As phase three of London’s Battersea Power Station regeneration, Foster + Partners has collaborated with Gehry Partners to design the 42-acre development’s primary entrance. Together, the duo has envisioned “The Electric Boulevard” – a massive gateway connecting the Northern Line Extension station to the Power Station, which will be formed by an undulating Foster-designed tower known as “The Skyline” and Gehry’s five-building “Prospect Place.”
Housing more than 1,300 homes and over 350,000 square feet of retail and restaurant space, the boulevard is expected to become one of London’s most distinguished high streets.
The recent hire of temporary artistic director David Lan has indicated that plans for Ground Zero’s “world center for the performing arts” is moving forward in New York. The famed London director will work alongside Charcoalblue managing partner Andy Hayles to revise the original Frank Gehry-designed scheme which, according to the center’s president, was prematurely designed. This leaves Gehry’s involvement unclear, as the initial 1000-seat center will be abandoned for a scaled down, three-theater house that ranges from 150 to 550 seats. Competition for funding also remains an obstacle, in light of venues such as Diller Scofidio + Renfro’s 2017 Culture Shed. You can learn more about the center’s update here.
Congress budget cuts have officially stalled Frank Gehry’s controversial Eisenhower Memorial, according to a recent report, rejecting $49 million in construction funds and cutting the Eisenhower Memorial Commission’s annual budget in half. Unless the commission is able to raise a substantial amount of private funds, as well as win support from the Eisenhower family (which is doubtful), Gehry’s “grandiose” memorial is unlikely to ever break ground. Despite this, the commission’s director is optimistic, stating that the FDR Memorial took nearly 45 years to get built. You can read more about the controversy here.
Gehry Partners has been selected over David Chipperfield, Adjaye Associates and seven other practices in an invited competition for a 300-unit residential tower in Berlin. The winning proposal, deemed “the most compelling” by jury for its rotating stacks of sculptural, stone-clad cubes that rise up to 150 meters, is expected to be Berlin’s tallest skyscraper and Germany’s tallest residential tower.
“Gehry’s design is strong in visual expression and introduces an unusually eccentric, new pattern for this location. Nevertheless, the façade radiates agreeable tranquility. In addition, the design blends well with the neighborhood and conveys all aspects of metropolitan living,” commented Regula Lüscher, Senate Building Director.
Gehry Partners and Foster + Partners have been selected to design phase three of the Battersea Power Station redevelopment project in London. Together, the prestigious duo will design a retail pedestrian street that will link the power station to the new Northern Line extension. In addition to this, each practice will design a residential building along the avenue, which will be Gehry’s first residential project in London.
“Our goal is to help create a neighborhood and a place for people to live that respects the iconic Battersea Power Station while connecting it into the broader fabric of the city,” Gehry stated. “We hope to create a design that is uniquely London, that respects and celebrates the historical vernacular of the city.”
Gehry Partners has just released their highly anticipated proposal for the National Art Museum of China (NAMOC) in Beijing. Though rumors from last year reported Frank Gehry and Jean Nouvel as the competition’s top contenders, with Nouvel taking the lead, a winner has yet to be confirmed.
Gehry’s design, which is intended to promote cross cultural understanding and appreciation for Chinese contemporary art, aims at setting a new standard for 21st century Chinese architecture. Perhaps the most defining element of the design is the “translucent stone” facade, which is made of a new type of glass developed by Gehry Partners that is said to have the qualities of jade.
More images and the architect’s description after the break…
Shortly after winning approval on their Frank Gehry-designed, Menlo Park headquarters in California, Facebook has announced plans to once again commission the Los Angeles-based starchitect to design a new office for their New York City team. By early 2014, Gehry is expected to refurbish an existing 100,000 square-foot, two-story office space – nearly twice the size of their current home at 335 Madison Ave – on 770 Broadway.
Madrid-based architect Angel Borrego Cubero of Office for Strategic Spaces (OSS) has directed and produced the first documentary focused on the tense process that often characterizes an architectural competition. Appropriately titled The Competition, the film captures a fascinating account on how five world renowned architects – Jean Nouvel, Frank Gehry, Dominique Perrault, Zaha Hadid and Norman Foster – “toil, struggle and strategize to beat the competition.” The premise is based on a nearly forgotten, 2008 competition for a new National Museum of Art of Andorra, a small Pyrenees country nestled between Spain and France, which has yet to be realized.
Developers M. David Paul Associates and the Worthe Real Estate Group have commissioned Frank Gehry to design a mixed-use hotel and residential tower in his hometown of Santa Monica, California. The 22-story “Ocean Avenue Project” aims to stimulate the coastal city’s economy with street-level restaurant and retail space below a 125-room hotel and 22-unit condominium tower topped with a rooftop observation deck. As for accommodating the car-centric lifestyle of the West Coast, resident and visitor parking will be available in a three-story subterranean garage beneath the tower. In addition, the developers plan to integrate a 36,000 square foot museum campus that will add a cultural perk to the development just North of its two-acre site.
Although this project looks promising, the 244-foot, Gehry-esque tower is currently pending approval from the City. A vote by the end of March will decide its fate.
More images of the “Ocean Avenue Project” after the break…
The Puente de Vida Museum, more commonly referred to as The Biomuseo, will be Frank Gehry’s first design in all of Latin America. It is located in Panama in the area called Amador, which sits only a few blocks from the country’s principal cruise port and is adjacent to Panama City. The mission of the Biomuseo is to “offer an impressing and educational experience about the biodiversity and emergence of the isthmus in Panama in order to motivate all Panamanians to get to know and to value this natural component of their identity, as well as to generate in all its visitors the need to protect the environment” (Biomuseo Website). The Biomuseo intends to explore the importance of Panama’s biological systems and its emergence as a geological link between North and South America, both of which have had global impacts many are unaware of.
With these goals in mind, it quickly became clear that the museum design needed to be something very special to attract the international attention its founders desired. They wanted the museum to be a never-before-seen kind of design and to serve as a new architectural icon for Panama, much like the Eiffel Tower does for France or the Tower of Pisa for Italy. With the participation of Gehry Partners as well as the world-renowned landscape architect Edwina von Gal & Company, the Biomuseo began to take form: an extremely unique, Gehry-esque structure surrounded by an open botanical park that complements the exhibits within.
More after the break…
David Mirvish, founder of Mirvish Productions, and Toronto-born starchitect Frank Gehry have officially unveiled a massive, mixed-use project that will transform Toronto’s downtown arts and entertainment district. The multi-phase project will significantly alter the city’s skyline with three, “sculptural” residential towers perched atop two, six story podiums.
Mirvish describes, “I am not building three towers, I am building three sculptures that people can live in.”
Continue reading to learn more.
As we shared earlier, the world’s 28-year old creative technological master will team with 83-year-old starachitect for Facebook’s newest addition to their Menlo Park campus. The two, although worlds apart in terms of forte, find common ground in the never ending creative process, and the desire to continually push boundaries of the expected and the ordinary. As we noted in our previous piece, the building will offer a equalized sense of status – no private cubicles or showy corner offices – and encourage a collaborative work environment, admix a warm splash of colors, textures and natural lighting.
Gone from the building will be Gehry’s flashy ways of manipulating sheets of metal, and the resulting superfluous sense of affluence often emitted from these grand structures. Rather, Gehry’s work for Facebook will offer an ”equalizier”, a massive one story warehouse measuring 420,000 sqf, to house the company’s future 2,800 engineers with the underlying intention of fostering a comfortable environment to allow Facebook to keep getting better.
More about the newest headquarters after the break.
Mark Zuckerberg, the 28-year-old co-founder of Facebook, has commissioned Frank Gehry to design a new campus headquarters on the outskirts of San Francisco Bay, California. Located across the highway from Facebook East, the company’s current headquarters, Facebook West will provide every luxury expected from a modern office space, from a flexible open floor plan, to arcade-filled lounge areas and a massive roof garden.
The enormous, ten acre “room” breaks away from Gehry’s signature curves, and aims to provide a “system that’s not precious, that they [Facebook] can manipulate.” Work benches “line up in curving arcs like swarming fish”, organizing the 420,000 square foot facility into “neighborhoods” that softly flow into each other in an attempt to foster a collaborative, community-like environment.
When Facebook employees need a break, they can retreat to outdoor-terraced cafes for some sushi and barbecue, play arcade games in the lounge with their co-workers, or escape up a “twisting wooden stair” to the lush roof garden.
Construction is scheduled to begin in Spring 2013.
For more information, check out Bloomberg’s exclusive coverage here.
Make It Right is proud to announce the completion of the Frank Gehry-designed, New Orleans’ duplex in the Lower 9th Ward. The colorful, LEED Platinum home is part of an affordable and sustainable community that is currently being developed by Brad Pitt’s Make It Right foundation within the NOLA neighborhood most devastated from Hurricane Katrina.
“I really believe in what Brad is doing for the community and was honored to be included,” said Frank Gehry. “I wanted to make a house that I would like to live in and one that responded to the history, vernacular and climate of New Orleans. I love the colors that the homeowner chose. I could not have done it better.”
Continue after the break for more.
Despite strong objections from the Eisenhower family, classical architects and many others, the Eisenhower Memorial Commission has issued a statement of support for Frank Gehry’s controversial Eisenhower Memorial design. The statement was signed by every member of the commission, including chairman Rocco Siciliano, vice chairman Sen. Daniel K. Inouye (D-Hawaii), both senators from President Eisenhower’s home state of Kansas, and five other members of Congress.
The commission’s letter reads, “Frank Gehry has followed the direction provided to him by this commission. He has also consulted with the Eisenhower Family. His design for the Memorial is exciting, creative and inspiring. It captures the life and the spirit – and commemorates the historic achievements – of Dwight Eisenhower as one of the greatest generals in human history and one of our finest presidents.”
Continue reading for more.
In a letter presented at a House subcommittee hearing Tuesday, Frank Gehry expressed his willingness to change the design of the controversial Dwight D. Eisenhower Memorial in order to resolve objections from the 34th president’s family.
“My detractors say that I have missed the point, and that I am trying to diminish the stature of this great man,” Gehry wrote. “I assure you that my only intent is to celebrate and honor this world hero and visionary leader.”
Continue reading for more information on the hearing.
The controversy surrounding Frank Gehry’s proposal for the Eisenhower Memorial has just reached new heights as the Chicago Tribune’s Blair Kamin has recently published a 1,500-word essay, written by the influential neo-traditionalist architect Leon Krier, that bashes Gehry’s proposal and ideology. Krier calls Gehry a “greatly confused artist” who’s “style is a century old” and “seems “innovative” only to the ignorant”. Kier continues to claim the commission who appointed Gehry’s design “shares his [Gehry’s] intellectual confusion and distaste of classical Washington D.C.” Continue reading for more.
Pritzker Prize architect Frank Gehry’s designs are not shy to controversy, however the monumental significance of this design has raised the Gehry debate to an even higher level. The winning design of the GSA Design Excellence Program competition that began in 2008, Gehry Partners were chosen from forty-four design firms, then narrowed down to four finalists at which time the panel evaluated previous work, conducted interviews, and responses to the memorial’s pre-design program.
Upon selection Gehry Partners provided 3 options for the Eisenhower Memorial Commission to choose from and the final design was unanimously selected in March 2010 and featured here on ArchDaily. However since the initial design was revealed it has been met with debate, including a competition hosted by the National Civic Art Society this past spring inviting classical architects to submit alternative designs for the Eisenhower Memorial.
Update: Eisenhower’s grandson David, a commissioner for the Dwight D. Eisenhower Memorial Commission, has not publicly voiced support for or against the Gehry/Wilson design.