AIANY ENYA’s 2014 Biennial Design Ideas Competition Exhibition

The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.

The exhibition showcases winners of the 2014 ENYA Biennial Design Ideas Competition, which challenged entrants to design a vertical gateway for the elevated viaduct portion of a 3.5 mile stretch of abandoned railway in Central Queens. The QueensWay is currently under study for conversion into an urban greenway by The Trust for Public Land, Friends of the QueensWay, and their design consultants. Four Prize Winners, one Honorable Mention, and a slide show of the 120 entries from 28 countries will be shown, along with progress and background information on the community development process. The exhibition is presented as part of the 2014 AIA New York Chapter Presidential Theme “Civic Spirit: Civic Vision.”

ENYA will also host a symposium at the Center for Architecture on Saturday, July 19 from 12:00 – 4:00 PM to highlight the winning entries’ designs and possibilities for the site’s and neighborhood’s future development.

Title: ENYA’s 2014 Biennial Design Ideas Competition Exhibition
Website: http://cfa.aiany.org/index.php?section=upcoming&expid=281
From: Thu, 17 Jul 2014 
Until: Fri, 31 Oct 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012,

From “The Landscape Imagination” – James Corner’s Essay on the High Line

© Russel Fernandez/ Princeton Architectural Press

The following is an excerpt from The Landscape Imagination: The Collected Essays of James Corner 1990–2010 by James Corner. In this passage, Corner discusses the work of John Dixon Hunt, and the qualities of Hunt’s work that he seeks to incorporate into his own (including his firm’s - James Corner Field Operations - redesign of the New York High Line).

Over the past two decades, has reinvented the field of landscape architecture. His highly influential writings of the 1990s, included in our bestselling Recovering Landscape, together with a post-millennial series of built projects, such as New York’s celebrated , prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner’s written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York based practice, Field Operations.

Wieden+Kennedy NY / WORKac

© Bruce Damonte

Architects: WORKac
Location: 150 Varick Street, New York, NY, USA
Architects In Charge: Amale Andraos, Dan Wood, Sam Dufaux
Area: 50,000 sqft
Year: 2014
Photographs: Bruce Damonte, Raymond Adams

Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture

Herzog & de Meuron’s National Stadium, Beijing. 2008. Digital C-print, 36 x 54″ (91.4 x 137.2 cm). The Museum of Modern Art, New York. Gift of the artist. Photograph © Iwan Baan

Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.

In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.

Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, ; and the New York-based SO-IL and MOS Architects.

Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Website: http://www.moma.org/visit/calendar/exhibitions/1485
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014 
Until: Sun, 19 Oct 2014 
Venue:
Address: 11 West 53rd Street, New York, NY 10019, USA

Prodigy Network Announces Winners of 17John Crowdsourcing Competition

Public Space Winner: HUB / Pierre Levesque (Roof Terrace). Image Courtesy of

Prodigy Network have selected the winners of the crowdsourcing design competitions for their 17John ‘Cotel’ in New York, including winners for the design of the public interior spaces and the private rooms. The Cotel concept is intended to meet the changing needs of the modern business traveler; providing living spaces somewhere between a long-term apartment and a short term hotel, but also flexible spaces that can be used for work and meetings.

The crowdsourced competitions were run via Prodigy Network’s Design Lab website, and judging was conducted with a mixture of public voting and jury selection. “The winners of the 17John competition were intuitive to the needs of travelers, creative in the interactive spaces and understood the function of extended stay residences,” said Prodigy Network Founder Rodrigo Nino. Read on after the break to see the winning proposals.

David Adjaye’s Sugar Hill Development: A New Typology for Affordable Housing

Courtesy of

Adjaye Associates’ latest development has opened in the historic neighborhood of Harlem, : a complex that aims to combat poverty and revitalize the community by bringing together affordable housing (including housing for homeless New Yorkers), a Preschool, and a 17,000 square foot cultural institution –  the Sugar Hill Children’s Museum of Art & Storytelling. The “school in a museum” is designed to engage students and foster a new generation of Sugar Hill artists and innovators.

“The Sugar Hill Development is a new typology for affordable housing, with its mixed program of museum space, community facilities, offices and apartments,” David Adjaye noted at yesterday’s opening press conference, “My hope is that the building—perched high on Coogan’s Bluff—will offer a symbol of civic pride and be a valued new resource for the neighborhood.”

The architect’s description of the project, after the break.

Frick Collection to Expand With New 6 Story Gallery

Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.

Sugar Hill Development / Adjaye Associates

Courtesy of Adjaye Associates

Architects: Adjaye Associates
Location: Harlem, , NY,
Area: 191,000 sqft
Year: 2012
Photographs: Courtesy of Adjaye Associates

Revised Renovation Plan Released for New York Public Library

The ’s (NYPL) main building on Fifth Avenue, is a Beaux-Arts masterpiece designed by architects Carrère & Hastings. Image via Flickr User CC wallyg.

Details have been released on the Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.

Proposal for New York Skyscraper Cantilevers Lobby Over Its Neighbors

Section Rendering. Image ©

The typical skyscraper is a nondescript tower constructed of a steel frame and glass curtain wall. Architects from the firm Fundamental are challenging this convention with “ Tomorrow,” a proposal that earned them a runner-up place in Metropolis Magazine’s Living Cities Competition. This progressive design weds revolutionary structural technology with a unique programmatic layout to draw people from all walks of life to the city of New York.

Sunset Park Material Recovery Facility / Selldorf Architects

© Nikolas Koenig

Architects: Selldorf Architects
Location: Brooklyn, NY,
Area: 140000.0 ft2
Year: 2014
Photographs: Nikolas Koenig, Marc Lins, Jonathan Chesley, John Majors

Exhibition / Knud Lonberg-Holm: The Invisible Architect

Radio Broadcasting Station / Photograph of Model / Detroit, 1925 / Vintage gelatin silver print / 4 7/8 x 6 7/8 inches (12.4 x 17.5 cm)

Ubu Gallery is pleased to present Knud Lonberg-Holm: The Invisible Architect, a debut exhibition devoted to this overlooked, yet highly influential, 20th Century modernist. Never-before-seen photographs, architectural drawings, letters, graphic design, and ephemera from Lonberg-Holm’s remarkably diverse career will be on view through August 1, 2014. The exhibition, which consists of selections from the extensive archive assembled by architectural historian Marc Dessauce, will solidify the importance of this emblematic figure in early 20th Century cultural and architectural history. Metropolis Magazine, the national publication of architecture and design, will publish an article on Knud Lonberg-Holm to coincide with this groundbreaking exhibition.

Born in Denmark, Knud Lonberg-Holm (January 15, 1895–January 2, 1972), was an architect, photographer, author, designer, researcher, and teacher. Lonberg-Holm’s early work in Denmark and Germany initially associated him with the Berlin Constructivist and Dutch De Stijl groups. An émigré to America in 1923, Lonberg-Holm was a correspondent with prominent European architects and their modernist counterparts in the U.S. The exhibition will feature a selection of letters to Lonberg-Holm from a pantheon of the European avant-garde including László Moholy-Nagy, Walter Gropius, Theo Van Doesburg, Buckminster Fuller, Hannes Meyer, J.J.P. Oud, El Lissitzky, and Richard Neutra.

Title: Exhibition / Knud Lonberg-Holm: The Invisible Architect
Website: http://www.ubugallery.com/lonberg-holm-invisible-architect/#.U3-vKC9RG5t
From: Tue, 06 May 2014 
Until: Fri, 01 Aug 2014 
Venue: Ubu Gallery
Address: 416 East 59th Street, New York, NY 10022,

Exhibition / Open to the Public: Civic Space Now

This summer, the American Institute of Architects New York Chapter () and the Center for Architecture Foundation will present Open to the Public: Civic Space Now, an exhibition exploring why people gravitate to (or avoid) civic spaces – the places between buildings where people can assemble. Curated by Thomas Mellins and designed by Athletics, the exhibition opens Thursday, June 12, 6:00 PM and runs through Saturday, September 6 in the main galleries at the Center for Architecture, 536 LaGuardia Place.

Open to the Public: Civic Space Now will be complemented by an international, day-long symposium on Saturday, May 14 that will also develop the ideas of other concurrent exhibitions at the Center for Architecture. For more information, please click here.

Title: Exhibition / Open to the Public: Civic Space Now
Website: http://cfa.aiany.org/index.php?section=upcoming&expid=277
Organizers: AIANY
From: Thu, 12 Jun 2014 
Until: Sat, 06 Sep 2014 
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012,

Conference: Social Housing in Spain

© EmphasizeLLC

Social Housing in Spain is intended to be the first of a series of international programs by the Housing Committee, highlighting exemplary housing design around the world. For the first program of the series,  have invited three leading architects from Spain who are currently teaching in the tri-state area: Carmen Espegel, Iñaqui Carnicero, and María Hurtado de Mendoza. The panelists will present and comment upon innovative projects that follow the country’s strong social commitment to housing.

The first decade of the XXI century was a landmark of quality and diversity in social housing in Spain.During those years, Spain built more collective housing than the production of England, France, and Germany combined. Approximately 4 million of units were built between 2000 and 2008. The municipal housing companies promoted, by means of open design competitions, a large number of significant works that championed research to new ways of living, hybrid typologies, construction systems linked to prefabrication and industrialization methods, and towards finding new explorations of shared space for new communities. The right to housing is guaranteed by the Spanish Constitution. Publicly protected housing in Spain represents a peculiarity compared to social housing models in other EU countries, in that it is housing provided almost entirely for owner-occupation.

Title: Conference: Social Housing in Spain
Website: http://cfa.aiany.org/index.php?section=calendar&evtid=7055
Organizers: AIANY Housing Committee
From: Thu, 29 May 2014 18:00
Until: Thu, 29 May 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, , NY 10012, USA

Exhibition: World’s Fairs / Lost Utopias

© 2014 Jade Doskow 1964 World’s Fair, “Peace Through Understanding,” State Pavilion, Winter

In celebration of the 50-year anniversary of the 1964 New York World’s Fair, Onishi Project and Kipton Cronkite are pleased to present World’s Fairs: Lost Utopias, the debut exhibition of Jade Doskow’s groundbreaking 7-year photography project. The exhibition will also include a 1968 triptych by Robert Rauschenberg and a dynamic group show—featuring Alexandra Posen, Greg Haberny, Naomi Reis, and Mark Freedman— inspired by the cultural zeitgeist that surrounded this event.

Jade Doskow’s large-scale color photographs illustrate utopian iconic architecture and art remaining after the close of 1960’s world’s fairs, and the arbitrary nature of what has been preserved, discarded, or repurposed on these sites. In the cities represented here, New York dominates, in celebration of the 50-year anniversary. The crowning glory that still remains is the New York State Pavilion, an unusual, dynamic carousel-like structure designed by Philip Johnson.

Title: Exhibition: World’s Fairs / Lost Utopias
From: Wed, 28 May 2014 
Until: Tue, 10 Jun 2014 
Venue: Onishi Project
Address: 521 West 26th Street, New York, NY 10001,

Apple Taps Bohlin Cywinski Jackson to Revamp Historic NYC Building

© Museum of the City via ifoAppleStore

Bohlin Cywinski Jackson and Eckersley O’Callagha, both longstanding collaborators of Apple’s flagship stores, has been commissioned to transform a 93-year-old former Mortgage and Trust Company building on Madison Avenue into the chain’s next City store. Though little has been released about the design, the store’s grand opening is planned for 2015. More information can be found here

Request for Proposals: The Energetic City / Connectivity in the Public Realm

The Design Trust for Public Space announces The Energetic City: Connectivity in the Public Realm, a new request for project proposals to redefine public space.

The Energetic City is an initiative to seed and develop new forms of connectivity among the diverse people, systems, and built, natural and digital environment of . This public call invites proposals for research, design and planning projects to improve the experience of urban life by connecting people through ‘great’ design informed by the needs and aspirations of community users.

This year the Design Trust places a special emphasis of opening the project call to individuals, in addition to community groups and public agencies. We will offer seed funding so the projects can begin immediately. Projects may include the production of a clearly defined deliverable—a design prototype, pilot intervention, beta app, publication, video, or public artwork, among other possible formats—or be structured as the research, planning, or public outreach stage of a potentially larger project, where the process will inform the ultimate deliverable.

The kick-off event will take place on Monday May 19, from 7-9 pm, at BRIC House, 647 Fulton Street in Brooklyn. For more information, please click here.

Critical Round-Up: The September 11 Memorial Museum

Two salvaged columns from the towers, placed inside Snøhetta’s entrance building. Image © Jeff Goldberg / ESTO

Set to open to the public on Wednesday after a highly controversial and contested journey from idea to reality, the September 11 Memorial Museum has inevitably been a talking point among critics this week. The museum by Davis Brody Bond occupies the space between the Memorial Plaza at ground level and the bedrock below, with an angular glass pavilion by Snøhetta providing an entrance from above. A long ramp, designed to recall the access ramp with which tons of twisted metal was excavated from the site, descends to the exhibits which sit within the perimeter boundaries of the twin towers’ foundations, underneath the suspended volumes of Michael Arad‘s memorial fountains.

The content of the museum is obviously fraught with painful memories, and the entrance pavilion occupies a privileged position as the only surface level structure ground zero, in opposition to the great voids of the memorial itself. The discussion at the opening of the museum was therefore always going to center on whether the design of the museum – both its built form and the exhibitions contained – were sensitive and appropriate enough for this challenging brief. Read the critics’ takes on the results after the break.