AS.Architecture-Studio has announced the 2014 Young Architects in Africa. The award aims to highlight creative African projects and help a rising generation of young architects achieve worldwide recognition. Selected from nearly 200 projects, these three practices have been named as finalists: Architects of Justice (South Africa), Urko SANCHEZ (Kenya), and Andre CHRISTENSEN & Mieke DROOMER (South Africa).
Koichi Takada Architects (KTA) has released details on Australia’s biggest urban renewal project: Green Square. Shaped by the pedestrian and traffic flows that surround the building, the mixed-use, multi-residential complex is expected to serve as the gateway of Sydney’s Green Square Town Centre by its completion in 2016.
Spanish architect Rafael de La-Hoz has designed a mirrored, 60-meter monument to commemorate the 30 anniversary of the Tianjin Economic-Technological Development Area (TEDA). The design, titled “A Cut between heaven and earth”, was “driven by an effort to analyze the process of abstraction and reinterpretation of the site.”
Zaha Hadid Architects has designed a 40-story luxury hotel for Macau’s premier leisure and entertainment destination known as “City of Dreams.” Perceived as a single “sculptural element” united by an exposed exoskeleton mesh structure, the “simple volume” was extruded from its rectangular site as two towers connected at the podium and roof levels, with two organically-shaped bridges punctuating the tower’s center external void. This central void is then celebrated by a 40-meter tall, “grandiose atrium” that greets visitors as they enter the hotel.
Take a digital tour through the building and into the atrium via a newly released video, after the break…
“Green” measures nothing. Which is greener: a building that saves water or a building that uses certified carpet? There is no obvious answer to this question – this is why trying to quantify “green” is biased and leads nowhere. Using carbon as a metric, on the other hand, makes sense. This is something you can accurately measure and therefore reduce. Going “low-carbon” not only contributes to fighting climate change but also totally redefines construction (choice of materials, energy sources, etc.).
This is why shapedearth.com, the first free online calculator for assessing the whole life embodied carbon of building projects, is such a useful tool.
In this interview with Daniel Libeskind, originally featured on Metropolis as Q&A: Daniel Libeskind on Italy, Product Design, and the State of Architecture Today, Paul Clemence talks to Libeskind about his perspective on Italian culture, its influence on his career, and his most recent foray into product design.
When you talk to Daniel Libeskind, no single question has a simple answer. From his days as a young musical prodigy (he played the accordion) to his directorship at Cranbrook Academy, not to mention his voracious passion for literature, the fascinating episodes of his life all come together, informing his approach to design and architecture. His career path is an unusual one. And while that is true for many architects, his is particularly interesting, where each twist and turn, no matter how ostensibly disconnected, seem to have always prepared him for his next step. Take his two highest profile jobs, the Jewish Museum in Berlin and the master plan for Ground Zero. The two are intrinsically linked—the museum’s official opening to the public in 2001 was originally scheduled on September 11. The project had taken 13 years of political maneuvering to realize. Similarly, Libeskind’s World Trade Center site master plan was marred by a decade of delays and alterations, which threatened to blot out his original design intentions. One monumental task after the other, eerily similar in challenging circumstances, both offering the architect a rare opportunity to helm projects richly entrenched in emotion, symbolism, and historical significance.
Now as his career moves beyond these two important projects, the architect’s connection to Italy is beginning to play a pivotal role in his work. He moved there after his time at Cranbrook, when he was looking for new career challenges. Libeskind has been back in America since he was commissioned the Ground Zero project, but he recently opened up a studio in Milan, where he, his wife, and son oversee the firm’s forays in product design.
I caught up with Libeskind at his Lower Manhattan office overlooking Ground Zero to talk about Italy and his involvement in upcoming design fairs there, Milan Design Week and the Venice Architecture Biennale.
Recently voted the UK’s ugliest tower, The Barbican Tower is one of the three residential towers of the Barbican Estate, built between 1965 and 1976 in London. Along with fourteen apartment blocks, the Barbican Estate contains 2014 flats, connected by a labyrinth of floating passageways and landscaped gardens.
Designed by the architects Chamberlin, Powell and Bon, the Estate was part of a utopian vision of urban renewal and transformation of the city center after the Second World War. When it opened in 1982, Queen Elizabeth even referred to the high-end mega-complex as “one of the modern wonders of the world.” Though many Londoners despise the massive concrete megastructure, it is in fact a Brutalist masterpiece in the heart of London, a relic from a time of architectural coherence and uncompromised ambition.
Check out the incredible view from the Barbican Tower in the time-lapse above, and let us know your thoughts in the comments below!
UPDATE: Foster + Partners have been granted planning permission for The Chirstie. The new Centre is due to open in 2016.
Norman Foster has applied for planning permission for a new Maggie’s Cancer Centre in his hometown of Manchester. Planned to be built at The Christie, one of Europe’s leading cancer centres and the largest single-site centre in Europe, the new Centre intends to “provide free practical, emotional and social support for anyone living with cancer as well as their family and friends.”
“I believe in the power of architecture to lift the spirits and help in the process of therapy,” Foster explains. “Within the Centre, there is a variety of spaces – visitors can gather around a big kitchen table, find a peaceful place to think or they can work with their hands in the greenhouse. Throughout, there is a focus on natural light and contact with the gardens. The timber frame, with its planted lattice helps to dissolve the architecture into the surrounding greenery.”
Architects: Marjan Hessamfar & Joe Vérons architectes associés
Location: Bordeaux-Mérignac Airport (BOD), Mérignac, France
Area: 4,000 sqm
Photographs: Courtesy of Marjan Hessamfar & Joe Vérons architectes associés