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Little Red Elisabeth Irwin / Andrew Bartle Architects

  • Architects: Andrew Bartle Architects
  • Location: 42 Charlton Street, New York, NY 10014, USA
  • Submitting Architect: Andrew Bartle, AIA
  • ABA Studio Team: Andrew Bartle, Sean Auyeung, Mark Barone, Karl Jensen, Joanne Graney, Ken Lake, John Thurman, Erin Ross
  • Area: 22000.0 ft2
  • Project Year: 2014
  • Photographs: Durston Saylor Photography, Brad Farwell

© Durston Saylor Photography © Durston Saylor Photography © Durston Saylor Photography © Durston Saylor Photography

Little Red Elisabeth Irwin / Andrew Bartle Architects

  • Architects: Andrew Bartle Architects
  • Location: 42 Charlton Street, New York, NY 10014, USA
  • Submitting Architect: Andrew Bartle, AIA
  • ABA Studio Team: Andrew Bartle, Sean Auyeung, Mark Barone, Karl Jensen, Joanne Graney, Ken Lake, John Thurman, Erin Ross
  • Area: 22000.0 ft2
  • Project Year: 2014
  • Photographs: Durston Saylor Photography, Brad Farwell

© Durston Saylor Photography © Durston Saylor Photography © Durston Saylor Photography © Durston Saylor Photography

BIG Replaces Foster, Unveils Plans for 2 World Trade Center

BIG has revealed plans for the fourth and final skyscraper planned for the World Trade Center site - the 2 World Trade Center (2 WTC) - confirming rumors that the Danish architect has replaced Norman Foster as the project's architect. 

As announced by WIRED, the controversial take over is the result of James Murdoch's distaste for Foster's decade-old scheme and preference for a more integrated workplace. Though the foundation of Foster's building has already been built, the BIG scheme will now be realized and become the new headquarters of Rupert Murdoch’s media companies, 21st Century Fox and News Corp.

Designed as seven unique building stacked on top of each other, the stepped 2 WTC tower will rise 1,340 feet - a height that would make it Manhattan's third-tallest building if built today. 

Watch Bjarke Ingels explain the concept in a video, after the break. 

© DBOX, Courtesy of BIG © DBOX, Courtesy of BIG © DBOX, Courtesy of BIG © DBOX, Courtesy of BIG

Renzo Piano on the Whitney Museum and the Value of Public Space

Throughout his career, Renzo Piano has designed dozens of museum buildings becoming the most prolific museum designer of our time. Yet, it has been some time since one of his designs has been as widely discussed and analyzed as his latest, the Whitney Museum in New York. In this interview, originally published on The Value of Architecture as "A House for Freedom: an Interview with Renzo Piano," David Plick speaks with Piano about the many inspirations of the Whitney Museum, from the previous Whitney Museum by Marcel Breuer to the neighboring High Line, the city on one side and the river on the other.

Renzo Piano is the great champion of public space. Whether the visitors and citizens of the city are aware of it or not, he improves their quality of life by sharing with them a living space designed specifically for the cultivation and dispersion of ideas and the enrichment of civic life. He’s the architect who cares about the individual’s experience of a building, who cares about how people interact with the space, and how the space then interacts with the world. At the Whitney Museum of American Art, much like the Centre Pompidou, or Beaubourg as he would say, he showed this by including a large area in front—a “piazza” he calls it—for people to meet, congregate, chat, and even loiter. He’s somehow simultaneously innovative and selfless. And because of this, he can masterfully fuse form and function, creating beauty for himself because he loves it and thinks it will save people, yet it all means nothing to him if he can’t share in this emotion with others.

The Relationship between the Whitney Museum and the Southern End of the High Line. Image © Nic Lehoux © Nic Lehoux © Nic Lehoux © Nic Lehoux

Video: Tadao Ando on Designing His First New York Building

"A living space should be a sanctuary. It has to be a place where you can reflect on your life." - Tadao Ando

NOWNESS has released a new video, this time interviewing the legendary Japanese architect Tadao Ando about his first New York building: Ichigoni 152. Planned to replace a parking garage on the corner of Kenmare and Elizabeth Street in Manhattan’s Nolita, the seven-story, seven-residence building aims to embody the energy of living in New York, while maintaining its role a "quite" and "sensitive" place of refuge for its inhabitants. "I would like to create something that only a Japanese person could do," says Ando. "It's about sensitivity."

Video: Pat Vale's Drawing Time-Lapse Brings NYC to Life

Back in 2012, we found "Empire State of Pen," an amazing video of London-based artist and animator Patrick Vale’s drawing of Manhattan from the perspective of the Empire State Building. Now, Vale has taken a different perspective of the city, this time traveling a bit farther uptown to the Rockefeller Center area. Vale’s new drawing looks south, with the Empire State Building in the center, and the Freedom Tower in the background. To the east you can see the Chrysler Building, and to the west lies the Bank of America Tower in the Times Square area.

Vale started the drawing in December of 2014, when he spent an afternoon in -15 degree weather sketching and taking pictures, which he then took back to his studio to create the piece. The whole process took over a month to complete. Watch Vale's drawing come to life in the time-lapse video above, and view images of his illustration after the break.

Video: Renzo Piano Reveals the Story Behind the Whitney Museum on Charlie Rose

Said to be the most long-awaited museum of the 21st century, the new Whitney Museum of American Art by Renzo Piano officially opened its doors in New York this May after a 30 year endeavor to expand its capacity. An unusual scenario, Charlie Rose sat down with Piano and the museum's director Adam Weinberg to discuss the "remarkable story" behind the expansion and how its design incorporates, what Piano believes to be, seven elements that represent the essence of architecture: social life, urbanity, invention, construction, technology, poetry and light.

We've provided a clip of the talk above. Watch the full 30-minute discussion, after the break. 

10 Highlights from Guardian Cities' "History of Cities in 50 Buildings"

All good things must come to an end, and Guardian Cities' excellent "History of Cities in 50 Buildings" series is sadly no exception, with only a few more left to be published before they hit 50. The whole series is definitely worth the read, bringing in the best of academic and architectural writing from guest authors and the Guardian's own Cities team, but if you're strapped for time - and if you're an architect, it's fairly likely that's true - we've rounded up 10 highlights from the list to get you started.

Amazonas Theatre, Manaus. Image © Wikimedia user Leaderfo Narkomfin Building, Moscow. Image © Wikimedia user NVO Ponte Tower, Johannesburg. Image © Flickr user fiverlocker Byker Wall Estate, Newcastle. Image © Flickr user George Rex

The Principals’ Dynamic Sanctuary Pulses in Time to Visitors’ Heartbeats

Brooklyn design studio The Principals have completed the Dynamic Sanctuary, an interactive installation at Sight Unseen OFFSITE, during the 2015 NYCxDESIGN festival. Commissioned by Ford Motors, the light-based installation detects and pulses with the biorhythms of its visitors, creating a dynamic space in both name and nature.

The modular installation was manually constructed by The Principals in their Brooklyn studio. Learn more about the project and view selected images after the break.  

© Pippa Drummond © Mike Vorrasi © Pippa Drummond © Pippa Drummond

Brooklyn Academy of Music Showcases 5 Murals by Michael Graves

Brooklyn Academy of Music is showcasing five murals by the late Michael Graves as part of the institution's permanent visual art collection. All completed in 1974, the paintings were originally commissioned by Charles Gwathmey - one of the New York Five, along with Graves. And, as the New York Times reports, their "heightened use of color and ornamentation" portray a "general shift away from minimalism." Read more about the murals, here

Step Back in Time with the New York Public Library's "OldNYC" Archive Project

Discover historic New York with "OldNYC," a digital archive of the New York Public Library's "Photographic Views of New York City, 1870s-1970s" Collection. Bringing together an extensive catalogue of images from the library's Milstein Collection, OldNYC organizes photographs geographically, allowing users to view images specific to individual blocks and streets.

The project is also collaborative, asking visitors on the site to comment on photographs with "what's there now, what's changed, and what's stayed the same." Users can edit or add to captions on the back of each of the photos, creating a personal element in the latest retelling of New York's vibrant history.

Learn more about the project and view selected images after the break.

"Bridges - Brooklyn Bridge - Manhattan Bridge - [New York Steam Corporation.]", Percy Loomis Sperr (1934). Image Courtesy of The New York Public Library http://www.oldnyc.org/ "Celebrations - Parades - Municipal events - The Victory Arch.", Unknown (1918). Image Courtesy of The New York Public Library http://www.oldnyc.org/ "Manhattan: 6th Avenue - 42nd Street (West)", Unknown (1939). Image Courtesy of The New York Public Library http://www.oldnyc.org/ "Manhattan: 5th Avenue - 46th Street", Unknown (1931). Image Courtesy of The New York Public Library http://www.oldnyc.org/

Olafur Eliasson To Bring LEGO Installation "The Collectivity Project" To The High Line

As part of their series of "Panorama" exhibits being presented this year, Friends Of The High Line have announced that they will host Olafur Eliasson's installation, "The Collectivity Project" from May 29th until September 30th this year on the High Line at West 30th Street. The installation, which has previously traveled to Tirana, Oslo, and Copenhagen, features an interactive imaginary cityscape made of over two tons of white LEGO bricks, with visitors invited to design, build and rebuild new structures as they see fit.

In a twist to the installation's usual presentation, High Line Art has invited high-profile architects who are working in the vicinity of the High Line to contribute one "visionary" LEGO design for the installation's opening, with BIG, David M. Schwarz Architects, Diller Scofidio + Renfro, James Corner Field Operations, OMA New York, Renzo Piano Building Workshop, Robert A.M. Stern Architects, Selldorf Architects, SHoP, and Steven Holl Architects all contributing one building which the public will then be able to adapt, extend or work around.

AD Classics: Austrian Cultural Forum / Raimund Abraham

Before the impossibly “super-thin” tower became ubiquitous on the Midtown Manhattan skyline, Raimund Abraham’s Austrian Cultural Forum challenged the limits of what could be built on the slenderest of urban lots. Working with a footprint no bigger than a townhouse (indeed, one occupied the site before the present tower), Abraham erected a daring twenty-four story high-rise only twenty-five feet across. Instantly recognizable by its profile, a symmetrical, blade-like curtain wall cascading violently toward the sidewalk, ACFNY was heralded by Kenneth Frampton as “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Museum of 1959.” [1]

The massing of the building is dictated solely by zoning laws and the immediacy of its neighbors. Image © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York The director's office that occupies the box-like protrusion on the southern facade. Image © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York East-facing section with the "scissor stairs" on the left-hand side

Please Touch the Art: Jeppe Heine's "Labyrinth NY" Installed in Brooklyn

For the next year, visitors at New York's Brooklyn Bridge Park will have the chance to interact with "Please Touch the Art", an exhibition of works by Danish artist Jeppe Hein. Playful, inventive, and immediately striking, Hein's work engages audiences as "active participants," inviting spontaneity and user interaction. Curated by Nicholas Baume, the exhibition contains three bodies of work by Hein: the soaring water jets of Appearing Rooms, the sixteen bright red benches of Modified Social Benches, and the reflective vertical planks of Mirror Labyrinth NY.

The exhibition is a project of New York City's Public Art Fund, a non-profit organization responsible for numerous free exhibitions offering "powerful experiences with art and the urban environment".

Learn more about the Mirror Labyrinth NY installation and view selected images after the break.

"Mirror Labyrinth NY", Jeppe Hein (2015), High polished stainless steel, aluminum,106.5 x 346.5 x 338.5 inches "Mirror Labyrinth NY", Jeppe Hein (2015), High polished stainless steel, aluminum,106.5 x 346.5 x 338.5 inches "Mirror Labyrinth NY", Jeppe Hein (2015), High polished stainless steel, aluminum,106.5 x 346.5 x 338.5 inches "Mirror Labyrinth NY", Jeppe Hein (2015), High polished stainless steel, aluminum,106.5 x 346.5 x 338.5 inches

Win Tickets to the IDEAS CITY Conference Next Week in NYC

Next week, the New Museum in New York will kickstart the annual IDEAS CITY Festival on Thursday, May 28th. Themed after Italo Calvino's "The Invisible City," the three-day event will "explore questions of transparency and surveillance, citizenship and representation, expression and suppression, participation and dissent, and the enduring quest for visibility in the city" through a number of platforms, such as panels discussions, poetry slams, mobile art installations, workshops, exhibitions and most notably the transformation of New York City's Bowery neighborhood into a "temporary city of ideas."

Interested in attending? Five of our readers have the chance to win tickets to the festival's opening conference. Enter the sweepstakes below for a chance to watch a screening of Mannahatta: Studies for an Opera about Robert Moses and Jane Jacobs, listen to Bjarke Ingels discuss the relevance of literary speculation, and much more (the full conference schedule). 

All those who will be in New York City on May 28th are eligible to participate. Follow the instructions to enter below. 

Work Begins on Steven Holl's Hunters Point Library in Queens

Construction has commenced on Steven Holl Architects' Hunters Point Community Library in Queens, New York. Rising along the shoreline on the city's East River near a cluster of newly built high-rise condominiums, the 22,000 square-foot (6,705 meter) library aims to provide a community-centric public space and park to the increasingly privatized Long Island City waterfront. 

© Steven Holl Architects © Steven Holl Architects © Steven Holl Architects © Steven Holl Architects

Watch Herzog & de Meuron's 56 Leonard Take Shape in New York

Herzog & de Meuron's 56 Leonard is taking shape in New York. Due to top out this summer, the 60-story condominium has become known as the “Jenga tower” for its cantilevered glass facade. Upon its completion in 2016, the 821 foot-tall (250 meter) Tribeca building will be comprised of 145 residences and will feature a Anish Kapoor sculpture at its base. Check out the Rob Cleary time-lapse above to view the building's progress over the last year. 

SecondMedia's Foamspace Proposal Wins Storefront's 2015 Street Architecture Competition

SecondMedia has been selected as the winner of Storefront for Art and Architecture's 2015 Street Architecture Prize Competition. Now in its third year, the biennial international competition seeks to implement temporary outdoor installations that facilitate "new forms of collective public gathering." Participants in the 2015 competition were asked to respond to the theme of New York's IDEAS City Festival, "The Invisible City." SecondMedia's winning proposal 'Foamspace' -- which envisions creating an "urban lounge" with Geofoam blocks -- beat out over 70 submissions from teams of artists, engineers, and architects across the globe. 

Learn more about the project and view selected images after the break.

Courtesy of SecondMedia Courtesy of SecondMedia Courtesy of SecondMedia Courtesy of SecondMedia