For the latest edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team travel to Moscow, Portugal and Hong Kong to examine how "architecture has always been the unfortunate sidekick of any dictatorial regime." In the process they ask what these buildings actually stand for, and explore the legacy of the architecture of Fascist, Imperial and Brutalist regimes from around the world today. From the Seven Sisters in Moscow to António de Oliveira Salazar's Ministry of Internal Affairs in Lisbon, this episode asks how colonial, dictatorial and power-obsessed architecture has shaped our cities.
As part of an ongoing series of articles for Guardian Cities, architect Finn Williams uses the Cities: Skyline Simulator to ask whether "the game’s growth-driven model proves incompatible with a post-growth strategy" — ultimately narrating its response to this challenge in the form of a "resounding no." The game, which is designed to "realise the thrill and hardships of creating and maintaining a real city," allows for players to deal with infrastructure issues, housing problems, and budgetary matters on a large urban scale.
In the latest episode of 99% Invisible, Hard to Love a Brute, Roman Mars and Avery Trufelman take a look at the potted history of the "hulking concrete brutes" of post-war Europe, centring on the UK, and the US east coast. Exploring Ernö Goldfinger's Balfron and Trellick towers, while making a pitstop in Boston, MA, this twenty minute podcast examines why people "love to hate" Brutalism and why, "as harsh as it looks, concrete is an utterly optimistic building material."
Following the conclusion of a new radio series featuring in-depth interviews with inspirational names in global politics, business and the arts, we've picked out and compiled four of our favourites for you to listen to. Thirty minutes each, Monocle 24's collection of Big Interviewshave heard from the likes of London-based designer Thomas Heatherwick, architectural critic, writer and broadcaster Jonathan Meades, plus developers and hoteliers Ian Schrager and André Balazs.
In spite of this, it has now been announced that the UK Heritage Minister, Tracey Crouch, "is minded to approve the Certificate of Immunity for Robin Hood Gardens" meaning that the decision not to list the residential complex in Tower Hamlets will be upheld, giving a"legal guarantee that the building or buildings named in the certificate will not be considered for listing for five years." This will be the second certificate of this type to have been issued for this complex. According to Historic England, "a period of 28 days [beginning on the 4th August 2015] is now allowed for review before the certificate is issued."
The British Library in London's St. Pancras is often hailed as the only major public building to be built in Great Britain in the twentieth century. "No other project, since the building of St. Paul’s Cathedral over 400 years ago, took so long to construct or was surrounded by so much controversy." Begun in 1962, completed in 1997, and opened to the public in 1998, the Brutalist building is a world-class a repository of artistic, scholarly and literary treasures. It has now, along with seven other post-war libraries, been given Grade I Listed status for "its soaring and stimulating spaces" which, according to Historic England, have become "much-loved and well-used by scholars and members of the public alike."
For this week's edition of Section D, Monocle 24's weekly review of design, architecture and craft, the Monocle team take a trip to the near-complete Olympic Village in Rio de Janeiro, plus take a look at the history of the US Embassy in Havanna. The latest edition of The Urbanist explores etiquette and politeness in the metropolis, examining the unspoken rules of conduct that make our cities tick and delve into the psychology of 'urban etiquette'.
Trafalgar Square (2014 LDF). Image Courtesy of London Design Festival
The 2015 London Design Festival, an annual event held to celebrate and promote London as "the design capital of the world," will run this year between the 19th and 27th September. As a platform for some of the capital's major trade shows, the city-wide event aims to showcase exhibitors from across the world at a series of 'Design Destinations' — places at which established and emerging designers, manufacturers and brands can present their products and innovations.
Phillip Bond, an architectural photographer based in the US, recently made a trip back to the city of his birth: Vicenza. While there he took the opportunity to photograph a series of Andrea Palladio's most famous works, from the Palazzo Chiericati and the Basilica Palladiana, to the Palazzo del Capitaniato. The vast majority of Palladio's built works exist in the Veneto region of Italy in cities such as Padua, Verona, and Venice with the highest concentration in Vicenza, which was designated as a UNESCO World Heritage Site in 1994.
Last month, as part of their Park Nights event series, COS assembled Spanish architects José Selgas and Lucía Cano (SelgasCano) at their new pavilion for the Serpentine Gallery in London's Hyde Park to discuss the concepts behind their design and the history of the Pavilion Commission with Serpentine directors Julia Peyton-Jones and Hans Ulrich Obrist. They were joined by Chilean architect Smiljan Radić, designer of the 2014 pavilion, and Japanese architect Sou Fujimoto, designer of 2013's, in an hour long conversation moderated by Sarah Ichioka.
Gijs Van Vaerenbergh, an artistic collaboration between architects Pieterjan Gijs and Arnout Van Vaerenbergh, have created a labyrinthine intervention at the heart of the c-mine arts centre in Genk, Belgium. The development of this sculptural-spatial intervention has its foundations in the artists' interest in fundamental architectural typologies; earlier installations of theirs have been based on structures like the city gate, the bridge, the wall, and the dome. Here, the "age-old" form of the labyrinth" is explored as a spatial experience in a unique composition of wall and void.
For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team investigate politics in global "power cities." Visiting Brussels, capital of Belgium and administrative capital of the European Union, they explore how politics have changed the city over the last four decades. Further south, they travel to Vienna which, "diplomatically remains very important and wields power." Yet even though the UN have an outpost there, is the Austrian capital still a stage for international diplomacy? The episode also makes a quick stop at Embassy Row in Washington D.C. to examine the architecture of diplomatic design.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for June 2015 shows "an all-time high," with the workload index ascending to +44 compared to +37 last month. All nations and regions within the United Kingdom returned positive balance figures, with practices in the Midlands and East Anglia responding most confidently about workloads in the next quarter. Following a slight fall last month, the private housing sector workload forecast increased to +39 (from +34), while the public sector saw a modest increase back into positive figures. Workload forecast balance figures have remained extremely high. The survey reports that large-sized practices continue to be the most optimistic about growth, while small and medium-sized practices "remain in strongly positive territory."
In the latest episode of Section D, Monocle 24's weekly review of design, architecture and craft, the team visit Richard Neutra's iconic modernist Neutra VDL Studio residential complex and Residences in Los Angeles. Though Modernism has often been criticised for imposing universal rules on people and areas, it was Neutra's intense client focus that won him acclaim.
"London is on the verge of being ruined for all future generations," says Alain de Botton – a Swiss philosopher, notable author and founder of The School of Life and Living Architecture. "With a whopping 260 towers in the pipeline no area is safe, as planners, property developers and the mayor's office commit crimes against beauty to create fun buildings." In a film for The Guardian De Botton explains why he believes we're right to be nervous – and how we can stop this "clear desecration" of the UK's capital city.
Now at the halfway point of the six month long World Expo in Milan, in which 145 countries are participating in a concentration of national spectacle surrounding the theme of "feeding the planet," Rotterdam's Nieuwe Instituut (HNI)—the centre for architecture in the Netherlands—is exhibiting an altogether more reflective display of national civic pride.
Rotterdam, which was blitzed and decimated during the Second World War, is a place well suited to host an exhibition whose underlying theme centres on the fragile, often precarious notion of national self-image. Following the war Rotterdam was forced to rebuild itself, carving out a new place on the world stage and reestablishing its importance as an international port. Now, seventy years later, Rotterdam is a very different place. In demonstrating just how delicate the construction of a tangible national identity can be this latest exhibition at the HNI offers up a sincere speculative base for self-reflection.
Following the news in 2012 that Zaha Hadid Architects had won a competition to design the 80,000-seat Tokyo National Stadium as a centerpiece for the 2020 Tokyo Olympics, Japan’s Prime Minister has announced that the plans are to be scrapped. Citing spiralling costs as a key reason, Shinzo Abe has declared that the stadium, which was set to replace the existing Kasumigaoka National Stadium, would not be completed in time for the 2019 Rugby World Cup nor the 2020 Olympic Games as originally planned.
The way our buildings and public spaces are planned has a significant impact on our quality of life. In the latest edition of The Urbanist, Monocle 24's weekly "guide to making better cities," Tom Edwards and his team explore urban accessibility and inclusivity: from how best to create and incorporate inclusive design, to a cab service in Hong Kong which has been designed especially for wheelchair passengers. They also discover what happens when technology and sound come together to create a map of the city, and why New York has introduced mental respite centres.
