As architects around the world reimagine public spaces in the midst of the coronavirus, Italian architecture firm Caret Studio has envisioned the “StoDistante” installation. Searching to reconcile people with the outdoors, and allowing theses spaces to reopen safely while respecting the social distancing measures, Caret Studio created a temporary installation that reflects our current situation.
The Hungarian Government has decided to continue the design process for Diller Scofidio + Renfro's new Museum of Transport in Budapest. During the past few months, the COVID-19 pandemic cast doubt on the continuation of the project, and this latest news is a sign of support for the team's planning, design and preparatory work necessary for starting construction.
Architects, not Architecture decided to open their archive to help us cope with the current situation of not being able to go out as usual and create a source of inspiration and entertainment through sharing one of the unique talks from their previous 35 events, which have never been published before – including those of architects like Daniel Libeskind, Peter Cook, Richard Rogers, Massimiliano Fuksas, Kim Herforth Nielsen, Ben van Berkel, Benedetta Tagliabue, Mario Botta, Anupama Kundoo, and Sadie Morgan.
Every week, Archdaily will be sharing one of the Architects, not Architecture. talks which they are currently publishing online in the form of daily full-length video uploads as part of their “new event”: Home Edition 2020
Aedas has released images of the new Xiangyang Overseas Chinese Town Cultural & Tourism Development Area Joy Town. Expected to be completed in 2022, the project, located in the Ecological and Cultural Tourism Department in western Hubei, “will provide citizens and visitors with a unique and culturally immersive Xiangyang experience”.
Courtesy of the coronavirus, universities are closed around the world, and classrooms are now entertained over video conferencing. This is not overly dramatic as this temporary arrangement will eclipse after cases are contained, and classes will resume soon after. However, the impacts on the university ecosystem and on the urban fabric will require immediate renovations in higher education that will shape the architectural syllabus for years to come.
Originally, set to be completed by 2020, the Herzog & de Meuron £500million stadium for Chelsea Football Club, will not move forward as planning permissions expired. The redevelopment plans, subject to numerous legal challenges throughout the years, are interrupted for now.
As the Great Philosopher, Mike Tyson said, “Everybody has a plan until they get punched in the mouth”.
The COVID-19 pandemic will deeply impact the world of aesthetics. For the first time since League of Nations was founded, a future of universal aesthetics may cease to be the academically sanctioned Architectural Canon. As Markus Breitschmid defines it, in his article “In Defense of the Validity of the 'Canon' in Architecture,” the Canon in Architecture is a way to divorce architecture from the rest of the world:
Architect and urban designer Jaquelin “Jaque" Taylor Robertson, FAIA, has passed away at the age of 87. Known for his large-scale planning projects and private residences, his projects included the iconic town of Celebration, Florida. Often linked to New Urbanism and New Classical Architecture, Jaque also designed many award-winning houses in the Hamptons on the East End of Long Island.
Everyone likes to win. And if design is your passion, what could be better than winning a design award? Out of the multitude of design competitions in the world, the international A' Design Award is the largest, and now they've announced their winners of the 2019-2020 competition. Winners of this prestigious award must impress a jury panel of experts - 170+ press members, academics, and design professionals - in order to receive the A' Design Prize. In addition to the prestige, recognition, and international publicity, laureates are presented with a trophy, annual yearbook, certificate, invitation to the gala night, inclusion in the winners' exhibit, and more.
The course in Architecture for Humanities was born to train designers who know how to compose meaningful architectures even in the most complex contexts to bring quality and beauty where you are not used to seeing it. Today, pandemic, economic crisis, migration and climate change have turned every area -from the periphery of our metropolis to the most remote tropical village- into what can be defined as “emergency context”.
This article was originally published on The Architect's Newspaper.
In February of this year, I gave a short talk to our Yale students about the economy and their employment prospects, suggesting that while all indicators remained strong and jobs were plentiful, it had been quite some time since our last downturn. Having seen several during my career I suggested that they would likely see a recession sometime in theirs, but cast doubt on whether we’d ever see anything as serious as 2008. If only…
It’s too early to be making nuanced arguments about the future, as we face down what is undoubtedly going to be a much more serious situation in the second half of 2020. So, here are ten first thoughts about how our profession may be impacted, and potentially transformed, as a result. Choose two or three as prompts to consider the future once the crisis has passed.
We are heading for a scenario in which BIM technology will greatly help us to maximize the roles and skills of civil construction professionals, making room for us to plan, design, build and manage buildings and infrastructures much more efficiently, integrating all systems, structural, mechanical, electrical and plumbing in a responsible, economical and sustainable way.
In a world devastated by war and destruction, new ideas for future reconstruction of cities are emerging. The latest technologies are creating opportunities to shape better built environments and better urban experiences. While the world has had its fair share of failed attempts of post-war reconstruction, the 21st century is promising concepts more in touch with culture, integration, and sustainability.
As we all know, technology is the game-changer of this century. It has ultimately modified how we design and build, and with the development of Artificial Intelligence, boundaries have been pushed furthermore. Able to transform the environment we live in, AI can also help shape a better version of the environment we have lost.
Stores in Santiago, Chile, ran out of yeast in mid-March, such as it happened after the beginning of the social crisis in 2019. Given that Chile has the second-highest bread consumption per capita in the world, it would seem that Chileans handle uncertainty stocking up ingredients for bread making. Everybody wants to make bread, including myself.
The Architectural League of New York has announced the winners of the 2020 Architectural League Prize for Young Architects + Designers. Focusing on fresh talent, North America’s most prestigious award encourages the development of distinctive individuals and underlines their work.
The OMA-Designed CMG Qianhai Global Trade Center has broken ground in Shenzhen. Unveiled during the inauguration ceremony for Qianhai Significant Projects in China, the mixed-used 360,000 square-meter development will create a Micro-City environment, blurring traditional boundaries between building and city.
Vitra Design Museum has debuted Chair Times, a 90-minute film that describes the history of seating furniture. Focusing on 125 objects from the collection of the Museum, the film explores the development of chairs over centuries, examining them as “portraits of their users.” Arranged according to their year of production, they are organized to form a timeline of modern seating design.
Our interpretation of the world is mediated through a variety of mechanisms that have been at the center of architectural and urban debate for a long time; the role of hearing in perceiving and recognizing the surrounding environment is fundamental and of growing scientific interest. Studies that investigate the psychological effects of noise produced by large infrastructures, such as airports, highways, railways, are multiplying. Santiago Beckdorf argues that it is possible, through the tools of design, to reverse the paradigm according to which urban development is inevitably connected to a weakening of the natural environment in which it is inserted.
For the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," (21 December 2019-8 March 2020) ArchDaily is working with the curators of the "Eyes of the City" section to stimulate a discussion on how new technologies might impact architecture and urban life. The contribution below is part of a series of scientific essays selected through the “Eyes of the City” call for papers, launched in preparation of the exhibitions: international scholars were asked to send their reflection in reaction to the statement by the curators Carlo Ratti Associati, Politecnico di Torino and SCUT, which you can read here.
The recently opened Opus building by Zaha Hadid Architects brings an interplay of solid and void, fluidity and orthogonality to the Dubai cityscape. New images by award-winning photographer Laurian Ghinitoiu capture the project’s sculptural silhouette, the studio’s distinct architectural signature.
Archstorming, the platform dedicated to humanitarian architecture competitions, has announced the winners of HOPE Dental Center contest. The brief called for the design of a dental clinic and training institute for the NGO His Hands On Africa, a non-profit organization that wants to address the lack of dental services in countries such as Rwanda, the chosen location for this competition.
The 2020 coronavirus pandemic is already creating change in every part of society. Harnessing this change should be the impetus for a long-overdue overhaul of the educational system and, in particular, the way we teach architecture.
Each day during the pandemic, we are suddenly finding what was once impossible is now suddenly possible. As Thomas Friedman said of online learning back in 2012, "Big breakthroughs happen when what is suddenly possible meets what is desperately necessary."
We now find ourselves in a position where we have to re-think everything to fight this virus. This pandemic will cause us to re-think learning as entire educational systems are forced to move online. In general, most formal education institutions are not producing the creative thinkers the world urgently needs. Solutions to the coronavirus pandemic require creative thinking, and how we currently teach in institutions today produces groupthink. Our path-dependent education does not get the best from individuals.
As cultural venues and museums remain closed, one initiative launched in early April brings Frank Lloyd Wright’s most prominent projects to the public via virtual tours. Shared under the hashtag #WrightVirtualVisits, the series now features twenty-four sites, and more are expected to join as the project unfolds. With new videos published every Thursday until July 15, the project compiles an insightful glimpse into Wright’s extensive body of work.
As the first ever Spanish architect to receive the Pritzker Prize, Rafael Moneo (born 9 May 1937) is known for his highly contextual buildings which nonetheless remain committed to modernist stylings. His designs are regularly credited as achieving the elusive quality of "timelessness"; as critic Robert Campbell wrote in his essay about Moneo for the Pritzker Prize, "a Moneo building creates an awareness of time by remembering its antecedents. It then layers this memory against its mission in the contemporary world."
As lead designer of the Lever House and many of America’s most historically prominent buildings, Pritzker Prize-winning architect Gordon Bunshaft (9 May 1909 – 6 August 1990) is credited with ushering in a new era of Modernist skyscraper design and corporate architecture. A stern figure and a loyal advocate of the International Style, Bunshaft spent the majority of his career as partner and lead designer for SOM, who have referred to him as “a titan of industry, a decisive army general, an architectural John Wayne.”
