UPDATED: Out of 52 exemplars of UK architecture, RIBA has chosen the six buildings that will compete for the prestigious RIBA Stirling prize (awarded to the building that makes the greatest contribution to British architecture that year). See the six contenders, including a video of each, after the break…
Most critics agree that this year’s shortlist for the Stirling Prize is more “modest” than in past years – which is not to say that they didn’t have plenty to say on RIBA’s selection. Check out the critical responses from The Financial Times‘ Edwin Heathcoate, The Guardian’s Oliver Wainwright and The Independent’s Jay Merrick, after the break…
BD Online reports that the British Council has shortlisted two teams who will compete for the honor of curating the British Pavilion at the 2014 Venice Architecture Biennale. With Rem Koolhaas at the helm of this year’s Biennale (June 7 – November 23), the selected theme will be: ‘Absorbing Modernity: 1914-2014.’
The two teams facing off are: architect David Knight, The Guardian architecture critic Oliver Wainwright, and planner Finn Williams VS. the architects of FAT, architectural historians Crimson and writer Owen Hatherley.
The final pair were chosen from a longlist of four, including a team led by DSDHA and another made up of Graham Bizley of Prewett Bizley Architects and Rob Gregory, programme manager at the Architecture Centre. The final winner will be announced in august.
Story via BD Online.
In the international competition to improve the facade of one of Bristol’s most hated buildings, three finalists were just announced which will be narrowed down to an single winner later this summer. The challenge encouraged participants to put forward concepts for a facelift to improve the aesthetics and performance of Bristol Royal Infirmary. The shortlisted designs are Veil by Spain’s Nieto Sobejano; Vertical Garden by Swedes Tham & Videgård; and Light and Air by US design office Solid Objectives-Idenburg Liu (SO-IL). More images and information after the break.
The Royal Institute of British Architects (RIBA) has unveiled the 2013 RIBA National Award winners, a shortlist of 52 exemplars in design excellence from the UK and EU that will compete for the prestigious RIBA Stirling Prize. This year’s award winners were selected from practices of all sizes and projects of all scales, ranging from a beautifully-crafted chapel in the back garden of an Edinburgh townhouse to the innovative yellow-roofed Ferrari Museum in Italy. Notably, one third of the UK winners are exceptionally designed education buildings.
The 43 UK buildings that have won an RIBA National Award are:
The saga of the Southbank Centre redevelopment in London heated up recently, after the scheme for the new ‘Festival Wing‘ was formally submitted to Lambeth’s planning department. The scheme, which has been well received by some of the architecture community, including the centre’s original architects Norman Engleback and Dennis Crompton, has run afoul of the skateboarding community, which opposes the plan to infill the undercroft that has been their home for almost 40 years.
After a petition to save the skatepark garnered over 40,000 signatures, the skating community has mobilized once again to object to the planning application en masse. The campaign to save the skatepark has even garnered the attention of skateboarding legend Tony Hawk, who wrote to the Southbank Centre’s director of partnership and policy Mike McCart to explain that:
“It’s truly an historic feature of London street culture, and is as well known to skateboarders around the world as Big Ben or Buckingham Palace. Honestly.”
Sou Fujimoto’s 2013 Serpentine Pavilion, now complete and standing on the front lawn of London’s Serpentine Gallery, has opened to the press and we are now able to see Iwan Baan’s photographs of the temporary pavilion. Fujimoto will be lecturing to a sold out crowd this coming Saturday (June 8th) when the pavilion opens to the general public. The semi-transparent, multi-purpose social space will be on view until October 20th.
Fujimoto (age 41) is the youngest architect to accept the Serpentine Gallery’s invitation, joining the ranks of Herzog & de Meuron and Ai Weiwei (2012), Peter Zumthor (2011), Jean Nouvel (2010), SANAA (2009), and more. He described his Serpentine project as “…an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two.”
The Guardian has posted both print and video reviews by Oliver Wainwright.
More images by Iwan Baan after the break. See also In Progress: Serpentine Gallery Pavilion / Sou Fujimoto.
Westminster City Council has just announced Feilden Clegg Bradley Studios, urban designers and architects and Grant Associates, UK landscape architects, as part of a multidisciplinary team to devise a twenty-year infrastructure and public realm plan for Church Street, London, to support the council’s housing renewal strategy. Residents have just voted in favor of proceeding with the first phase of regeneration plans for Church Street in a ward-wide referendum. More images and architects’ description after the break.
The Royal Institute of British Architects (RIBA) just announced the launch of a new design competition on behalf of the Mayor’s Office for Policing and Crime (MOPAC) and Metropolitan Police Service (MPS) to create a new central London Headquarters – replacing their existing New Scotland Yard building. The Invited Design Competition provides architects/practices with the opportunity to produce a design for the renovation of this landmark in one of London’s most important and historic areas – to provide a modern, flexible and secure office environment for the MPS. The deadline for submissions is June 27. For more information, please visit here.
London School of Economics and Political Sciences (LSE) New Global Center for the Social Sciences Competition
RIBA is now inviting expressions of interest from architect-led design teams with exceptional design skills for the London School of Economics and Political Sciences (LSE) New Global Center for the Social Sciences, the world’s leading center for social sciences. The next step in the campus development program is to further improve the School’s teaching, research and support facilities through the complete redevelopment of the center of its Aldwych campus. The new building that will be constructed will have a vital role to play in cementing the LSE’s position as a world renowned educational establishment and will become a place that inspires existing LSE students and will help attract new high caliber students and staff to the School. The deadline for submissions is June 14. For more information, please visit here.
A recent report by the UK Architectural Education Review Group has highlighted the high cost of education as a barrier which prevents less wealthy students from accessing the profession, reveals BDonline. Among a number of concerns raised about the current state of architectural education, it says that the cost to study architecture in the UK could “create an artificial barrier to the profession based solely on a student’s willingness to accept high levels of personal debt”.
Architecture has long been seen as a pastime of the wealthy, as evidenced by Philip Johnson‘s claim that “the first rule of architecture is be born rich, the second rule is, failing that, to marry wealthy”. However, the report acknowledges the fact that making the profession open to people of all backgrounds is not only a moral imperative, but will be vital to bring the best talent into the field.
Read more about the barriers surrounding the profession of architecture after the break…
As part of the on-going debate surrounding the UK’s future aviation strategy, Make Architects just unveiled further studies to support its proposals for an expansion of Stansted Airport as a viable option. Building on existing infrastructure, the architects strongly believe that Stansted can connect with central London within 25 minutes, thereby making it one of the most deliverable and affordable solutions currently on the table, costing £18billion to deliver and providing up to £100billion in investment for the east of the country. More images and architects’ description after the break.
Sou Fujimoto’s contribution for the 13th edition of the Serpentine Gallery Pavilion is beginning to take shape, as the “geometric, cloud-like form” has slowly made its way towards the height of the trees in the rustic landscape of London’s Kensington Gardens. Upon its completion in June, the 350 square-meter latticed structure will fuse together the man-made and natural world, creating a lush, semi-transparent terrain that will host a series of flexible social spaces and a vibrant collection of plant life.
More images by London photographer Laurence Mackman after the break.
Shiro Studio, in collaboration with Mesh Partnership and Equals Consulting were just announced by RIBA as the winning team of the Great Fen Visitor Center competition. Sitting beautifully within the expansive landscape, the team had skillfully incorporated elements of the traditional Fenland building typology within an exciting contemporary visitor center design. The silvery and bog-oak black exterior, shimmering with the play of Fenland light, would contrast markedly with, and complement, its spacious, light-filled interiors and panoramic views onto the surrounding landscape. More images and architects’ description after the break.
The ‘Great Sky Visitor Center’ is a shimmering mirrored disc floating above the flat horizon of the Great Fen atop a shallow cone of fenland planting – a dramatic profile and marker in the landscape, but also one camouflaged when seen from the air. Designed by Nicholas Hare Architects, the silvered surface, that seen from within, dematerializes its edge against a reflected sky, intends to patinate and change over time in sympathy with the landscape it reflects. More images and architects’ description after the break.
Scott Tallon Walker Architects just won the competition to design the new £35 million 5G Research Centre for the University of Surrey which will be the world’s first center for research into the next stage of mobile technology at the University. Their concept for the new building creates a flexible space with a circular atrium that acts as a central lung and focus, to ensure maximum interaction amongst researchers. The building will house the UK’s largest academic research center for mobile communications with 130 researchers and around 90 PhD students. The project has been given an urgent status and it is being undertaken immediately/ The project is expected to be completed well before the end of next year. More images and architects’ description after the break.
Titled, ‘The Fenland Beacon’, this proposal for the Great Fen Visitor Center is rooted in the landscape; responding to the inherent qualities of the Great Fen. Designed by Nicholas Hare Architects, the expansive sweep of the timber façade that ventures out and dissolve into the landscape is punctuated by the tower dramatically rising above the Fenland horizon, anchoring the visitor center within the wider context; an orientating beacon within the expanse of the Great Fen. More images and architects’ description after the break.
In preparation for a ministerial review of housing standards by the UK government, the RIBA has launched their “Without Space + Light” campaign aimed at advocating minimum requirements for total space and natural lighting in order to improve quality in new built homes.
The campaign, supported by a survey titled “Housing Standards and Satisfaction: What the Public Wants“, aims to combat the recent trend towards ‘shoe-box homes’, highlighting the dissatisfaction among owners of new homes when it comes to living standards and the fact that new homes are an average of 10% smaller than they used to be.
Not only are the space standards in UK homes poor compared to past housing, they also lag behind standards set by other European countries: in Ireland, new homes are on average 15% larger, in the Netherlands they are 53% larger, and most strikingly in Denmark they are a full 80% larger.
Read more about the campaign after the break…