The Southbank Centre—a large complex of Grade One listed, Modernist cultural venues on the banks of the River Thames—are poised to refurbish three of their most loved spaces: the Queen Elizabeth Hall, the Purcell Room and the Hayward Gallery. As part of this transformation, London-based practice Jonathan Tuckey Design (JTD) have been commissioned to create a new 'Archive Studio' set within the foyer of the Royal Festival Hall, all part and parcel of the Southbank Centre’s desire to open up access to their collections and archives. JTD's free-standing, self-supporting structure is "an open framework which makes the scale the archival process apparent to visitors, held together by polished brass nuts and bolts and clad in perforated hardboard."

The new Florentine museum of the Opera del Duomo, affiliated to the city's cathedral of Santa Maria del Fiore, is set to reopen its doors to the public next week following years of restoration and reconstruction. 6000 square metres of exhibition space, designed by Adolfo Natalini and Guicciardini & Magni architetti, will house the largest collection of Florentine medieval and Renaissance sculpture in the world, including pieces by Donatello, Michelangelo (the Florentine Pietà), Andrea Pisano, Lorenzo Ghiberti (Gates of Paradise), and Luca della Robbia. It will also exhibit fifteen 14th century statues and almost seventy fragments from the cathedral's original medieval façade.

Read Monsignor Timothy Verdon's, Director of the Opera, narrative of the new spaces after the break.

A much anticipated retrospective—The World of Charles and Ray Eames—opens today at London's Barbican Centre. The show, curated by Catherine Ince and designed by 6a architects, surveys the careers of Charles (1907-1978) and Ray (1912-1988), and the extraordinary body of work prodced by the Eames Office: a ‘laboratory’, active for over four decades, in which the Eameses, their collaborators and staff produced "an array of pioneering and influential work – from architecture, furniture, graphic and product design, to painting, drawing, film, sculpture, photography, multi-media installation and exhibitions, as well as new models for education."

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In this edition of Section D, Monocle 24's weekly review of design, architecture and craft, David Plaisant speaks to Daniel Libeskind about the art and architecture of memory, with particular focus on his designs for his Ground Zero Masterplan and memorial in New York City. The show also discusses plans to transform John F. Kennedy airport's iconic TWA Terminal, and head to Singapore to meet the team at Ministry of Design.

A Kickstarter campaign recently launched by Jack Self and Shumi Bose of the Real Estate Architecture Laboratory (REAL) has reached its funding target in only twenty days. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects, with a particular focus on politics and economics. Their campaign has so far seen considerable support from the architectural community and beyond — testament to their 'no-ads policy' and dedication to paying their contributors.

In a statement to those who have pledged so far, the editors have said that "the Real Review will happen, and it is directly and completely due to your commitment, your vision and your generosity. We can’t thank you enough for getting us here!" They are now looking to surpass this crowdfunded milestone, with Kickstarter remaining the only way to subscribe.

For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," Tom Edwards asks: if you want to plan a city, where do you begin? This episode investigates a number of city-wide gestures which can contribute to a better urban environment, from the importance of a well-designed waterfront to what it means to have a strong 'digital strategy'.

For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team visit BUILD: the Bilbao Urban Innovation and Leadership Dialogues. This event gathers civic leaders and philanthropists to a discourse about how cities are, and should be, run. In this two-part broadcast from the conference itself, Monocle explore how Stuttgart have been accommodating an unprecedented number of refugees, how Poland is using transport infrastructure to revitalise the city of Łódź, how Pittsburgh is a poster-city for resilience, and why Atlanta wants its citizens to take charge of their city.

London-based practice dRMM have submitted plans for a new Maggie's Centre in Oldham, a metropolitan area north east of Manchester. Maggie's, a UK charity famed for its cancer care centres, is also well known for commissioning world-renowned architects to design their spaces. This latest proposal will be sited within the grounds of the Royal Oldham Hospital, becoming the second centre of its kind in Greater Manchester following Foster + Partners' current project in central Manchester.

Fogo is a small, rocky outcrop off the coast of Newfoundland, Canada, with a population of just over 2000 people. Its sub-arctic natural landscape of lakes, rivers and mountains is interspersed by eleven small settlements and has now become the scene for a collection of follies, studios and residences designed by Norwegian practice Saunders Architecture. Most recently, Fogo's rocky wilderness and contemporary architectural interest—reminiscent of the land around Todd Saunders' current home city of Bergen—has been captured in a one-hour documentary film directed by Marcia Connolly and Katherine Knight, entitled Strange & Familar: Architecture on Fogo Island.

The Real Estate Architecture Laboratory (REAL) have today announced a Kickstarter campaign in preparation for the launch of their flagship publication, the Real Review. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects.

The Real Review will be "a printed object of exceptional quality, featuring engaging texts by leading international commentators," alongside providing "a highly visible platform for emerging writers." Confirmed authors at this time include, among others, Assemble, Pier Vittorio Aureli (Dogma, AA), Reinier de Graaf (OMA), Sam Jacob (Sam Jacob Studio), and a rostra of journalists including the Financial Times' architecture critic Edwin Heathcote.

Videos

It's only logical that Rotterdam, one of Europe's leading cities for architecture and architectural practice, has a biennial film festival. Since its inception in 2000, the city's homage to architectural cinema now claims to be the biggest architectural film festival in the world. Featuring over one hundred international documentaries, feature films and shorts—as well as debates, lectures and seminars—this year's festival plans to "provide a podium for discussing the city and future of spatial development." From cinematic journeys into the world of the illusive Böhm family to Zaha Hadid, Chinese ghost cities to London's Barbican estate, this year's programme circles around the theme of the Global Home.

With the eighth incarnation of the Architecture Film Festival Rotterdam (AFFR) opening next week (running from the 7th - 11th October 2015), we've selected our five top picks from this year's schedule.

Earlier this week Sir Nicholas Serota, director of the Tate Modern, announced that Herzog & de Meuron's extension will officially open on Friday 17th June 2016. The gallery, which originally opened in 2000 housed within a former power station in London's Bankside, dramatically transformed the UK's relationship with modern and contemporary art. Since then, the Tate Modern has become a bastion of trend-setting and high-profile exhibitions, and has grown to be one of London's most visited cultural venues.

Empathetic historicism and romanticising older buildings has become an ever-common sentiment in modern Britain. In an article for the British daily The Telegraph, Stephen Bayley tackles this trend by questioning whether Victorian-era architecture is actually all worth saving? Victorian architecture, so called because it was implemented under the reign of Queen Victoria, was stylistically preoccupied by Gothic Revival — an attempt by architects and commissioners to impose a 'pure', chivalrous unifying aesthetic designed to instill a sense of civic importance and reaffirm a social hierarchy. Yet "their architecture," according to Bayley, "has an inclination to ugliness that defies explanation by the shifting tides of tastes."