An appeals court has revoked permission for SANAA's restoration of the landmark Art Deco La Samaritaine department store in Paris. The plans, which would see a comprehensive overhaul of the 19th-century structure that finally shut its doors in 2005 following four decades in decline, would create an all-new shopping centre and luxury hotel as part of a 70,000m² mixed use development.
The project, commissioned by the LVMH conglomerate - which owns brands like Dom Pérignon, Givenchy, Louis Vuitton and BVLGARI - was halted because "the wavy, etched-glass facade proposed [SANAA] did not meet local planning requirements and was out of character with the surrounding buildings." It is understood that La Samaritaine will now appeal to the Council of State, France's highest administrative court. The city of Paris has mentioned in a separate statement that it would also support this latest appeal.
In 2013, Bjarke Ingels Groupcame first in Paris' Europa City competition, an 800,000 square meter cultural and recreational facility on the far North-Eastern outskirts of the city. In an attempt to explain the design of this huge project, filmmakers Squint/Opera have enlisted the help of Bjarke Ingels and a green screen to describe the project - Minority Report style - with a combination of live action and futuristic video effects. In a second video, a detailed walkthrough of the building enlists both 2D and 3D graphics "to capture the excitement and energy of this unique centre." Read on after the break for both videos.
Addressing Paris’ housing and density issues, French firm Vincent Callebaut Architectures has developed a proposal for multiple high-rise buildings with positive energy output (BEPOS). Comprised of eight multi-use structures inhabiting various locations within Paris, the plan strives to address major sustainability problems affecting each district, while providing key functions for the city.
As any self-respecting world city now knows, when the time comes to change the calenders, you'd better also have an iconic building from which to hang some fireworks. With people all over the world looking out for the most impressive New Year's celebrations, we've picked the most impressive architecturally-focused displays. Not surprisingly, Dubai - the world capital of "go big or go home" - probably had the most impressive show of the year, with a combined light-and-firework show to turn the Burj Khalifa into the world's largest celebratory canvas. However, a special mention goes to Paris' Arc de Triomphe, where a tasteful 14-minute light mapping display paid homage to the city's other great architectural works, from the Eiffel Tower to the Centre Pompidou, before moving onto stylized scenes of Paris life to bring in the new year.
Continue after the break for all the videos of the world's best New Year celebrations.
Ricardo Porro, the leading architect behind Cuba’s National Art Schools - one of the largest architectural achievements of the Cuban Revolution - has died of heart failure in Paris at the age of 89. After spending nearly a half a century in exile, Porro lived long enough to see his two arts schools reemerged on the world stage as “crown jewels of modern Cuban architecture.”
With nearly 120 museums, Paris has the largest concentration of museums in the world. This, as MenoMenoPiu Architects believes, puts the city at risk of becoming a living conservatory. Therefore the Parisian practice has proposed the “EauBerge Paris Capsule Hotel” as a way to mitigate the need for short-term housing for tourists and preserve the quality of everyday life for residents.
"Just like the other European capitals such as Rome, Venice, or Barcelona, Paris risks to become a city museum,” says MenoMenoPiu. “The increase of tourists in the French Capital causes panic and also leads to a gradual decentralization from the Parisians.”
In conjunction with the Contemporary Morocco exhibit (Le Maroc Contemporain) at the Jean Nouvel-designed Institut du Monde Arabe in Paris, a giant tent has been constructed on the plaza in front of the building. Designed by Tarik Oualalou and Linna Choi of KILO, the tent harmonizes contemporary design and technical innovation with traditional fabrication methods. Constructed from more than 650-square-meters of camel and goat wool woven by female cooperatives in the Saharan desert, the tent serves as an urban landmark and a symbol for the Contemporary Morocco exhibit. The rhythm and scale of the tent’s silhouette renders a topographic dimension to the structure which pays homage to the nomadic traditions of southern Morocco.
Eugène Viollet-le-Duc, the French architect most famous for the 'restoration' of Notre-Dame de Paris, is a person we unequivocally associate with 19th century Gothic Revival. Although there is no doubt that his interpretive restorations of medieval French monuments were some of his greatest achievements, a new exhibition at Paris' Cité de l'architecture et du patrimoine seeks to uncover a "well-connected character who pursued an uninterrupted career drawing, building, teaching, restoring, and many other things."
In a review for Domus, Léa-Catherine Szacka examines this first major retrospective dedicated to the designer, theorist and artist since 1980 in celebration of the bicentennial of his birth. According to Szacka curator Jean-Michel Leniaud has, in this exhibition, shifted focus to Viollet-le-Duc's artistic output, thereby presenting "the less known and the more unexpected aspect" of his career.
If buildings could talk, what would they say about us? Cathedrals of Culture, a six part collection of films recently premiered at this year's Berlin International Film Festival, "offers six startling responses to this question". The project, filmed entirely in 3D, allows "six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure".
The criticism surrounding Al Wakrah has prompted us to look far and wide for the world’s most debated buildings. Could Al Wakrah be the most controversial building of all time? Check out ArchDaily’s roundup of nine contenders after the break.
Find out which buildings top our controversial list after the break
Widening the debate on whether or not Paris should preserve its 19-century skyline or “embrace innovation,” Parisian city council members have rejected the controversial, 180-meter “Triangle Tower” designed by Herzog & de Meuron. Despite the 83-78 vote, the fight carries on; Mayor Anne Hidalgo has declared the veto to be invalid and hopes a new round of balloting will rule in favor of the tower. Though, in a city that fears of loosing its “existing urban fabric to skyscrapers,” it seems unlikely that the tower will be built.
They began with a single roll of tape, frenetically navigating the space between columns with the help of a ladder and a lot of creativity. Ten days and twelve sets of hands later, Tape Paris was completed at Palais de Tokyo for 'Inside,' an exhibition of site-specific projects designed to be interactive and introspective. Tape Paris delves into the physical and psychological experience of interior space through an experiential model of exploration. Visitors travel through a matrix of elastic tunnels suspended precariously above the traditional exhibition space, as guests observe their movements from below. The biomorphic skin is a playground for the senses, offering opportunities to climb, relax, and discover.
Enter the elastic world of Tape Paris after the break