Using an innovative method of casting concrete in lightweight fabric molds, the architects of Orkidstudio -- along with StructureMode -- teamed up with a group of Khmer women in Sihanoukville, Cambodia to rebuild a community centre in the city’s urban heart.
The construction technique was developed and tested by engineers from StructureMode using a combination of physical testing and computer analysis software, Oasys GSA Suite, to predict the stretch of a particular fabric when concrete is poured inside. Through three-dimensional sketches the seamstresses and building teamcould understand the construction sequence of the form, completing the entire project in just eight weeks.
"A spectre," writes Kevin McKenna for The Guardian, "thought happily to have been exorcised from the heart of beautiful Edinburgh, is stalking the city’s old wynds and crevices once more." To put it more bluntly, the "formal recognition of [the Scottish capital] as one of the world’s most beautiful cities is under threat, amid a battle for the soul of its most historic quarter." As the UNESCO inspectorate moves in to determine whether the city's World Heritage Status should be renewed McKenna laments, through a series of case studies, the potentially bleak built future of one of Britain's most loved urban centres.
The Royal Institute of British Architects (RIBA)’s Future Trends Survey for September 2015 shows a level of consistency with the workload index remaining unchanged at a balance figure of +21. All nations and regions within the United Kingdom returned positive balance figures, with practices in Scotland responding most confidently about workloads in the next quarter. The report states that practices remain firmly positive about overall workload prospects in the medium term, though with "an apparent leveling-off in the rate of growth."
The Royal Institute of British Architects (RIBA) have made 90,000 unique images from their visual archive available online. Architecture.com/images (also known as RIBApix) hosts the world's largest collection of 16th century drawings by Palladio, as well as drawings by Sir Christopher Wren, Erno Goldfinger, Augustus Pugin, Denys Lasdun, and Edwin Lutyens. In addition, many original London Underground station designs sit alongside collections of some of the world’s leading photographers, including John Maltby, Edwin Smith, Henk Snoek, John Donat, Dell & Wainwright, Martin Charles and Tony Ray-Jones.
The Southbank Centre—a large complex of Grade One listed, Modernist cultural venues on the banks of the River Thames—are poised to refurbish three of their most loved spaces: the Queen Elizabeth Hall, the Purcell Room and the Hayward Gallery. As part of this transformation, London-based practice Jonathan Tuckey Design (JTD) have been commissioned to create a new 'Archive Studio' set within the foyer of the Royal Festival Hall, all part and parcel of the Southbank Centre’s desire to open up access to their collections and archives. JTD's free-standing, self-supporting structure is "an open framework which makes the scale the archival process apparent to visitors, held together by polished brass nuts and bolts and clad in perforated hardboard."
'Defiance' manifests itself in many forms: riots in Baltimore, makeshift housing in Rwanda, Pink Floyd in Venice and plants growing where they ought not sprout. To defy the norm is an act of rebellion and in architecture, doubly so. In the third issue of LOBBY, the burgeoning magazine from London's Bartlett School of Architecture, the notion of defiance and its incarnations are investigated in a collection of essays, interviews and discussions with leading and emerging thinkers in urbanism and architecture. From Swiss master Mario Botta to Carme Pinós, former partner to Enric Miralles, this latest LOBBY investigates the act of defiance as a core tenet of architectural practice.
A much anticipated retrospective—The World of Charles and Ray Eames—opens today at London's Barbican Centre. The show, curated by Catherine Ince and designed by 6a architects, surveys the careers of Charles (1907-1978) and Ray (1912-1988), and the extraordinary body of work prodced by the Eames Office: a ‘laboratory’, active for over four decades, in which the Eameses, their collaborators and staff produced "an array of pioneering and influential work – from architecture, furniture, graphic and product design, to painting, drawing, film, sculpture, photography, multi-media installation and exhibitions, as well as new models for education."
At its 2017 Annual International Conference in Glasgow, Scotland, SAH will offer a total of 36 paper sessions. The Society invites its members, including graduate students and independent scholars, representatives of SAH chapters, and partner organizations, to chair a session at the conference. As SAH membership is required to chair or present research at the Annual International Conference, non-members who wish to chair a session will be required to join SAH at the time of submitting a session proposal.
A Kickstarter campaign recently launched by Jack Self and Shumi Bose of the Real Estate Architecture Laboratory (REAL) has reached its funding target in only twenty days. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects, with a particular focus on politics and economics. Their campaign has so far seen considerable support from the architectural community and beyond — testament to their 'no-ads policy' and dedication to paying their contributors.
In a statement to those who have pledged so far, the editors have said that "the Real Review will happen, and it is directly and completely due to your commitment, your vision and your generosity. We can’t thank you enough for getting us here!" They are now looking to surpass this crowdfunded milestone, with Kickstarter remaining the only way to subscribe.
London-based practice dRMM have submitted plans for a new Maggie's Centre in Oldham, a metropolitan area north east of Manchester. Maggie's, a UK charity famed for its cancer care centres, is also well known for commissioning world-renowned architects to design their spaces. This latest proposal will be sited within the grounds of the Royal Oldham Hospital, becoming the second centre of its kind in Greater Manchester following Foster + Partners' current project in central Manchester.
The Real Estate Architecture Laboratory (REAL) have today announced a Kickstarter campaign in preparation for the launch of their flagship publication, the Real Review. Produced by an independent team of editors and designers, this bi-monthly magazine intends to "revive the review as a writing form" to a general readership within the architectural sphere and its orbital subjects.
The Royal Institute of British Architects (RIBA) have announced fourteen 2016 RIBA Honorary Fellowships (of whom two are in partnership) and eight International Fellowships which will be awarded at an event on the 1st February 2016, alongside the recently announced RIBA Royal Gold Medal. RIBA Honorary Fellowships are awarded annually to people who have made "a particular contribution to architecture in its broadest sense," be it in the fields of architecture, construction, media, education, or the arts.
The Royal Institute of British Architects (RIBA) have revealed that Dame Zaha Hadid will receive the 2016 Royal Gold Medal — the first sole woman to be awarded the UK's highest honour for architects in her own right. Previous female winners (Sheila O’Donnell in 2015, Patty Hopkins in 1994, and Ray Eames in 1979) were each recognised alongside their husbands and practice partners.
Given in recognition of a lifetime’s work, the RIBA Royal Gold Medal is approved personally by Her Majesty The Queen and is awarded to those who have had a significant influence "either directly or indirectly on the advancement of architecture." Other notable Royal Gold Medallists include Frank Gehry (2000), Lord Norman Foster, Baron of Thames Bank (1983), Ludwig Mies van der Rohe (1959), Le Corbusier (1953), and Frank Lloyd Wright (1941). The medallists' names are engraved into the marble wall at the RIBA's headquarters in London.
Earlier this week Sir Nicholas Serota, director of the Tate Modern, announced that Herzog & de Meuron's extension will officially open on Friday 17th June 2016. The gallery, which originally opened in 2000 housed within a former power station in London's Bankside, dramatically transformed the UK's relationship with modern and contemporary art. Since then, the Tate Modern has become a bastion of trend-setting and high-profile exhibitions, and has grown to be one of London's most visited cultural venues.
Empathetic historicism and romanticising older buildings has become an ever-common sentiment in modern Britain. In an article for the British daily The Telegraph, Stephen Bayley tackles this trend by questioning whether Victorian-era architecture is actually all worth saving? Victorian architecture, so called because it was implemented under the reign of Queen Victoria, was stylistically preoccupied by Gothic Revival — an attempt by architects and commissioners to impose a 'pure', chivalrous unifying aesthetic designed to instill a sense of civic importance and reaffirm a social hierarchy. Yet "their architecture," according to Bayley, "has an inclination to ugliness that defies explanation by the shifting tides of tastes."
London-based British practice Jonathan Tuckey Design (JTD) have created a series of residential interiors for the 'Gasholder Triplets' in London's formerly industrial King's Cross district. 145 individual apartments have been designed inside these mid-nineteenth century structures, within which Wilkinson Eyre Architects have created the "architectural insertions" (the buildings themselves).