The program promoting and supporting young architecture organized by MAXXI Architettura together with MoMA/MoMA PS1 in New York and CONSTRUCTO of Santiago in Chile has announced UNIRE/UNITE by Urban Movement Design as winner of the 2012 Young Architects Program (YAP) MAXXI in Rome. Following MAXXI’s first successful summer installation named WHATAMI by stARTT, Urban Movement Design now has the opportunity to reinvent the MAXXI piazza with an interactive installation featuring a long and sinuous band of wood and grass that encourages a playful bond between the building and its users. This proposal was selected over four other shortlisted contestants who where chosen by an Italian jury.
Both UNIRE/UNITE by Urban Movement Design and WENDY by HWKN (HollwichKushner) will be inaugurated in the MAXXI piazza and the courtyard at MoMA PSI in June 2012, along with an exhibit showcasing the fifteen design proposals from the finalists.
Continue reading for more information on this years MAXXI winner, UNIRE/UNITE.
In recent years, the growth of China has been incredible. We have often likened the massive surge of projects in the country to the explosive levels of architectural experimentation in Dubai. OMA, Hadid, Holl, Foster, Morphosis – strong powerhouses of architecture – all seeking to help China meet the demands of its emerging world power position by springing from the basis of a historically isolated culture and leaping to craft a more globalized image for the country. Such an image creates the desire for an architecture which can continually out shine itself as it challenges traditional materiality, scale and contextual relationships in China’s modern cities such as Shanghai and Beijing, Hangzhou and West Kowloon.
Perhaps, that is precisely why many have not heard of Wang Shu and Amateur Architecture Studio. And, perhaps, that is precisely why this Pritzker award carries such weight.
ArchDaily announced the winning proposal for the 2012 MoMA PS1 Young Architects Program (YAP) earlier this month. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against HWKN’s Wendy. Ibañez Kim Studio (Mariana Ibañez and Simon Kim) proposed a Mechanical Garden that enjoyed a unique partnership with artists and engineers in Philadelphia.
President Obama attended the official ground breaking ceremony of the National Museum for African American History and Culture (NMAAHC) on February 22, commemorating this milestone for the Smithsonian Institution’s new museum on Washington’s National Mall. The Tanzanian-born, London-based architect David Adjaye serves as Lead Designer for the Freelon Adjaye Bond/SmithGroup (FAB) team that was selected by the Smithsonian Institute back in 2009 in the international competition for the design of the nation’s new prestigious building.
The President began his brief remarks by stating, “As others have mentioned, this day has been a long time coming. The idea for a museum dedicated to African Americans was first put forward by black veterans of the Civil War. And years later, the call was picked up by members of the civil rights generation -– by men and women who knew how to fight for what was right and strive for what is just. This is their day. This is your day. It’s an honor to be here to see the fruit of your labor.”
Continue reading for more information on the project and a video of President Obama’s speech.
The Architecture Billings Index (ABI) has clocked in at a positive 50.9 for January. Although the score brings the ABI into positive territories for the past three months, 50.9 is slightly over the positive measuring marker and actually, just under December’s mark of 51.0. Regional averages place the Midwest as the leading area with 53.7; followed by the South (51.6), Northeast (50.7), and West (45.6). AIA Chief Economist, Kermit Baker, PhD, Hon. AIA explained that even though the index is showing a similar upturn in design billings to the late 2010 and early 2011, firms are still having a hard time staying on their feet. “We still continue to hear about struggling firms and some continued uncertainly in the market, we expect that overall economic improvements in the design and construction sector to be modest in the coming months.”
ArchDaily previously ran an article about the Manufacturers Trust Company Bank Branch at 510 Fifth Avenue in Manhattan designed by Gordon Bunshaft of Skidmore, Owings & Merrill and interior designer Eleanor H. Le Maire, a building designated as protected under the Landmarks Preservation Commission with first the exterior in 1997 and later the interior in early 2011. But as recently as October 2011, the building was already listed under the 2012 World Monuments Fund in the 2012 World Monuments Watch as the current owners, Vornado Realty Trust, began compromising the landmarked conditions of the interior of the building as it was being adapted for reuse. With preservationists in an uproar, support for the protection of the building was enough to bring Vornado Realty Trust to New York State Supreme Court where a settlement was reached.
Read on for more details on the settlement and continuing efforts to protect endangered monuments.
Are you an avid lover of the High Line? If you’ve been keeping up with our coverage of the project byJames Corner Field Operations and DS+R, then you have been following the development of the High Line’s different sections – such as the early stages for a the design of the Gansevoort entrance and elevated street ampitheater of Stage One, and the picture frame and tree fly over of Stage Two. And, yet the amazing public space is still developing further. Friends of the High Line are presenting initial design concepts for the rail yards section of the High Line, which requires new zoning that would preserve the entire rail yards section, including the Spur, as public open space. At a community input meeting on Monday, March 12, the High Line design team will share their visions and answer questions about the soon-to-be newest part of the project.
More information about the meeting after the break.
Sydney Opera House is not only a building with great beauty but it has also become known throughout the world as a symbol for not only a city, but a whole country.
The LEGO version of the Sydney Opera House seeks to capture the essence of this grand building in a small scale. Like the other models in the series it was created by Adam Reed-Tucker.
The set will be available in stores on March 1st at a suggested price of $39.99. More images after the break:
https://www.archdaily.com/210308/lego%25c2%25ae-architecture-series-sydney-opera-house-by-jorn-utzonAmber P
Tonight, Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP) Studio-X NYC welcomes Fast Company’s Greg Lindsay and the Institute for the Future’s Anthony Townsend for the first of a new series of events focused on the “smart city”.
“Lindsay and Townsend are calling the series “X-Cities,” where X marks the spot at which information technology and mega-urbanization converge. In this first session, the pair will lay out their respective cases for the top-down, intelligent design of “smart cities” versus the bottom-up evolution of crowd-sourced “civic laboratories.” Is information technology a real tool for city-building? And, if so, what is its bright and/or scary future?”
This event will begin at 6:30PM at 180 Varick Street in New York. It is free and open to the public. No RSVP is required. Continue reading for more information.
Newark-native Richard Meier has not forgotten his roots. Established by the Puritans as a colony to follow the rules of the church in the 17th century, Newark evolved into a prosperous industrial center during the 19th century, experienced a harsh period of industrial and social decline after WWII, and is currently seeking to reestablish its reputation as a renewed urban metropolis. Meier has supported such efforts to restore the city’s vitality, including chairing an international design competition for the creation of a Visitors’ Center for Newark (check out some proposals we’ve previously featured here). Back in 2010, Meier & Partners shared their vision for a new Teachers Village for the city – a four block-long mixed-use development aimed at attracting young professionals who work in the educational system to reside in the downtown area. This past week, we are happy to share that the Village, which includes two school buildings with three charter schools and a daycare center, 70,000 sqf for retail space, in addition to the rental apartments for Newark teachers, has broken ground.
Opening on February 24th at the Architectural Association School of Architecture in London, Lina & Gio: The Last Humanistswill explore for the first time the relationship between two seminal figures in twentieth-century design: Lina Bo Bardi (1914-1992) and Gio Ponti (1891-1979). More details after the break.
ArchDaily announced the winning proposal for the 2012 MoMA PS1 Young Architects Program (YAP) earlier this month. In order to bring you full coverage of the annual competition, we are featuring the other four creative designs that competed against HWKN’s Wendy. Virtual Water, a collaborative design brought to you by UrbanLab, endrestudio and Method Design, formally manifests what is hidden in plain sight: RAIN. The project reveals and plays with thousands of gallons of summertime rainwater that would otherwise be discarded from the PS1 courtyard.
Virtual Water refers to water hidden in everyday products. A pair of jeans, for example, has a 3000 gallon Virtual Water footprint because 3000 gallons of water are consumed in the various steps of its production chain (growing the cotton, dyeing the fabric, etc).
Nearly two years after OMA was announced the winner of a two-stage international competition, the construction of the new Taipei Performing Arts Center has commenced. This ambitious project, led by OMA partners Rem Koolhaas and David Gianotten, generated a lot of debate among architects when it was announced back in 2009 due to its particular form. Morphed by a series of programmatic operations, the form intersects three types of theater in order to accommodate a variety of performances.
The Proscenium Playhouse, which seats 800, is expressed on the exterior as a large sphere while the other two theaters, respectively capable of seating 1,500 and 800, are represented as peripheric cubes. All the stage accommodations are brought together within the central cube, allowing for more flexibility as theaters can be used independently or combined, thus expanding the possibilities for experimental performances – an art that is very strong in Taiwan. At the same time, and in a similar way as OMA’s CCTV building in Beijing, China, a “public loop” channels circulation through the building, exposing the spaces that make the TPAC work, areas typically are hidden from the public but are as revealing as the performances themselves.
In this aspect, the building is like a machine at work with its engine exposed, somehow reminding me of OMA’s Prada Transformer – a machine-like building (the anti-blob) that changed its configuration to host different types of events.
The 180 million dollar project is set to be completed in 2015. More details, including sections and updated renders, after the break:
The controversy surrounding Frank Gehry’s proposal for the Eisenhower Memorial has just reached new heights as the Chicago Tribune’s Blair Kamin has recently published a 1,500-word essay, written by the influential neo-traditionalist architect Leon Krier, that bashes Gehry’s proposal and ideology. Krier calls Gehry a “greatly confused artist” who’s “style is a century old” and “seems “innovative” only to the ignorant”. Kier continues to claim the commission who appointed Gehry’s design “shares his [Gehry’s] intellectual confusion and distaste of classical Washington D.C.” Continue reading for more.
Last September, we attended MoMA’s PS 1 Open Studio event to catch a glimpse of the collaborative projects of five multidisciplinary teams focusing on how to re-think, re-organize and re-energize the concept of an American suburb in the wake of the foreclosure crisis. When we visited, the teams were in the final stages of their designs and preparing to send their visions to the Museum of Modern Art for the exhibition “Foreclosed: Rehousing the American Dream. One of the team’s we talked with was WORK Architecture Company about their Nature-City proposal, an extension of the suburb whichhas been designed in an abstracted way to serve as a plug in model to create cities elsewhere.
The upcoming Tour of Architects in the Puget Sound region of Washington State sponsored by AIA Seattle will take place from March 17-25. Four separate tours will take place over the two weekends, with architects on site to meet with tour guests in addition to conducting tours. The projects featured on the tour are primarily residential, encompassing a wide variety of styles ranging from modern, universally design urban lofts, to remodeled min-century ramblers. Some of the other typologies featured include a memorial project dedicated to the memory of Japanese Americans interned during WWII, an equestrian facility and an award winning Fire Station.
The tickets are priced at $20 per tour, $35 for a weekend pass, and $50 for both weekends.Visit the official site for more information here. See more photos of some of the featured projects after the break.
Throughout the past year we have been keeping you updated on the events leading up to the commencement of the Xi’an International Horticultural Expo which ran from May through October 2011 and welcomed over 15 million visitors during its 178-day run. As the largest and best attended international horticultural event of 2011, the Expo offered architects and landscape architects the unique opportunity to design for a traditional event model which became the precedent for the world’s fairs of the 19th, 20th and 21st centuries. To define the expo’s primary experience, the organizers held an international competition, selecting the “Flowing Gardens” project by London-based design firm Plasma Studio and GroundLab. Developed in collaboration with the local landscape practice LAUR Studio, “Flowing Gardens” is comprised of a 37 hectare master plan, including a 5,000SM Creativity Pavilion, a 4,000SM Greenhouse, a 3,500SM Gate Building and various landscapes which run along an extended spine that delineates the site. The project initiated the redevelopment of a large area of Xi’an between the airport and the city’s ancient center, famous as the home of the Terracotta Army of the Qin Dynasty. More after the break.
Landscape architect, James Corner, has a way of not only designing captivating landscapes, but making places where people want to be. While thousands have experienced his transformation of New York’s industrial rail line, Corner’s impact is also evident in major metropolises on an international level as his competition entries and built work inspire a sense of urban renewal and restore confidence in their settings. In fact, Fast Company has recently named James Corner Field Operations as one of 50 most innovative companies of the world for “creating intimate green spaces out of industrial urban blight.”
Since 2007, controversy has been stirring due to the rising costs and delayed schedule of Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany. Recent reports state the court has approved the city of Hamburg’s €40 million lawsuit against the primary contractor HochTief, who has stopped working in four areas of the €600 million project this past November. HochTief blames the architect due to differences in its plans.
When the statistics showed architecture as the field of study where recent graduates had the highest unemployment rate, some suggested that future students ought to pursue different educational backgrounds. Courtney Lukitschhas shared her response to such a claim by defending the merits of an architecture education. ArchDaily reaches a wide range of readers – from established professions to students just entering the field – and we’d like to hear your thoughts on the value of pursuing an architecture education.
“Recently published reports about education degrees ‘not to pursue’ in architecture, design and art, made the rounds in the national press and A&D industry, raising eyebrows and demanding closer scrutiny. Needless to say, this news spread like wildfire on social platforms such as Facebook and twitter, oddly to scant commentary among top-tier critics, academics and educators, architects and designers, a decidedly vocal and opinionated group of incredibly well educated professionals.”
Read the rest of Lukitsch’s article after the break.
Many of you may have probably noticed Scott Timberg’s article “The Architecture Meltdown” (Salon, February 4, 2012) circling the internet. The gloomy article discusses the unknowing future and possible demise of the architectural profession – the “glamour profession of the creative class”. Timberg describes struggling professionals that are either unemployed or working full-time at intern wages within a profession that is largely focused on the 1 percent.
There is no doubt that many architects and recent graduates are struggling. Architecture succeeded with the economy and crashed with it as well. With statistics revealing the highest unemployment rates among those with bachelor’s degrees in architecture and articles flooding the internet with titles “Want a Job? Go to College, and Don’t Major in Architecture” (New York Times, January 5th, 2012), there is not doubt that people are scared and unsure of where the profession is heading. Meanwhile, the (AIA) is cheering for a “2.1 percent rise in spending this year for non-residential construction projects”, a bit of optimism many are grasping onto for hope. However, we are headed somewhere. As Timberg states, “People will always need houses, cities and nations will always need schools and libraries and civic buildings, and trendy restaurants will need redesigns. Architecture will never die completely.”
Please continue reading to see Thomas Fisher’s response to Scott Timberg.
Just last week, Mayor Bloomberg and City Council Speaker Christine Quinn enacted 29 new recommendations of the Green Codes Task Force that will provide the proper foundation for New York to meet the aggressive PlanNYC Goals for 2030. The impact of these new codes is estimated to reduce greenhouse gas emissions by 5 percent; lower the energy costs for lighting by 10 percent; save 30 billion gallons of water through better plumbing regulations; treat 15 million gallons of toxic construction water; recycle 100,000 tons of asphalt; and save $400 million in overall energy costs. The implementation of such codes is the result of the formation of the NYC Green Codes Task Force, an organization led by Urban Green Council, that proposed over 100 recommendations in 2010 to address a wide range of sustainable issues; and, in the two years since that report, the Mayor’s Office and City Council have made 29 of those recommendations law, and are currently working to codify 8 others.
More about the new building codes after the break.
Ever wonder why the skyline of Los Angeles is peppered with flat top skyscrapers? Or for that matter, why does such a global cosmopolitan city have so relatively few skyscrapers dotting its cityscape, the majority residing in downtown LA?
The answer lies in a section of the Los Angeles Municipal Code introduced in 1974 – Sec. 57.118.12 – “Emergency Helicopter Landing Facility.” The code stipulates that “Each building shall have a rooftop emergency helicopter landing facility in a location approved by the Chief.” The text also dictates that the helipads measure 50′x50′ in addition to a 25′ safety buffer. The resulting skyline thus far has been dominated by flat roof skyscrapers that would only make it through the planning process if in strict accordance with this code. However, a newly introduced proposal called the Hollywood Community Plan would allow skyscrapers to be constructed along the subway served “Hollywood Corridor.” In lieu of embarking on a plan that would surely result in more box type towers, an amendment has been introduced into the plan that would exempt skyscrapers within the corridor from having to conform to Sec. 57.118.12 helipad requirements. More After the break.
