The creative minds behind Luftwerk have turned to Kickstarter to crowdfund a project that would transform Ludwig Mies van der Rohe’s Farnsworth House into an immersive light show. Similar to their installation at Frank Lloyd Wright’s Fallingwater residence in 2011, artistic duo Petra Bachmaier and Sean Gallero plan to illuminate the “structural minimalism and transparency” of the house in a way that would offer a new perspective of the modern masterpiece.
Check out a video of the proposed light show and Luftwerk’s work at Fallingwater, after the break…
Where do you receive inspiration? Nalina Moses asked the question to nine contemporary residential architects, asking each to choose one residence that had left an impression on them. The following answers were first published on the AIA’s website in the article “Homing Instinct.”
When nine accomplished residential architects were asked to pick a house—any house—that has left the greatest impression on them as designers, most of their choices ran succinctly along the canon of American or European Modern architecture. Two—Alvar Aalto’s Villa Mairea and Pierre Chareau’s La Maison de Verre—were even tapped twice.
If the houses these designers chose weren’t surprising, the reasons they chose them were. Rather than groundbreaking style or technologies, what they cited were the moments of comfort, excitement, and refinement they offered: the restful proportions of a bedroom, the feel of a crafted wood handrail, an ocean view unfolding beyond an outdoor stair.
Richard Kelly illuminated some of the twentieth century’s most iconic buildings: the Glass House, Seagram Building and Kimbell Art Museum, to name a few. His design strategy was surprisingly simple, but extremely successful.
Lighting for architecture has been and still often is dominated by an engineering viewpoint, resigned to determining sufficient illuminance levels for a safe and efficient working environment. With a background in stage lighting, Kelly introduced a scenographic perspective for architectural lighting. His point of view might look self-evident to today’s architectural community, but it was revolutionary for his time and has strongly influenced modern architecture.
Read more about Richard Kelly’s remarkable, and unsung, contribution to architecutre, after the break.
This review of Detlef Mertins’ book “Mies” – by Thomas de Monchaux - originally appeared in Metropolis Magazine as “Mies Reconsidered“. According to de Monchaux, Mertins reveals the modernist master as a voracious reader who interpreted a wide variety of influences to arrive at his stripped-down style.
The quintessential page of the 528 that make up Detlef Mertins’s monumental new monograph on Ludwig Mies van der Rohe—entitled simply Mies (Phaidon, 2014)—is 155. There, you will find a reproduction, a page within a page, of page 64 of Romano Guardini’s 1927 book Letters from Lake Como—a book about modernity and human subjectivity—with Mies’s own annotations penciled in the margins, in a surprisingly ornate and delicate hand.
And there, you will find Mertins’s notes on Mies’s notes on Guardini: “Of all the books in Mies’s library, Guardini’s Letters is the most heavily marked. Mies highlighted passage after passage with bold and rapid margin strokes and wrote key words diagonally and in large script across the first pages of many of the chapters: Haltung (stance), Erkenntnis (knowledge), Macht (power).” Mertins’s vivid marginality, his attention to the divine details along edges, recalls the experience of reading the Talmud, that commentary on Jewish law and scripture in which, by marking and emending earlier readers’ marks and emendations, generations of rabbis enacted an intimate conversation across time and space.
Read on for more insight into Mies’ influences.
In the year 1940, Armour Institute and Lewis Institute merged in Chicago to create the Illinois Institute of Technology. The merging of these two schools called for a new master plan for the university, and Mies van der Rohe was commissioned for the job. Mies’ plan for the IIT campus was one of the largest projects he ever conceived and he developed it for twenty years. Today the campus contains 20 of his works, including the famous Crown Hall. Enjoy the video and don’t forget to check our AD Classics on the IIT Master Plan and Buildings.
When emigrating from Germany in 1938 to head Chicago’s Armour Institute, Ludwig Mies van der Rohe was challenged with two tasks: first reform the schools curriculum to his “back-to-basics” approach and then develop plans for a newly expanded 120-acre campus for the creation of Illinois Institute of Technology, a product of the Armour Institute and Lewis Institute merger. Mies was able to exceed both challenges and the outcomes have had a lasting influence on Chicago and modernism for the past 75 years. In celebration of this legacy and Mies’ 127th birthday, IIT complied this comprehensive video that features Mies’ contribution to the modern landscape of their campus and city.
Learn more about Mies’ IIT master plan and building here on ArchDaily.