By now, when the design competition for the Guggenheim Helsinki is mentioned, one number probably comes to mind: 1,715, the record-breaking number of submissions which the competition received. But how can this number be put into perspective? Why, with more numbers of course. Take 5,769 for example, which is the total height in meters of all the A1 presentation boards arranged vertically. Or take 18,336,780, the estimated value in Euros of all the work submitted.
Check out this great video from Taller de Casquería, which gives a rundown of all of the mind-blowing statistics generated by the competition, and concludes with this strong message to the Guggenheim itself: “These are incredible figures that show the impact that the Guggenheim Foundation has throughout the world… Guggenheim should document this to recognize their success in helping to shape a global community, dedicated to visual culture.”
If ever architects needed a little vindication in their work, this might just be it: a team of neuroscientists have found evidence that good architecture can positively affect the human brain. Testing a highly susceptible group of subjects (i.e. architects), the team demonstrated that so-called “contemplative architecture” can have similar effects to meditation – except with much less effort on the part of the person experiencing it. This article in the Atlantic discusses the team’s work at length, delving into the science behind the discovery, but also uncovering an interesting oddity in the world of architectural neuroscience: it seems not much is being done because ”it’s difficult to suggest that people are dying from it.” In the case of the current study, the team “totally loaded the deck” by only selecting architects as their subjects, apparently not aiming to prove anything but simply to secure further funding. Read the full article here for more on the latest in architectural neuroscience.
Five practices have been shortlisted to put forward designs for the Bristol Arena, a cultural and sporting hub which is set to have a 12,000 seating capacity and is due to open towards the end of 2017. The city’s Mayor, George Ferguson (who is himself an architect-turned-politician), has said that “we now have five very capable and talented design teams with a wealth of experience between them drawing up proposals” that will contribute to the regeneration of the city’s Temple Quarter Enterprise Zone (a site close to Temple Meads Station). The five shortlisted multi-disciplinary design teams are consortiums experienced in delivering major cultural venues in the UK or overseas. A team led by Populous, who completed the London 2012 Olympic Stadium, are running in collaboration with Feilden Clegg Bradley, who were shortlisted for the 2014 RIBA Stirling Prize. They are competing against teams led by Grimshaw and Wilkinson Eyre, who recently installed a cable-car across London’s Millennium Dome.
See details of the five teams after the break.
What does Soviet Union architecture have to do with Chilean astronomy? A lot more than many realize. In the 1960s, the Soviet Union manufactured three Grand Passage Instrument telescopes (GIPpy), and their accompanying domes in Saint Petersburg. Unfortunately, they fell into ruin after the Soviet astronomical mission’s departure from Chile following the 1973 military coup d-etat. Now, however, the Architectural Association Visiting School in Santiago, Chile, in partnership with the Pontifical Catholic University, will host a 10-day workshop in January on the GIPpy telescopes. The workshop is organized by the team that was recently awarded the Silver Lion at the 14th Venice Architecture Biennale for their work on Soviet prefabricated housing in Chile, and we’ve teamed up with the Architectural Association Visiting School to give away two £600 scholarships to attend the workshop!
For more information on the workshop and to find out how to enter to win a scholarship read on after the break…
The Pantone Hotel, a seven-story hotel in Brussels with decor inspired by the famous Pantone color system, opened for business in 2010, but these candy-colored images of its multi-hued rooms were new to us. Designed by interior designer Michel Penneman and architect Olivier Hannaert, and photographed by Sven Laurent, the Pantone Hotel serves up 59 rooms in a wide variety of color schemes, perfected by Pantone’s authoritative color matching system. It is the apotheosis of the company’s transition into manufacturing lifestyle products, with the “Pantone Universe” range containing everything from mugs to cufflinks, all colored to an exact specification with their identifying code.
“All I Own House is a project that materializes the interior of a house through its inhabitant’s personal belongings,” say PKMN Architectures about their All I Own House, a small customizable home and studio for client Yolanda Pila of ERREPILA Design Studio. Built in a small neighborhood in northern Madrid, the single-storey house belonged to the client’s grandmother. Now, it serves all the functions required of Yolanda’s dynamic living and working style.
Nadau Lavergne Architects, the winning team of the Reanimate the Ruins international ideas contest, have shared with us their proposal to revive Detroit‘s historic Packard Automotive Plant, the former factory which has become an icon of the city’s post-industrial decline. By developing a proposal which frees the land from unwanted structures and knits the colossal 1 kilometer-long building back into the urban landscape, Nadau Lavergne Architects have created a design which returns both a sense of community and some economic hope back to the building.
Read more about the proposal after the break