This article was originally published on Common Edge.
While approaching Wainscott Beach on Long Island’s South Fork in early December, one could see the most tangible aspect of offshore wind’s New York progress even before hearing the crash of waves: three pillars, each about as tall as the Statue of Liberty, jutting up from the ocean. They were the legs of the Jill, a liftboat from the Gulf of Mexico stationed about a third of a mile off the coast of Long Island’s South Fork.
The profession of architecture is often marked by those individuals who employ their talent and resources to enable change and bring forth a vision for a better future. While some of them began their careers with bold gestures that captured the attention of the architectural world and changed paradigms, others worked in a more quiet manner, shifting the focus to the users of the space and asking themselves how they can best contribute to enriching the lives of those around them.
As the new year begins, we pause to look back to the architects who have passed away over the course of the last year but whose legacy and contribution to architecture outlive them. Among them, we remember Pritzker Prize laureate and pioneer of the High-Tech Richard Rogers, Post-Modern icon Ricardo Bofill, the thoughtful Gyo Obata, advocate and innovator Doreen Adengo, social housing pioneer Renée Gailhoustet and the many-sided Pritzker Prize laureate Arata Isozaki.
Developed by WERK Arkitekter and Snøhetta, the new maritime center on the coast of Esbjerg, Denmark, opens to the public. The wooden structure is conceived as a gathering space for watersports clubs and other visitors to the harbor, providing the coastal town with a maritime social hub. The circular structure protects the visitors from harsh weather conditions, while the large windows and amphitheater stairs open up views of the sea. Dubbed “The Lantern,” the project represents the winning design of a competition organized in 2019.
Scale is a term that has dominated the architectural profession for as long as built structures have existed. In the literal sense, scale defines the measurable standards that we have come to know and accept —the widths of door frames, a car turn radius, and of course, a means of producing measurable drawings. In a more abstract and figurative representation, scale describes a feeling of individual experiences when comparing themselves or a familiar object to something unfamiliar.
Nowadays, much is said about the importance of collaborative design processes that involve joint creation, affirming a context in which there is less and less room for individual work and much more for the logic of collective and co-creation. Therefore, the idea that the work is created exclusively by the architect is already understood as a distortion of the complex reality of designing a project, going beyond the technical staff and also adding the community and its users.
As we take stock and analyze the year 2022 from the most visited articles in our Materials section, it is clear that issues related to interiors have strongly resonated with our readers. While humanity spends more time indoors, both in physical and now even virtual realms like the metaverse, the forms and functions that define these interior spaces have acquired greater importance and value. Experimenting with fluid, flexible and versatile spaces is a trend that we have been witnessing for some years now, driven mainly by the impacts of the countless lockdowns still present in our memory. The chaos and uncertainty we experienced made us understand the importance of buildings with spatial awareness and sensitivity –those able to anticipate and take responsibility for the effects they have on their inhabitants. Factors such as orientation, the size and distribution of rooms, the use of natural light and ventilation, and the overall aesthetics of the space are essential. Technological advances have taken center stage and disrupted traditional interior design, giving rise to new and innovative approaches to domestic efficiency and circularity.
Through three different approaches –operations, aesthetics and energy–, below we provide a forecast of how we think interior spaces will evolve from 2023 onwards.
Few places in the world have an overlap of complexities as intense as Brasília. Even so, its architecture symbolizes the Republic and democracy of Brazil, and any act of attack on these symbols carries meanings and consequences for Brazilian memory and cultural heritage. The terrorist acts of January 2023 destroyed part of the heritage and raised questions beyond objects and architecture, touching on education, culture, and national political capital.
True beauty in architecture lies in its ability to serve and improve human experience, yet this fundamental principle is not always upheld. Too often, we see “public” buildings that do not integrate into the urban fabric, are disconnected from their surroundings and fail to contribute to a city’s vibrancy and quality of life. Some may be quite beautiful to look at, but if they are not functional, comfortable, and welcoming to the people they are meant to benefit, their value as public spaces becomes rather questionable. Architectural icons like the Sydney Opera House and Bilbao Guggenheim Museum, for example, are celebrated not just for their stunning silhouettes or breathtaking interiors, but because they enhance culture and city life, enrich the community, and offer diverse opportunities for interaction and public involvement. It is this holistic, human-centered approach to design that allows these landmarks to become integral parts of a city’s identity, one that is embraced and owned by its citizens.
LEVER Architecture has been selected to lead the design team for the campus expansion of the Portland Museum of Art. The project aims to not only expand the existing campus but also to create a unified identity for the institution, one that ties together all the architecturally significant buildings on site. The winning proposal is primarily a mass timber structure inspired by Maine’s communities, history, and culture.
Designed by architects Tomás Villalón, Nicolás Norero, and Leonardo Quinteros, the Educational Theater of the Arts of Panguipulli has been chosen in Chile as the winning work in the architecture category of ESENCIALES x ArchDaily 2022.
We are going through times of great change and we are all aware of that. The role of women in the field of architecture is becoming more and more relevant and, unlike other times, such as in the 20th century, the female figure is no longer hidden behind the male figure, as happened to Anne Tyng with Louis Kahn or Lilly Reich with Mies van der Rohe, just to mention a few examples.
Architect business development can be very challenging. It's not a topic that comes up in design school, and many of the practices that firms employ today can simply be categorized under the heading, “That's the way we've always done things.” At Archmark, we've helped more than 2,000 architects, in speaking with many firm owners, we've come to understand the struggles of running a successful architecture and design firm.
For example, you may be struggling with one or more of the following issues: Taking on “bad fit” projects because you have to pay the bills, Struggling to find new clients because you don't have a marketing system, Feeling pressure to reduce your fees because clients don't understand or value what you do, Getting pigeon-holed into the same type or level of projects due to a limited referral network, Anxiety about your future due to relying on a small number of large project sources.
If you’re looking to grow your architecture firm and take it to the next level, it may be time to consider some new ideas to mix into your business development process. So, what do you do? Where do you start?
Sodium chloride, most commonly known as salt, is everywhere. Ancient in its uses and abundant in nature, it preserves local ecosystems, de-ices roads, is vital in a variety of industrial processes, and is likely sitting on your kitchen table as a seasoning for your meals. Today, it is attributed relatively little value –considering it used to be as worthy as gold–, and unlike other nature-derived alternatives such as algae or mycelium, there doesn’t seem to be enough research and interest around all of its physical, mechanical or aesthetic properties. And yet it is a material with infinite, extraordinary potential. Apart from its life-supporting qualities, salt is affordable, easily available, antibacterial, resistant to fire, can store humidity and heat, and is great at reflecting and diffusing light.
From 114 participating countries, the World Design Rankings (WDR) have once again ranked the best in arts, architecture and design, sponsored by the A' Design Award and Competition. With the objective of contributing to global design culture through advocating and highlighting good design, the rankings provide additional data and insights to economists and journalists regarding the design industry.
MVRDV, in collaboration with UAD, has been selected as the winner of the competition to design a new library for Wuhan, poised to become one of the largest libraries in China. The large-scale project creates diverse study environments and offers reading and studio spaces while also connecting to its surroundings via three large openings that display the life inside the buildings to invite visitors to enter. Spanning over 140,000 square meters, the distinctive building adapts its volume to reflect its position at the confluence of two main rivers in Wuhan and become a recognizable landmark for the city.
The Pan American Biennial of Architecture of Quito (BAQ2022) ended on November 18th. Organized by the Pichincha Provincial College of Architects of Ecuador (CAE-P), it has been held since 1978 with the aim of promoting dialogue, exchange, and reflection on architecture and the contemporary city. During this edition, the intention was to address the theme "Inflections: Seeing again", with the aim of providing a space for discussion and debate on architecture around the moments of inflection in history.
On the closing day, the winning projects for both the National Award and the Pan American Award were announced from among the nearly 60 selected finalists. At the same time, the winners of the Social Habitat and Sustainability Award were announced from among 8 selected finalists, as well as the two works that jointly won the Biennial Grand Prize. See all the winners below.
Land use and zoning laws have been a trending topic in recent years, gaining significant public attention across the United States. People are beginning to rethink the ways that our cities have been planned, seeking ways to improve their quality of life- and it often stems from codes and policies that dictate what can be built and where. Zoning that is too restrictive often makes it difficult for developers to build necessary projects such as multi-family housing. But when zoning is too loose, it creates neighborhoods that aren’t walkable and don’t have a strong sense of community.
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To honor the work of one of the greatest modernists of the 20th century, Oscar Niemeyer, American-Brazilian photo artist Paul Clemence has released images of the architect’s iconic Itamaraty Palace. Housing Brazil’s Ministry of Foreign Affairs Headquarters, the structure is also known as the Palace of the Arches.
Kim Utzon started his small architectural practice, Kim Utzon Arkitekter, in Copenhagen in 1987, choosing to work primarily in Denmark and neighboring Sweden, to keep close ties with family and be able to reflect effectively on regional building traditions. Kim is the youngest son of Jørn Utzon (1918-2008), the Pritzker Prize-winning architect whose most celebrated buildings include the Sydney Opera House (1973), Bagsværd Church near Copenhagen (1976), and the Kuwait National Assembly Building (1982). Kim’s brother Jan Utzon is a practicing architect and his sister Lin Utzon is a ceramic artist.
Architecture has been criticized for being a primary elitist indulgence. Most architectural projects are funded by the wealthy and seen as a means of bringing beauty into the surrounding environment. Architecture, however, is a double-sided coin with functionality balancing out aesthetics. With the ability to strategize radical solutions, architects equally find themselves at the forefront of solving complex issues. The context of Southeast Asia offers a demanding challenge with various social problems, giving architects a chance to save the world with humanitarian design.
There are many challenges when working with renovations: adapting spaces that were not necessarily designed for a particular program, adding new uses for rooms and modernizing the building in order to make it compatible with contemporary demands. This was the case of Mobio Arquitetura's project for the headquarters of a solar energy fintech company, which sought to value the memory of the historic building while adding a new layer of contemporary and technological infrastructure designed for the comfort, usability and productive coexistence of the new occupants. The office has been selected among the five winners of the 2022 Shaw Contract Design Awards "Best of Globe".
The Islamic Arts Biennale re-imagines the Western Hajj Terminal at King Abdulaziz Airport in Jeddah, Saudi Arabia, as a cultural space to create an evocative journey to explore Islamic heritage. The terminal, designed by Skidmore, Owings & Merrill and a winner of the 1983 Aga Khan Award, will be extended and complemented to create the setting for the event. Through the contributions of over 60 artists from over 20 countries, the biennale aims to become a platform to explore and reflect the diversity of the Muslim experience worldwide. Themed Awwal Bait, or The First House, the event intertwines commissioned works with never-before exhibited historical artifacts to convey a holistic perspective of the Islamic arts. The Biennale, curated by Sumayya Vally, now in its inaugural edition, will be open from January 2023 to April 2023.
Once again in its eighth edition, the Prix Versailles 2022 awards have honored the best achievements in contemporary architecture. A total of 24 projects from different parts of the world have been highlighted paying tribute to innovation, creativity, the reflection of local heritage, eco-efficiency, and the values of social interaction and participation upheld by the United Nations and aligned with the principles of intelligent sustainability considering the ecological, social and cultural impacts that surround the projects.
The world-renowned brand, AZULIK announces the new project in Tulum, Quintana Roo which confirms its creative expansion and the growth of architectural scope: "Habitable Sculptures" its first residential complex that they describe as "a new proposal for lifestyle and sustainable luxury." The residential initiative was born from the firm Roth Architecture, continuing with the characteristic aesthetic that "puts nature as the protagonist and the user as a priority."
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