Nieto Sobejano Arquitectos has revealed the design of Montblanc Haus, a new museum, visitor center and event space in Hamburg, Germany dedicated to the "art of writing" and the finely-detailed craftsmanship of Montblanc products. The Spanish firm was selected as the winner of an international competition ahead of top teams including Snohetta (Norway), John Pawson (UK), wHY (USA) and Noé Duchaufour (France).
At the announcement, Hamburg Mayor Olaf Scholz and Montblanc CEO Nicolas Baretzki unveiled the design of the 39,395-square-foot (3,660-square-meter) project for the first time, presenting it as a new architectural icon for the city. Estimated to cost 20 million euros, the museum will tell the story of Montblanc through the company's iconic writing utensils and products.
A team of local residents and architects in Hamburg’s neighborhood of St. Pauli have been granted planning permission for a proposal to repurpose a war bunker dating back from the 1940s. Coined Hilldegarden, the proposal seeks to create a “green mountain” garden atop the disused roof of the bunker along with a range of mixed-use projects that increase its height by several stories. “We are rebuilding what we inherit.” The project’s initiative states, “Adding something to history while dealing with it and thereby reshaping history itself.”
From the publishers. The March 2017 issue of a+u is a special issue dedicated to the Elbphilharmonie in Hamburg by Herzog & de Meuron. We invited the architects as guest editors to collaborate with us in documenting the entire process from the very beginning, in 2001, up to the opening concert in January 2017.
So much has already been written about Hamburg’s undeniably excellent Elbphilharmonie, which formally opened in January but has been publicly accessible, in part, since November. The chatter has mostly revolved around the same two talking points—the building’s on-the-tip-of-your-tongue shape and its fantastic price tag. In addressing the former, critics have called attention to the hall’s resemblance to an iceberg, an outcrop, a ship, circus tents, or the Sydney Opera House. And as for the costs, totaling $900 million, they point out how the project hemorrhaged cash, even if they have inadvertently exaggerated the figures. Having momentarily lost control of the narrative, the city felt compelled to set the record straight in time for the inaugural performance: The building cost just three—not ten!—times the initial budget.
In any city across the world, there are countless examples of unsung architecture – well-designed if inoffensive buildings that strive to please by not standing out from the crowd. For German photographer Paul Eis, these buildings provide the perfect canvas for his work. Displayed on his Instagram account, the_architecture_photographer, Eis captures these buildings in their best light, and then digitally adds in bright colors, elevating these structures from mundane to magnificent.
Photographer Laurian Ghinitoiuhas visited Herzog & de Meuron's Elbphilharmonie Hamburg, Germany – a 2017 winner of the ArchDaily Building of the Year award. The striking silhouette of this cultural centre and concert hall, which is identical in ground plan to the brick block of the older building upon which it sits, is often photographed as an isolated object. In this photo-essay, the context of the port around the project is often foregrounded – and unusual views offer new perspectives onto its iconic design.
In the latest video from architecture vlogging favorites#donotsettle, the infectiously energetic duo of Wahyu Pratomo and Kris Provoost team up to take us inside Herzog & de Meuron's newly-completed Elphilharmonie in Hamburg. Filmed during the music venue's "family day," part of its three-week-long opening festival, #donotsettle gives us an engaging look into the building's many spaces—cleverly accompanied by an annotated cross-section of the building which allows us to track their progress through the project's labyrinthine interior.
In preparation for their grand opening on January 11/12, the Elbphilharmonie Hamburg has released an interactive drone video that lets you experience the Herzog & de Meuron-designed building at two different speeds: adagio and presto (slow or fast). Using the spacebar to switch between speeds, the footage takes you on a tour up the curving escalator, on to the elevated terrace, around the building and finally into the main concert hall, where the drones meet back up in a dramatic finish.
As Hamburg’s newest cultural destination, the building was inaugurated by German Federal President Joachim Gauck, Mayor of Hamburg Olaf Scholz, architect Jacques Herzog from Herzog & de Meuron, and General and Artistic Director Christoph Lieben-Seutter.
More than 4,500 guests from Germany and abroad will take part in the opening concerts in the Grand Hall and Recital Hall today and tomorrow, including Federal Chancellor Angela Merkel, various high-ranking political and cultural leaders from around the world, and 1,000 visitors who won tickets to the event, out of 220,000 entrants from 73 countries.
The Plaza of Herzog & de Meuron’s Elbphilharmonie has opened to the public. The concert hall’s observation deck, located 37 meters (121 feet) above ground level, is designed around a public square concept and is accessed via a 82 meter (269 foot) long, curving escalator, providing visitors to panoramic views of the city and harbor.
To mark the event, the Elbphilharmonie has released a new set of photographs by Iwan Baan, showing off the newly completed interior spaces. The full building is set to officially open to the public on January 11 and 12, 2017.
Even as modernism promoted the transparency of glass architecture, many within the movement were conscious of the monotony of large glass facades, with even Mies van der Rohe using elements such as his trademark mullions to break up his facades. But in the years since, countless uniform structural glazing skyscrapers have emerged and bored urban citizens. In response to this, unconventional reinterpretations of facades have gained interest.
Accompanied by the belief that light and brilliance could help in creating iconic architecture and a better human world, glass and metal have been innovatively transformed to create crystalline images. As a result, the locus of meaning in architecture has shifted from the internal space-form towards the external surface.
KCAP Architects & Planners in cooperation with Kunst + Herbert have won the international Fischbeker Reethan competition to master plan the Harburg district of Hamburg, Germany. The 70 hectare site is being developed by the IBA Hamburg (International Building Exhibition) as a new residential and business district with the aim of creating a “Garden City of the 21st Century.” The design will accommodate a total of 2,200 apartments, 100,000 square meters (1,080,000 square feet) of small industry space and nearly 200,000 square meters (2,150,000 square feet) of diverse public landscapes.
Richard Meier & Partners has released images of their competition-winning design for a new 34,750 square meter (374,045 square foot) mixed-use building in Hamburg, Germany that will combine luxury condominiums, rental apartments and the new headquarters for German real estate company Engel & Völkers.
MVRDV with co-architects morePlatz have won a competition to design the masterplan of the Hamburg Innovation Port, a new 70,000 square meter waterfront development that will add to the high-tech hub of Channel Hamburg in Hanse City, Hamburg. The plan for the mixed-use development uses a fusion of existing port typologies and dynamic architectural interventions to create a network of buildings containing hotels, laboratories, research facilities, offices for start-ups and a conference center.
After years of waiting, Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg, Germany, finally has been given an opening date. The building will open its doors to the public with grand opening concerts by NDR Elbphilharmonie Orchestra on January 11 and 12, 2017, followed by a three-week festival featuring the Chicago Symphony Orchestra, the Vienna Philharmonic Orchestra and the Berlin-based band Einstürzende Neubauten.
The soaring glass structure, constructed on top of a historic warehouse along the River Elbe, was first envisioned in 2003, but rising costs and legal issues with the contractor led the project to be put on hold.