, helping to achieve the well-being and comfort that turn a house into a true home.

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Desde la periferia is an audiovisual project directed by José Luis Uribe, PhD in architecture and professor at the School of Architecture of the University of Talca, Chile. The project consists of three documentaries to be released progressively over the next two years, exploring various aspects associated with contemporary Latin American architecture. The first installment, Volume I: Ugly, Dirty & Bad: A Contemporary Architecture in Latin America, is an audiovisual essay that gathers some of the initial thoughts on its current state through the oral accounts of a group of architects in a hotel room in Asunción, Paraguay.

Architects and designers, as well as psychologists and sociologists, recognize that aesthetics and its underlying philosophy have the power to change how we perceive the world around us. Consequently, a deeper understanding of what is beautiful holds the powerful potential to alter how people respond to their environment.

Exploring the different meanings of aesthetics in architecture, from 'form follows function' to the aesthetics of the metaverse, can help us understand the potential of our physical and virtual environments on the path toward a better world.

Much has been written on the subject, from Alberto Pérez-Gómez's "The Beautiful and the Just in Architecture" to Pablo Caldera's "The Failure of Beauty." Now, however, we want to open up the debate and invite you, our readers, to share your perspectives on what makes a building or a city beautiful.

Share your thoughts in the form below. Selected responses will be published in an upcoming article.

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Every year, the National Fund for Culture and the Arts (FONCA), through the National System of Art Creators (SNCA), recognizes those who represent excellence in national culture through the Jóvenes Creadores Program. By providing grants, the program supports the creative and training processes of young Mexican artists, fostering favorable conditions for the development of original, significant, and positive creative projects.

This article was originally published in La Joven Cuba on June 28, 2022.

A few weeks ago, I visited the rooftop observation deck of the hotel Paseo del Prado and marveled at its immense beauty during the sunset. Ahead, the entrance to the bay and the Castillo de los Tres Reyes del Morro; turning left, the silhouette of the Malecón; turning right, the Paseo del Prado, with the massive Capitol building crowning the perspective. Few cities in the world possess such architectural and landscape beauty, such history and monumentality.

Yet, looking back, what I saw was nothing to be proud of. Though it still held a certain beauty, it was a sad, gray sight: the vast, faded, and deteriorated expanse of the city stretching behind the facades of Prado and the Malecón.

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As is well known, the year 2015 saw a boom in coworking spaces—a type of shared office that typically operates in an open environment (though some companies offer closed offices), located either across entire floors of high-rise buildings or in repurposed historic sites adapted for these new ways of living and working. These new setups speak to a professional community in the midst of self-reinvention, where an increasing number of entrepreneurs, freelancers, and small businesses seek affordable spaces that offer networking opportunities in cooperative environments. These shared workplaces provide access to resources such as high-speed internet, desks, chairs, lamps, filing cabinets, printers, copiers, kitchens, and phone booths in strategic urban locations.

Architectural works from around the world are the primary inspiration for Erika Moreno, the creator of HUAJJE, a digital illustration project. The project was born in 2019, a year after Moreno completed her architecture degree in Tijuana. “The project started by accident; my only goal in making these drawings was to learn how to use more Photoshop tools—it was a personal challenge.” To document her process, she decided to open an Instagram account, which has since fostered an organic community that shares and supports her work. This has encouraged her to overcome her fears and even host workshops on the subject in various formats.

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When we speak of social production, we refer to processes where community leaders are adults who represent and make decisions for their community; however, we often overlook children, who also enjoy and live in these spaces. They are the ones with limitless imagination and creativity, who create scenarios on Mars on a basketball court. They are the ones who hold the best car races in the loose sand of their backyards. They are children who, due to various family or economic circumstances, cannot write a letter, but instead express what they feel and want through the lines they draw.

Originating as protection against low temperatures around 3,500 years ago, carpets and rugs have, over time, evolved into a true art form, reaching a high level of specialization by the 16th century. Rugs, carpets, and tapestries of various shapes, colors, textures, and patterns are integrated into different areas of the home to meet users' needs and enhance spatial comfort, sometimes extending far beyond their original purpose.

Barcelona is a city that has been studied countless times—for the blocks of the Cerdá Plan, its chamfered corners, its historic center, the wars waged there, and the architecture of the Modernistas and their monumental buildings. However, there is little record of it ever being studied in depth through the lens of a traditional cladding material and artistic medium like sgraffito.

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Over the years, interior design has evolved in response to changing needs, and above all, to the experiences it seeks to evoke for the user. Over the last two years, we have witnessed a radical shift and a heightened interest in this field, as the pandemic forced us to pay closer attention to how we configure the spaces we inhabit. This has brought about much more holistic designs aimed at user well-being, combining colors, sensory experiences, technology, and natural elements that promote health.

The contemporary urban footprint seems to expand its boundaries virtually without restriction while increasing in complexity. Major cities like Barcelona have expanded to the point where political boundaries merely represent the lines of administrative jurisdiction—which, in satellite imagery or everyday experience, often virtually cease to exist or are barely recognizable. On the other hand, a contemporary reading of its Metropolitan Area, stretched between mountain ranges, rivers, and the sea, demonstrates that this progressive expansion has always been shaped by its unique geographical enclave.

From April 11 to June 30, the Young Architects Festival (YAF), developed by Constructo, is taking place at the Ruinas de Huanchaca Park and Museum in Antofagasta, Chile. Within this space, Siglo 22 Arquitectos has created an immersive architectural installation activated by a series of events, including international lectures and a free public exhibition.

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Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, is one of the leading figures and great masters of the Modern Movement. Directed by Gerardo Panero, the feature-length documentary “Plan for Buenos Aires” explores the architect's attempts to shape the layout of the city of Buenos Aires with his ideas.

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As part of the cultural programming for Mexico City's Art Week, PEANA presents the exhibition Por debajo del árbol at Agustín Hernández's Architecture Studio, which opens its doors to the public for the very first time. The show brings together contemporary works by fifteen artists in dialogue with Agustín Hernández's creative universe. Curated by Ana Pérez Escoto and Carlota Pérez-Jofre, the exhibition will run from February 10 to March 4.

Today, understanding the properties of materials used in vernacular construction is essential to ensuring a better quality of life and spatial habitability, both of which have evolved alongside new technologies in the market. Spatial design now represents a commitment to the natural environment and, consequently, to improving quality of life.

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Italian law never explicitly denied women access to university. Nevertheless, their minimal presence in the 19th century—only 224 women graduated in Italy between 1867 and 1900—demonstrates how a double discrimination, based on both gender and social class, operated through an inherently elitist and dualistic educational system.