Balkrishna Doshi: The Latest Architecture and News

On November 3^rd, 2022, the Indian Institute of Management Ahmedabad (IIMA) announced the decision to end the restoration works for elements of the campus designed by Louis Kahn with Indian architects Balkrishna V. Doshi and Anant Raje in 1962. The decision affects the faculty blocks, classroom complex, and dorms other than dorm D15. According to the statement, the institution plans to replace some of the buildings, as the complex is “facing structural damage, deterioration and have become uninhabitable, posing a safety concern for the campus's residents.” This represents a reversal of the decision to withdraw the first demolition plans following global protests, announced in January 2021.

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Balkrishna Doshi, has been formally presented, on June 15, with the 2022 Royal Gold Medal for Architecture by RIBA President, Simon Allford. Granted by the Royal Institute of British Architects, on behalf of Her Majesty the Queen, the annual award is “given to a person or group of people who have had a significant influence either directly or indirectly on the advancement of architecture”.

A principal figure in shaping the architecture of India and its adjacent regions, known especially for his visionary urban planning and social housing projects, Balkrishna Doshi has “combined pioneering modernism with vernacular”, while his buildings have been “informed by a deep appreciation of the traditions of India’s architecture, climate, local culture and craft”. With a 70-year career, over 100 built projects and his work in education, he became internationally recognized for his contributions to the architectural scene. Still practicing at 90, he “remains as prolific as he is inspirational”, states the 2022 RIBA Honours Committee.

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The Museum of Modern Art - MoMA has announced the opening of an exhibition that explores the ways modern architecture in South Asia shaped up "idealistic societal visions and emancipatory politics" of the post-independence period. Titled The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985, the exhibition includes over 200 works, ranging from sketches and drawings to photographs and architecture models sourced from prominent lenders and institutions in Bangladesh, India, Pakistan, and Sri Lanka.

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The Royal Institute of British Architects (RIBA) announced that Indian architect Balkrishna Doshi will be the recipient of the 2022 Royal Gold Medal. The distinction, approved by Her Majesty The Queen and awarded each year since 1848, is given to architects or practices in recognition of a lifetime’s work and the impact on the evolution of the field and the built environment. With a career spanning over six decades, Balkrishna Doshi has had a paramount influence in shaping the architecture of India through a pioneering interplay of modernism and vernacular that translated into projects that celebrate local culture, context and craft.

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The COVID-19 Pandemic is a disruptive moment for our world, and it’s poised to spur transformative shifts in design, from how we experience our homes and offices to the plans of our cities. The webcast series Design Disruption explores these shifts—and address issues like climate change, inequality, and the housing crisis— through chats with visionaries like architects, designers, planners and thinkers; putting forward creative solutions and reimagining the future of the built environment.

This year, architecture’s highest honor, the Pritzker Prize, has been granted to Grafton Architects, a Dublin-based architectural firm mainly ran by female partners Yvonne Farrell and Shelley McNamara. For the first time ever in its 42-year history, due to the constraints set by Covid-19 global pandemic, the organizers of the Pritzker Prize decided to use Livestream the award ceremony. Having reached the end of 2020, ArchDaily has summed up what current and previous Pritzker Prize winners have accomplished during this turbulent year.

As reported in The Times of India, the board of governors for the Indian Institute of Management, in Ahmedabad, India has canceled the proposal to demolish Louis Kahn’s buildings on campus and replacing them with new structures, after a worldwide pushback from the international architecture community.

This article was originally published on Common Edge as "The Genius, Heart and Humility of Indian Architect B.V. Doshi"

I’m sitting in a busy suburban coffee-and-donut shop with the quiet, grandfatherly Indian architect, Jitendra Vaidya. When I started my life as an architecture intern in the late 90s, Jitendra was one of the most experienced technical designers I knew. Equally comfortable weighing the relative merits of various flashing details as he is discussing abstract design concepts, Jitendra is an old-school, universal architect. After more than half a century in a profession famous for grinding deadlines, Jitendra still maintains a joyful twinkle in his eye when he talks about architecture. So it’s no surprise that Jitendra is visibly animated today as he tells me about his teacher, the man who was just recognized as one of the world’s greatest living architects, B.V. Doshi.

Wrightwood 659, a private institution located in Chicago’s Lincoln Park neighborhood, will host the first U.S. Exhibition of Indian architect, urbanist, and 2018 Pritzker Prize winner Balkrishna Doshi. Running from September 9 till December 12, 2020, the retrospective entitled Balkrishna Doshi: Architecture for the People, is the first display devoted to the works of the laureate, outside of Asia.

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Videos

India’s uprising from a dependent to an independent governance altered the way it was perceived by the world. The country’s evolution left architects and urban developers with important questions: How can they solve the economic and environmental disparities in India, and how can they implement an understanding in people about the potential of what they can achieve with their country’s culture and resources.

In a new extensive video interview by Louisiana Channel, Indian Pritzker Prize-winner Balkrishna Doshi narrates how he became an award-winning architect, his traditional Hindu beliefs and culture, and India’s juxtaposition of having nothing to keeping up with a world that is creating everything.

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