The ruins of Tintagel Castle, one of English Heritage's most visited sites, has been announced as the site for a new two-stage international ideas competition. The castle, which is linked to the legend of King Arthur, is located in north Cornwall (in the south of the UK) and is built on a rocky outcrop connected to the mainland by a narrow, now eroded, land-bridge. English Heritage require a new footbridge which will be 28 metres higher than the current one, spanning a total distance of 72 metres, with an estimated budget of around £4million (around $6.3million).
In 2009 Stanton Williams won an international competition to transform the Musée des Beaux-Arts in Nantes, one of France's six largest Fine Art Museums outside of Paris. Their design for this, the London-based practice's first major project in France, connects a number of historic buildings through one new "monolithic extension, glazed with thin layers of Portuguese white marble and glass façade." The museum is slated to open to the public in 2016.
Moreau Kusunoki, based in Paris, have been announced as the winners of the Guggenheim Helsinki competition following a year of shortlisting, refining and deliberation. Their proposal—entitled Art in the City—"sums up the qualities the jury admired in the design" noted Mark Wigley, chair of the jury. He continued: "the waterfront, park, and nearby urban area all have a dialogue with the loose cluster of pavilions, with people and activities flowing between them. The design is imbued with a sense of community and animation that matches the ambitions of the brief to honor both the people of Finland and the creation of a more responsive museum of the future."
The announcement was made this morning in Helsinki by Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. Also present was Professor Mark Wigley, chair of the jury and Dean Emeritus of Columbia GSAPP, Jussi Pajunen, Mayor of Helsinki, Ari Lahti, chairman of the Guggenheim Helsinki Supporting Foundation, and the architect team.
North Landing From Arundel Street. Image Courtesy of Arup
As reported in the Architects' Journal, Transport for London (TfL) – the authority in charge of the Garden Bridge programme, which was approved last year – have ordered a review into the procurement process leading up to Heatherwick's selection to design a new bridge spanning the Thames. Sir Peter Hendy, Commissioner for TfL, will "review of the overall process of procurement of the design contracts, the findings of which [will be published] in full." This statement follows the revelation that Heatherwick Studio’s estimated total price (which was wrongly redacted in response to a Freedom of Information request made by the AJ last February) "was far higher than its two fellow bidders in the 2013 invited concept design competition." Full information about the request is detailed here.
For this week's editions of Section D, Monocle 24's weekly review of design, architecture and craft, and The Urbanist, their weekly "guide to making better cities," the Monocle team investigate the how the act of playing can shape design and the role of luck in our cities.
In Section D, David Plaisant meets artist Simon Terrill at the new Brutalist Playground, currently on display at the RIBA in London. Terrill, along with Assemble, have reimagined a concrete childrens' playground from one of the UK's Brutalist housing estates, in foam – plus more. In this week's edition of The Urbanist, Andrew Tuck explores the role of luck (and misfortune) in our cities, from how architects apply the philosophy of feng shui to their work to a Brazilian district that it was given the name of Boa Sorte ('good luck' in Portuguese). The show also visits Moore – the city dubbed as "tornado alley of Tornado Alley" – in Oklahoma, US, to understand how best to build in such intense climactic environments.
When it was announced in 2012 that London's Robin Hood Gardens – Alison and Peter Smithson's world-famous Brutalist housing estate – was to be demolished, there was outrage among the architectural community. Since then, many have called for the profession to act in order to protect "one of Britain’s most important post-war housing projects," which led to a fresh bid to save the scheme in March of this year. Richard Rogers, Simon Smithson (a partner at RSHP and son of Alison and Peter Smithson), and academic Dirk van den Heuvel have now called upon members of the public to voice their concerns to the UK Ministry for Culture, Media and Sport, before the end of the week:
"Previous efforts in 2009 to have the building listed failed, but the case has now been re-opened and we understand that the new Minister for Sport, Tourism and Heritage will be reviewing the arguments at the end of this week [w/c 15th June 2015]."
New London Architecture have launched an international ideas competition to tackle the ongoing demands of London's growing housing shortage, in partnership with the office of the Mayor of London. They envisage that New Ideas for Housing London will provide opportunities for any level of designer, "be they a large organisation or just one person with a big idea," to submit a proposal "that could help shape the future of the UK capital." Selected entrants will work alongside the Greater London Authority to explore how the ideas could be put into practice. The organisers state that "no idea is too big or too small, as long as it can be applied to the capital."
Charles Correa, widely considered to be one of India's greatest living architects, died yesterday in Mumbai at the age of 84. Correa, who was also a respected urban planner and renowned activist for the quality of cities, had been the recipient of the RIBA Gold Medal in 1984, the Praemium Imperiale in 1994, and the 7th Aga Khan Award for Architecture in 1998. His work had also been recognised with one of India's highest civilian honours, the Padma Shri, in 1972. In 2013 Correa donated over 6000 drawings and 150 models from his archives to the RIBA in London.
Mr. Charles Correa's architectural marvels are widely cherished, reflecting his brilliance, innovative zeal & wonderful aesthetic sense: PM
Last year, for the centennial of the publication of Le Corbusier's design for the Maison Dom-Ino, Space Caviartraveled the length of the Italian peninsular in pursuit of ninety-nine reinforced concrete houses. Along the way they created ninety-nine short films. Their research, a survey of Italian domesticity and its relationship to the surrounding landscape over the past century, demonstrated that "few inventions have been as transformative of Italy as the concrete frame": simultaneously a symbol of wealth "generated by a building industry that rebuilt Italy from the rubble of the Second World War" and "the primary instrument of abusivismo," or the unregulated construction on the landscape. It is, as the team describe it, "the ultimate symbol of the architect’s extraordinary power — and enduring helplessness."
For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team visited the annual congress of the Academy of Urbanism to discuss how happiness and wellbeing can be achieved on the urban level. In this show Andrew Tuck and his correspondents spoke to architects, planners, designers and urbanists in an attempt to ascertain what makes a 'social city' for 'social animals', and which metropolises from around the world offer lessons that we can learn from.
With the new Shekou Design Museum in Shenzhen edging ever nearer to its opening in 2017, the China Merchants Group and the Victoria and Albert Museum have begun the search for a Senior Curator, a Communication Specialist, and a Project Manager proficient in both Mandarin and English. The museum, which has been designed by Fumihiko Maki and is being directed by Ole Bouman, is slated to become "a place of wonders as well as an engine of new ideas." Located in Shekou, described as the cradle of China’s pioneering spirit, this new institution "has potential to become the platform for international design to enter China and the window for Chinese design to go global."
This edition of Section D, Monocle 24's weekly review of design, architecture and craft, dives into Beirut Design Week exploring "what Lebanese designers can show the world." In this show Josh Fehnert examines why Domus have decided to start an academy in Milan, speaks to Dutch typographer Joep Pohlen about his ultimate type reference guide, and assesses some of the architectural similarities between Istanbul and London. While the likenesses are not immediately obvious, both cities are currently undergoing an unprecedented property boom. Istanbul, a city with no strategic masterplan, is growing fast and there are lessons to be learnt from London's comparatively porous urban realm.
Exhibitions, much like publications and films, are one of the key contemporary methods for the communication of architectural concepts and ideas. They allow the practice, curator or educative body to edit and present information and visuals in a way which narrates a story, provokes new ideas, or feeds into a wider discourse. For many, exhibitions are an invaluable source of inspiration and an engaging way of gaining new, or reaffirming old, knowledge and design precedents. Intimately linked to the space or place in which they are displayed, the best exhibitions also remind us that the practice of architecture is both a profession and a discipline; a valuable way of understanding the built, and unbuilt, world we live in.
If you're traveling to, living or studying in Europe this summer then dive into our compilation of what we consider to be some of the most informative and exciting exhibitions on show in between June and October 2015. If you visit them, or any other exhibitions that you enjoy, share a photograph on Instagram or Twitter with the hashtag #archdailyexhibitions.
Check out our favourite exhibitions on architecture, urbanism and design, from Jyväskylä to Milano, after the break.
Foster + Partners' Riverside Studios in London. Image Courtesy of Foster + Partners
The Architects' Journal (AJ) have revealed the results of their fourth AJ120 award, an annual survey which ranks the largest and wealthiest practices based in the UK. Partially calculated on the number of ARB-registered (or equivalent) fully qualified architects in employment, the AJ have announced that London based Foster + Partners have topped the 2015 table. Describing the 48 year old practice as an "international powerhouse," employing 312 architects (out of their 1,066 employees worldwide), the survey also shows that "the £185million fees billed by the practice’s architects – up a huge £45 million from last year – made up 38% of the combined total of all of the companies in the Top 10." The survey saw BDP ranked second, while AHMM came in third.
In an article for The New Yorker, Ben Mauk examines the rise of the private art 'museum.' In the centre of Berlin there sits a "heavy, grey, and shrapnel-pocked" bunker, designed by Nazi architect Karl Bonatz under the direction of Albert Speer which, in 2003, was transformed into a private gallery. Having been bought by Christian and Karen Boros in order to display a portion of their sizeable collection of contemporary art, the only way for a member of the public to gain admittance is by registering online for a group tour. For Mauk, however, this is not necessarily a bad thing. Read the article in full here.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for April 2015 shows widespread consistency in comparison to March, the workload index remaining around the same at +35 from +36 last month. The private housing sector remains strong, rising to +38, while the commercial sector forecast dropped slightly to +15. In addition, the public sector forecast saw a drop to +3 while the community sector forecast "experienced a significant decline" to -3 from +9 in March. However, workload forecast balance figures have remained high, and practices in London and the South of England are most confident about medium-term workloads. Small practices continue to be positive about the outlook for future workloads, while medium and large practices "continue to be even more optimistic about future growth."
Mark Wigley and Beatriz Colomina. Image Courtesy of Istanbul Foundation for Culture and Arts
The Istanbul Foundation for Culture and Arts have announced that internationally renowned architectural historian and theorist Beatriz Colomina and architectural historian, theorist, and critic Mark Wigley will curate the 3rd Istanbul Design Biennial to be held in the summer of 2016. Colomina, a Professor of Architecture at Princeton University and curator of the recent Radical Pedagogies: Architectural Education in a Time of Disciplinary Instability exhibition (Lisbon Triennale, 2013; Venice Biennale 2014) will join Wigley, Professor and Dean Emeritus of Columbia University's GSAPP and renowned writer and curator, in helping to cement the biennial's international reputation.
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