
This article was originally published on CommonEdge as "Women in Architecture Need a New Set of Role Models—Beyond the Star System"

This article was originally published on CommonEdge as "Women in Architecture Need a New Set of Role Models—Beyond the Star System"

Faced with the challenge of designing housing units for rural areas south of the city of Bogotá, Sociedad Colombiana de Arquitectos (Colombian Society of Architects) called upon a participation of proposals with technical and spatial solutions, not only allowing the development of viable forms of productivity and growth, but also applying criteria of sustainability, efficiency and comfort.
Considering the adaptability of this architecture of the unity to the terrains situated in three varying geographies and characterised by an Andean landscape, the jury granted the first price to the team of FP Arquitectura and the second prize to Espacio Colectivo Arquitectos + Estación Espacial Arquitectos. Get to know the latter project in detail below, described by the authors.

La Casa por el Tejado, a company that specializes in adding floors to old buildings, duplicated both the living spaces and the number of floors of an apartment building on Avenida Meridiana in the El Clot neighborhood of Barcelona. The new residences were built off-site in 12-weeks time and in accordance with the building's original dimensions and characteristics.


The Walls of Air exhibition in the Brazilian pavilion at the 2018 Venice Biennale presented 17 projects from different regions of the country, selected from an open call, as well as a series of large cartographic drawings addressing different aspects of the country's urbanization through the lens of architecture. In this publication, we present the series of ten maps featured in the Walls of Air exhibition catalog as excerpts from the exhibition's maps—a study developed by Mapping-lab in collaboration with the curators of the Brazilian Pavilion (Gabriel Kozlowski, Laura González Fierro, Marcelo Maia Rosa, and Sol Camacho) and their team.

After reflecting on design capable of establishing 'emotional belonging' and the antipatterns of social housing, Nikos A. Salingaros, David Brain, Andres M. Duany, Michael W. Mehaffy, and Ernesto Philibert-Petit continue their series of articles on social housing in Latin America. In this installment, the text addresses how control influences urban form and ways of living.

Responding to the theme of Expo 2020 Dubai, “Beauty Unites People,” a team led by Dodi Moss imagined a multi-layered architectural experience evoking Italy’s history and identity. The design pulls apart the pieces that make up architectural space, separating the building into its structural volume and its tactile, material components. The proposal won third place in Invitalia’s competition to design the Italian Pavilion at the Expo, behind carlorattiassociati and Gianluca Peluffa & Partners.

Although the ability to install home automation in a practical way is associated with new projects, it is possible to adapt previously built buildings in a relatively simple way. In both small and large renovations projects these systems can deliver automated features that responds to the requirements and needs of its users. They can also improve the habitability and comfort of its spaces, increase their security and promote long-term energy and money savings. So, what considerations must be taken into account in order to transform an regular architecture project into an "intelligent" one?

The notion of authenticity is inseparable from theoretical discussions and actions in the field of Conservation and Restoration, and is directly related to the perception of values associated with a given cultural asset—whether tangible or intangible. Authenticity constitutes a foundational and structuring principle of the ethics that sustain and align criteria, concepts, and justifications within the realm of preservation. Like any process of cultural construction, authenticity cannot be understood or defined in absolute, pre-established terms, and its recognition is intrinsically linked to the context to which it refers—at a given time and in a given place.


Architects are increasingly aware of our influence on the well-being and good health of the users of our projects. Natural lighting –and how it should be complemented with artificial lighting– is an essential factor to consider for the visual comfort of interior spaces. But, do we know how to handle it correctly?

Tezontle Ludens is the name of the winning project of the Arquine Competition No. 21 | Mextrópoli Pavilion 2019, which opened on Friday, March 8, in Mexico City's Alameda Central alongside a series of pavilions designed to activate public space. The pavilion, built by Factor Eficiencia and designed by Suma Estudio (Roberto Aguilar, Diego García, Fernando Franco, Diego Aguilar, and Jalil Miguel), was described by the jury as "a simple, well-narrated playful experience, materialized in a lightweight space and a commitment to subtlety. The project communicates with that same clarity, without discursive excess or unnecessary justification."

The dramatic improvement in recent decades in our understanding of sustainable design has shown that designing sustainably doesn't have to be a compromise—it can instead be a benefit. When done correctly, sustainable design results in higher-performing, healthier buildings which contribute to their inhabitants' physical and mental well-being.
The benefits of incorporating vegetation in façades and in roofs, as well as materials and construction systems that take energy use and pollution into account, demonstrate that sustainable design has the potential to create buildings that improve living conditions and respect the natural environment.
Below we have compiled 30 plans, sections and construction details of projects that stand out for their approach to sustainability.

Given that 90% of cities are built without architects and urban planners, who are the real architects imagining and building the world we want to live in? What modes of production, materials, and forms of relationship and social reproduction are practiced by these collectives, pointing the way toward possible, inclusive, diverse, just, and ecological futures? What architectures exist to foster freedom, collaboration, co-responsibility, and care—for oneself, for others, and for the spaces we inhabit?

Where does originality and independent thinking come from? The answer is prosaically straight forward – from an inquiring individual, and an experimental environment wouldn’t hurt to stimulate it. Rem Koolhaas is credited with fostering such an environment, both through building his practice, Office for Metropolitan Architecture (OMA), a 300-architect network of seven global offices, and teaching at Harvard’s GSD, as well as lecturing all over the world. Koolhaas now has eight partners. One of the eight, since 2008, is Shohei Shigematsu who heads OMA New York since 2006. The studio originally numbered just a handful of people and over the years has grown into a large practice of 75 architects with a focus on projects in North America.

In early March, students, architects, and designers gathered to bring their wooden projects to life for the third edition of Hello Wood Argentina.
The theme chosen for 2019 was “a space of containment, a space with-tension”:
Pushing our capabilities to the limit necessarily implies achieving the tension needed for our skills to emerge and be put into crisis.
Discover the projects built during this edition below.

Architects' general ignorance about the needs and requirements of people with special needs is worrisome. Beyond complying with mandatory regulations (different in each country), the quality of life for different-abled people depends on specific and daily factors that go beyond a railing or a ramp, and are often left in the hands of professionals who have never dealt with such issues.
This Ables, a project developed by IKEA and the non-profit organizations Milbat and Access Israel, provides an excellent resource for how to create an equitable design in the smallest and simplest of details. From door handles that are can be opened with a forearm to a couch lift that enables users to sit down and get up easily, these 13 products are available to the general public on ThisAbles.com. Some products can even be 3D-printed independently.
See the video below for more details of the project.

Since the 1970s, architecture has sought connections with other fields of art, looking for inspiration to break with the paradigms of the time in sculpture and painting, as well as in music and literature. In schools and professional practice, architectural projects were developed based on the study of "paintings by Vermeer, as well as those of the Cubists, the music of Bach, as well as Meredith Monk, literary fragments by Heraclitus, as well as Herman Melville's Moby-Dick and James Joyce's Finnegans Wake."[1]

Now in the midst of its annual awards program, the Royal Institute of British Architects (RIBA) has announced the 12 projects shortlisted for recognition in its East Midlands district. RIBA has also recently announced its shortlists for new projects in its London, East, North East, and South West districts.

Emre Arolat has a long and distinguished career in architecture, marked by honors such as the Aga Khan Award for architecture and appointments such as the co-curatorship of the 2012 Istanbul Design Biennial. As both a practicing architect and an educator (he teaches at the Yale School of Architecture), Arolat spends a great deal of time traveling around the world. In this guest essay, Arolat shares his experience on the road, illuminating a personal creative process. - AD Editorial Team

To anyone enrolled in an architecture school, final year projects tend to be the perfect time to go all in. Whether you go for 3D visualizations or build remarkable models, your final presentation is the chance to display every conceptual and technical skill acquired throughout the years.
For his B.A. Final project, architect Mohammad Pirdavari of Ati-Naghsh Hamraz Consultants, presented his modernist stadium proposal in a series of freehand Airbrush drawings. His intricate graphics helped accentuate the stadiums’ raw material and detailed relationship between the main exposed structure, and the smaller covered one.

This article was originally published in Autodesk's Redshift publication as "How Building Modular Homes can Help Fill the Affordable Housing Gap."
“Modular” isn’t a construction product; it’s a construction process. This is according to Tom Hardiman, executive director of the Modular Building Institute (MBI), whose members include more than 350 companies involved in the manufacturing and distribution of modular buildings, including multifamily homes.

The Council for Tall Buildings and Urban Habitat has announced that Norway's Mjøstårnet tower is, at 85.4 meters, officially the world's tallest timber building. Beyond the unique distinction, the tower is also Norway's tallest mixed-use structure and third tallest building.

It is best to remember a diverse Lima, rather than the centralized capital. To remember that this very centrality has turned it into a meeting ground for Peru's diverse cities. Everyone comes to the capital, yes, but in this city, the three regions (coast, highlands, and jungle) blend while preserving their essence like nowhere else. "Todas las sangres" (All Bloods) is the title of the most ambitious novel (1964) by Peruvian writer José María Arguedas—an attempt to portray the whole of life through the representation of geographical and social settings from across the country. This expression, which remains relevant today, points to the racial, regional, and cultural variety of our society. Speaking of "all bloods" unites and blends us: it contains and integrates our diversity. Speaking of "all colors" evokes this colorful and intercultural nature.

There are few things that fascinate us more than the sea. Its contemplation arouses a sense of peace, while its colors, textures, movements and amplitude provide a scientifically proven effect of relaxation in our nervous system. Above all, it makes us realize how small we are in the universe. It is not by chance that a house facing the sea is a dream of consumption for many, let alone with a pool right in front of it. Infinity pools play with this feeling of infinite sea and sky. Through a well-elaborated set of levels and plans, they create an optical illusion that leaves everyone speechless, making pool water appear as if merged with the horizon, overflowing at one or more edges. But before you plan your photo on Instagram with a glass of sparkling wine in your hand, let's take a look at how these pools are built.

Back in 2008, ArchDaily embarked on a challenging mission: to provide inspiration, knowledge, and tools to the architects tasked with designing cities. In an effort to further align our strategy with these challenges, we recently introduced monthly themes in order to dig deeper into topics we find relevant in today’s architectural discourse. From architects who don't design to reframing climate change as a global issue, we are celebrating our 11th birthday by asking 11 editors and curators to choose ArchDaily's most inspiring articles.