Next Month, the Mackintosh School of Architecture (The Glasgow School of Art) will host its first International Symposium for Social and Humanitarian Architecture, ‘Clean Conscience Dirty Hands’, in the new Reid Building by Steven Holl Architects.
SANE architecture, an experimental studio based in Paris, have recently been recognised in the MIPIM Architectural Review Future Project Awards 2014 for the Taichung City Cultural Centre. The practice, who focus on “researching the Sane and the Insane in architecture”, were tasked with imagining an architecture and an urban space unique to Taiwan’s climate and the culture of Taichung, a cultural library and municipal arts museum that “synergizes” art, education and recreation.
Recently awarded first place in an invited competition, Tham & Videgård’s (T&V) design for a new addition to the Krabbesholm Højskole School of Art & Design in Skive, Denmark, uses a combination of thick brick walls and barrel arched roofs to establish a strong connection to the character and spatial qualities of the existing buildings – the Four Boxes Gallery by Japanese Atelier Bow‐Wow, and a collection of new studio buildings by New York‐based MOS Architects.
Yesterday BIG, along with 9 other teams including OMA and WXY, unveiled their proposals for “Rebuild by Design,” a competition which tasks teams with improving the resiliency of waterfront communities through locally-responsive, innovative design. Each proposal was required to be “flexible, easily phased, and able to integrate with existing projects in progress.” As Henk Ovink, the Principal of ”Rebuild by Design” as well as the Senior Advisor to the U.S. Department of Housing and Urban Development (HUD) Secretary Shaun Donovan, stated: “Rebuild by Design is not about making a plan, but about changing a culture.” The winners will be announced later this spring.
BIG’s proposal, The BIG U, is rooted in the firm’s signature concepts of social infrastructure and hedonistic sustainability. It envisions a 10-mile protective system that encircles Manhattan, protecting the city from floods and storm water while simultaneously providing public realms specific to the needs of the city’s diverse communities. Bjarke Ingels states: “We asked ourselves: What if we could envision the resilience infrastructure for Lower Manhattan in a way that wouldn’t be like a wall between the city and the water, but rather a string of pearls of social and environmental amenities tailored to their specific neighborhoods, that also happens to shield their various communities from flooding. Social infrastructure understood as a big overall strategy rooted in the local communities.”
More on the BIG U, after the break…
This article by Marc Kristal from Metropolis Magazine, originally titled “Digital Details,” looks at the work of NRI, a New York company that is leading the way when it comes to 3D Printing (or rather, additive manufacturing) – finding that there is a craft in these machine-produced models after all.
First things ﬁrst: The term “3-D printing” is a misnomer according to Arthur Young-Spivey, the digital fabrication specialist at NRI—a 116-year-old, New York–headquartered supplier of reprographic services to architects and their tradespeople. “The correct term is ‘additive manufacturing,’” he explains. “People call it 3-D printing because it enables you to wrap your head around it, but in some ways it’s confusing.”
Young-Spivey has a point, as the process by which a digital ﬁle is converted into an object isn’t “printing” in the commonly understood sense of applying pigment on a substrate. With 3-D printing, he says, “Instead of using paper, you’re printing with powder or plastics. It’s all one layer at a time.” The thinner the layer, the better the quality, and the longer the process takes. “And there’s always post-production processing, to clean up the model,” he adds. “That’s why ‘additive manufacturing’ is a more accurate description.”
Read on for more on the work of NRI
Las Margaritas Social Center / Dellekamp Arquitectos + TOA Taller de Operaciones Ambientales + Comunidad de Aprendizaje
Architects: Dellekamp Arquitectos + TOA Taller de Operaciones Ambientales + Comunidad de Aprendizaje
Location: Las Margaritas, San Luis Potosi, Mexico
Dellekamp Team: Architect: Derek Dellekamp. Team: Jachen Schleich, Jérémie Dagaud, Miguel Ortigão, Rita Sarzedas.
Toa Team: Emiliano García, Lara Becerra, Juan Rovalo, Brenda Solano, Simon Béquillard
Collaborating Team: Comunidad de las Margaritas, habitantes de la comunidad, Federico López Ortega, David de la Torre
Project Area: 258 sqm
Photographs: Courtesy of TOA Taller de Operaciones Ambientales, Lara Becerra
The event will take place at the Storefront for Art and Architecture April 8, at 7pm. This event is open to all. If you are a Storefront member and would like to reserve a seat, please email email@example.com. If you would like to reserve a seat by becoming a Storefront member, click here.
This event will be streamed live at http://www.ustream.tv/channel/storefront-tv.
Title: Definitions Series: Risk, at the Storefront for Art and Architecture
From: Tue, 08 Apr 2014 19:00
Until: Tue, 08 Apr 2014 21:00
Venue: Storefront for Art and Architecture
Address: 97 Kenmare Street, New York, NY 10012, USA