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New York: The Latest Architecture and News

AD Classics: Pennsylvania Station / McKim, Mead & White

This article was originally published on February 11, 2014. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

New York City’s original Pennsylvania Station was a monument to movement and an expression of American economic power. In 1902, the noted firm McKim, Mead and White was selected by the President of the Pennsylvania Railroad to design its Manhattan terminal. Completed in 1910, the gigantic steel and stone building covered four city blocks until its demolition in 1963, when it ceded to economic strains hardly fifty years after opening.

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The Residences at Prince / Marvel Architects

The Residences at Prince / Marvel Architects - Residential, FacadeThe Residences at Prince / Marvel Architects - Residential, FacadeThe Residences at Prince / Marvel Architects - Residential, Stairs, FacadeThe Residences at Prince / Marvel Architects - Residential, Facade, Beam, Table, ChairThe Residences at Prince / Marvel Architects - More Images+ 35

Blue School / Rockwell Group

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COOKFOX Reimagines Former High Line Freight Terminal as Workplace of the Future

COOKFOX Architects and Oxford Properties have reimagined New York's St. John’s Terminal as a workplace of the future. The 1.3 million square foot proposal aims to connect the Hudson Square neighborhood to the waterfront at the end of The High Line. Combining outdoor space and greenery with 100,000 square-foot floor plates, the project reinterprets the industrial past of the former freight terminal. The project was created to shape how businesses innovate and create between Lower Manhattan and the waterfront.

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WXY Proposes Vertical Manufacturing Buildings in New Brooklyn Navy Yard Masterplan

The New York firm WXY and the Brooklyn Navy Yard Development Corporation have proposed vertical manufacturing buildings in a new Navy Yard masterplan. A series of renderings show plans for the next phase of development, including high-rise structures with 5.1 million square feet of urban industrial space. The $2.5 billion masterplan was first announced in January 2018, and as Curbed NY reports, the master plan and rezoning calls for new manufacturing buildings, increased public access, and more educational programming.

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Rose Center for Earth and Space / Polshek Partnership (Ennead Architects)

Rose Center for Earth and Space / Polshek Partnership (Ennead Architects) - Museum, Beam, FacadeRose Center for Earth and Space / Polshek Partnership (Ennead Architects) - Museum, Facade, StairsRose Center for Earth and Space / Polshek Partnership (Ennead Architects) - Museum, StairsRose Center for Earth and Space / Polshek Partnership (Ennead Architects) - MuseumRose Center for Earth and Space / Polshek Partnership (Ennead Architects) - More Images+ 3

New York, United States

adidas NYC / Gensler

adidas NYC / Gensler - Store, Facadeadidas NYC / Gensler - Store, Fence, Stairs, Handrailadidas NYC / Gensler - Store, Stairs, Handrail, Beam, Dooradidas NYC / Gensler - Store, Beamadidas NYC / Gensler - More Images+ 8

New York, United States
  • Architects: Gensler
  • Area Area of this architecture project Area:  45000 ft²
  • Year Completion year of this architecture project Year:  2016
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  Bendheim, Pure + FreeForm, dormakaba, Acorn Wire and Iron, Agnora, +39

Studio JCW Proposes Big Shelf for Park Avenue

Studio JCW have created a proposal to revitalize the medians of Park Avenue in New York City. Founded by Chanon Wangkachonkait and Jaehong Chung, Studio JCW argues that Park Avenue’s medians have been a fixture on the boulevard for more than a century. Their Big Shelf proposal would create elevated public spaces within a grid structure for expanded programming. The design was made to echo the structural facades of surrounding skyscrapers and building grids.

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11 New York Architectural Icons Misplaced by Anton Reponnen

Architecture is all about context, either as a way to find harmony with it's surroundings or as a reaction against them. But what happens when you take context out of the picture entirely?

Designer Anton Reponnen, in his Misplaced photo series, has taken 11 of New York's most iconic landmarks, ranging from the Empire State Building to Renzo Piano's Whitney, and transplanted them in deserts, tundras, and plains. With the buildings placed in a "wrong" condition, viewers are challenged to evaluate the architecture in a different way. In Reponnen's eyes (and in the stories that accompany the images), each structure is as alive as we are, and their new location is mystery with motives to uncover.

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Bjarke Ingels Designs Micro WeGrow School in New York

Bjarke Ingels Group has released new images of their WeGrow micro school in New York. As the first school design of the office-sharing brand WeWork, the project was designed to undo the compartmentalization often found in traditional school environments and reinforce the significance of engaging kids in an interactive environment. The design starts from the premise of a school universe at the level of the child. This first WeGrow project is now open in New York’s Chelsea neighborhood.

AD Classics: World Trade Center / Minoru Yamasaki Associates + Emery Roth & Sons

AD Classics: World Trade Center / Minoru Yamasaki Associates + Emery Roth & Sons - Office Buildings, Facade, Cityscape
© Robert Paul Van Beets/Shutterstock

A New York City icon that once rivaled structures such as the Statue of Liberty and the Empire State Building, the World Trade Center, colloquially known as the Twin Towers, was one of the most recognized structures in history. Designed by Japanese-American architect Minoru Yamasaki, it held the title of Tallest Building in the World from 1972–1974. Up until its unfortunate demise, the WTC site was a major destination, accommodating 500,000 working people and 80,000 visitors on a typical weekday.

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SHoP Architects' 111 West 57th Rises to Supertall Height as Terracotta Facade Pieces Go Missing

SHoP Architects' super-slender tower at 111 West 57th Street has reached supertall height, but the tower has begun missing pieces of its façade. As New York YIMBY revealed, sales have already started for the Manhattan skyscraper as new photographs show missing fragments of the terracotta façade. Located in Billionaire's Row just south of Central Park, the supertall is being created by JDS Development and Property Markets Group. The project aims to become an iconic terracotta skyscraper in Midtown as it passes its third setback.

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150 Charles / Dirtworks Landscape Architecture

150 Charles / Dirtworks Landscape Architecture - Sustainability & Green Design, Garden, Facade, Cityscape150 Charles / Dirtworks Landscape Architecture - Sustainability & Green Design, Garden, Fence, Cityscape150 Charles / Dirtworks Landscape Architecture - Sustainability & Green Design, Garden, Facade, Table150 Charles / Dirtworks Landscape Architecture - Sustainability & Green Design, Door, Table, Chair150 Charles / Dirtworks Landscape Architecture - More Images+ 10

  • Area Area of this architecture project Area:  338000
  • Year Completion year of this architecture project Year:  2015
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  ABC Stone, Brimat, Brown Jordan, Fiberglass Site Solutions, Landscape Forms, +1

Hunan Slurp / New Practice Studio

Hunan Slurp / New Practice Studio - Restaurant, Kitchen, Table, Lighting, Chair, CountertopHunan Slurp / New Practice Studio - Restaurant, Facade, ArchHunan Slurp / New Practice Studio - Restaurant, Facade, Table, Chair, LightingHunan Slurp / New Practice Studio - Restaurant, FacadeHunan Slurp / New Practice Studio - More Images+ 5

  • Area Area of this architecture project Area:  280
  • Year Completion year of this architecture project Year:  2018
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  Boca Flasher, Tala

New Photographs Reveal Studio Gang's Solar Carve Tower as it Nears Completion in New York

Studio Gang 10-story Solar Carve Tower is nearing completion in New York’s Meatpacking District. Officially named 40 Tenth Avenue, the scheme responds to the Highline and surrounding site with a dramatic curtain wall and chiseled shape. Sculpted by the angles of the sun, 40 Tenth Avenue explores how shaping architecture in response to solar access and other site-specific criteria can expand its potential to have a positive impact on its environment.

Chelsea Triplex / de-spec

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New York, United States
  • Architects: de-spec
  • Area Area of this architecture project Area:  1320 ft²
  • Year Completion year of this architecture project Year:  2017
  • Manufacturers Brands with products used in this architecture project
    Manufacturers:  B&B Italia, ABC Stone, Avsion, Cassina, Design Within Reach, +9
  • Professionals: Connolly Engineering

Empire State Building's Observatories Open with New Public Entrance

As part of the first phase in an extensive rebuilding project, the Empire State Building Observatories have a newly renovated entrance. Created by a team of architects and designers, the renovation aimed to transform visitor experience of the Art Deco skyscraper and its history. The 34th Street entrance was renovated for better flow, and to showcase a technology-driven lobby space. The project is the first in a multi-part rebuilding of the tower, which will be completed by late 2019 and include both digital hosts and a new lighting ceremony installation.

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Snarkitecture's BOUNCE Offers A Surreal Playground to Hong Kong's Waterfront

New York-based collaborative and design studio Snarkitecture have unveiled their newest interactive installation, bringing a surreal sense of play to Hong Kong’s waterfront. Titled “BOUNCE,” the installation features hundreds of 300% sized bouncing balls contained in a cage-like stadium, inviting the public to “create their own unique playing experiences.”

The program is spread across three locations, with the feature installation along the Harbour City waterfront, an indoor installation at the Ocean Center titled “Gallery by the Harbour,” and a children’s “Eyeball Maze” at the Ocean Terminal.

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