This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

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The history of collective housing has been the focus of the research group PC3 - Pensamento Crítico e Cidade Contemporânea (Critical Thinking and the Contemporary City), at FAUUSP, coordinated by professors Leandro Medrano and Luiz Recamán. Through the Cadernos de Habitação Coletiva (Collective Housing Notebooks) — developed under a cooperation agreement between researchers from FAUUSP and ETSAM-UPM in Madrid — the group explores the most significant examples of this housing typology in Brazil.

According to the group's platform, "the main objective of the Cadernos de Habitação Coletiva has been to build a comprehensive database, organized by decade, that includes the most relevant Brazilian collective housing buildings, both designed and built." Below, we highlight eight collective housing experiments built in São Paulo between the 1930s and 1960s, studied in detail by CHC and featured in individual articles here on ArchDaily.

The urban structure of São Paulo was shaped by its topography. With its predominantly rugged terrain, railways were laid along the flat floodplains and river terraces, where they could be developed along routes better suited to their physical limitations. 

The train—a machine slicing through cities and overcoming natural landscape obstacles at speeds of sixty kilometers per hour—was the invention that collapsed geographic distances. This connection-making tool, born of the Industrial Revolution, enabled a productive chain across its various stops by transporting manufactured goods and tons of moving machinery.

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The Metropolitan Region of São Paulo (RMSP) has nearly 22 million inhabitants, representing about 10% of Brazil's total population. To feed this massive population, tons of food supplies arrive in the metropolis daily from different parts of the country. However, a new study by Instituto Escolhas shows that, with certain measures, it is possible to supply this entire population with locally grown vegetables.

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Delicately excavated from the natural grounds of Jordan’s Wadi Rum, Jordanian architect Rasem Kamal transformed the phrase of “form follows function” into “subtraction follows function”, emphasizing the relationship between external form and internal space with a resort that promises a sanctuary both above and underground.

In the newly-released video of the proposal, the architect uncovers the hidden resort and takes viewers on an enchanting walkthrough of the proposed Wadi Rum Sanctuary Resort. Kamal complements the desert’s jagged landscape with the resort’s subtle architecture, letting the structure blend seamlessly with its surroundings.

In the 1960s, Cristiano Toraldo di Francia and Adolfo Natalini, two Florence-based architecture students in their twenties, decided to undertake the substantial task of designing a new way for the citizens of the globe to inhabit the earth. Driven by the possibilities laid out in science fiction novels and the desire to prescribe design to solve the problems of their era, the duo, who dubbed themselves as Superstudio, sought to continuously reinvent their role in what it means to be an architect. Their solution was the creation of an “anti-design” culture as a means to provide commentary on politics, capitalism, and urbanism, by creating ideas in which everyone is given a functional space that frees itself of time, place, and the need for excessive objects.

Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”

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Children's furniture is all furniture –fixed or mobile– that is designed according to the ergonomic guidelines and anatomical dimensions of children specifically. Following this definition, we can identify two types of furniture: (1) those that facilitate a relationship between the caregiver and the child, and (2) those that allow the child to use them independently.

The big difference between these two types is that the first has dimensions that mainly adapt to the ergonomics of the adult, while the second is designed to meet the ergonomic needs of the child at each stage of their development. Since the growth of children occurs relatively quickly, it is common for the furniture of this second group to be multifunctional or even extendable.

When designing in times of quick and constant transformations, one must keep a close eye on the surge of new demands, and one must design spaces that embrace such mutability.

Flexible furniture is a reflection of this contemporary behavior because they can be moved around easily, they have great adaptability, and because they can perform different functions in a single piece. These pieces enable several different layouts, being able to adjust their shape according to specific requirements and changes, which helps optimizing interiors.

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We have selected eight Brazilian projects that combine versatility and flexibility in furniture design.

Revit is a parametric and multidisciplinary design software that can virtually create and insert any building within a BIM process. Revit is not a true modeler, but an aggregator of construction components governed by a series of specific rules. In order to avoid issues within the Revit project, it must be set up carefully. Since each project has different characteristics and requirements, there is no standard procedure when starting a new one. However, becoming familiar with various situations and their necessary steps will greatly help.

In the introduction of Cities for People, Jan Gehl stated clearly that most cities have neglected the human aspect when planning the built space. While technologies have allowed us to build large, our focus shifted from creating architecture for humans to erecting structures that look like they are meant for a different kind of species. Top-down urban planning decisions have ignored scales adapted to the senses and organic growth, and new ideologies prioritized speed, functionality, and profitability.

Dictating our city experience, scale, this major spatial component related to the human dimension, stimulates our senses, and influences our well-being. In this article, we lay down historical changes and underline scientific facts to highlight how scale can impact our daily city life, guided by Eden of the Orient, a series of photos by Belgian photographer Kris Provoost, portraying a battle of scale in Hong Kong.

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Urban planning is a vital tool for reducing inequality and promoting equity in cities. In Brazil, prioritizing these goals is even more urgent given not only the country's deep social disparities as a whole, but also the stark divide in access to opportunities, infrastructure, and urban services—which ultimately defines true access to the city itself.

Yet, while many believe that urban inequality stems from a lack of planning—as if it were merely a product of chance—the reality is that, historically and to this day, urban planning has often exacerbated inequalities rather than mitigating them.

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Vernacular architecture can be defined as a type of local or regional construction, using traditional materials and resources from the area where the building is located. Consequently, this architecture is closely related to its context and is aware of the specific geographic features and cultural aspects of its surroundings, being strongly influenced by them. For this reason, they are unique to different places in the world, becoming even a means of reaffirming an identity.

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On November 3rd, 2020, after successfully holding the Award Ceremony and the Shanshui City Theme Forum in Lishui, the site of the competition, the Future ShanShui City • Dwellings in Lishui Mountains International Urban Design Competition finally came to a successful conclusion after more than seven months.

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Now that traveling is restricted and mobility is limited, having the ability to get a sense of the space in person is somewhat impossible. Naturally, if we were to choose between being present in the project or skimming through images online, the choice would be the former. But luckily, we still have books and architecture websites to keep us well-informed.  

In a new Youtube video, Archimarathon’s Kevin Hui and Andrew Maynard explain how we can understand architecture without being physically present in the project, but by letting our visualization skills and imagination do the investigations instead.

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Where have your hands been today? This was the question asked by the head of the German Ministry of Health Education on the occasion of Global Handwashing Day on 15 October. While it sounds like a simple question, it isn’t that easy to answer. How many doorknobs do we touch every day? How often do we push buttons on elevators that are used by countless people on any given day? And what about touchscreens in the office or at ATMs?

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The winners of the Detailed Urban Project for the Partial Urbanization of the Sandú Chico Stream Basin competition have been announced. This public, national call for architectural and urban ideas invited architects to develop morphological guidelines for the planning and development of an unconsolidated sector of the city of Durazno, Uruguay.

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A radial concentric city plan is formed by streets that extend outward from a defined center and reach the outer edge of the city, together with concentrically arranged roads that connect the radial streets to the lots. This pattern traces back to ancient times and continues even to this day.

Depending on the historical context, location, or purpose of the city planning, the element found in the center may vary. Plazas, churches, or government buildings are among the most common elements and this is no accident, nor is the urban design pattern. Basically, the radial arrangement of streets is intended to highlight a particular element or location that has great political, religious, financial, or symbolic value to the city as a whole.

Architecture is defined by its context. This holds especially true when buildings are located in harsh climates and must respond to natural conditions. This week’s curated selection of the Best Unbuilt Architecture focuses on designs located at the intersection of nature and the built environment. Drawn from all over the world, they represent proposals submitted by our readers.

The article features a range of building types and locations, including many coastal proposals, from a regeneration plan on the South Coast of England and a proposal to link the famous Turku archipelago, to a dockside timber tower in Dublin. Also included are more extreme ideas, from an overlook on the Algarve coast to a vertical city with greenhouses located along a cliff on Mars.

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Not necessarily small-scale, but rather targeted and strategic, urban acupuncture interventions are quick to execute, reversible, and often low-cost. The practice has established itself as a viable alternative to urban transformations that require lengthy, bureaucratic processes—both in decision-making and execution—which often exclude residents from the various stages of project development.

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When designing the Nordic Pavilion in Venice, Sverre Fehn incorporated Nordic architectural elements in unusual ways. One of the most attention-grabbing elements of the building is its laminar roof cover of white concrete, which is broken by trees planted inside the building blocking the sun's rays and filtering the light. Depending on the angle, the roof blades allow visitors to see the colors of the sky and the canopy of the trees, bringing dynamism to the pavilion's lighting and movement. In fact, the use of parallel slats on facades, walls, and roofs is a tradition that comes from Nordic architecture and has spread throughout the world. In this article we will cover some examples that use this element, including its variety of possibilities and the best ways to amplify their effect.

There’s nothing green about your back-up generator. Manufacturing it released tons of CO2 into the atmosphere; so did shipping it from the factory to the dealership to your backyard. There it will sit, idle, waiting to be deployed only when the much cleaner—but underfunded—public infrastructure fails. At that point, it will fill the air with additional pollutants. There may be perfectly good reasons to buy an emergency generator but being green—that is, protecting the environment—isn’t one of them.

The search for the ideal city has always permeated human history, constituting a utopia pursued by rulers, artists, philosophers, and, in more recent history, by us, urban planners. Since the 19th century, various models of ideal cities have been proposed—and, at times, built—ranging from Howard's garden cities to mechanized, radial, and walking cities (like those of the Archigram group), to nomadic ones like Constant Nieuwenhuis's New Babylon, and modernist cities, among others.

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The barn, closely related in nature to silos and sheds, is an essential building typology in rural and agricultural landscapes. Featuring highly simple and functional design solutions, barns serve specifically as storage spaces for large volumes of livestock feed and are commonly characterized by high ceilings, generous spans, and relative spatial flexibility, protecting hay and grain from the sun, rain, moisture, and animals.

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As the forces shaping our built environment have shifted, engaging technology, networks, and complex systems, architects need to envision more than the physical space but produce narratives on how to best operate within this new societal landscape. In this context, speculative architecture seems to have never been more critical; therefore this article takes a closer look at the mediums that currently question the existing conditions of the built environment and explore new architectural possibilities.

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