French-Brazilian office Triptyque has released plans for a mixed-used, all-wooden highrise. Located on a 1,025-square-meter site in São Paulo, the 13-story building will contain a total of 4,700 square meters of space dedicated to coworking, coliving, and a restaurant.
Architect graduated from the Federal University of Santa Catarina in 2013, currently pursuing a master’s degree in architecture at FAUUSP. His fields of interest include film, architectural theory, urban art and public space. In ArchDaily Brasil he is the Editor responsible for the sections of News, Events and Competitions, besides often acting as a collaborator of ArchDaily.
During an interview with Portuguese newspaper Diário de Notícias, Pritzker Prize laureate Eduardo Souto de Moura spoke to Ana Sousa Dias about his path through the Fine Arts School, his work alongside Noé Diniz and Álvaro Siza, and his consolidated international career – which he says has given him projects, but not pleasure.
"If I have to do 30 projects, there are three that give me joy and 27 that don't. I'm tired of it. It doesn't annoy me arguing when the assumption is intelligible, but when only time and money matters, it can get ugly. Respecting elections and economically have big profits," said Souto de Moura.
The website Viagem Turismo compiled a list with images and detailed information about each of the 13 sites. The list ranges from the Serra da Capivara National Park, "full of rocky caves covered with rock paintings" made more than 25 thousand years ago, to the modern capital of Brazil, Brasília, founded in 1960.
Designed by Paulo Mendes da Rocha in partnership with MMBB office, the project intervenes an old department store, transforming the interior spaces from the existing structure and creating a new central structure that supports a pool on the rooftop.
The overlap between cinema and architecture is a topic that has already been debated and even addressed in several articles published in ArchDaily. It is difficult to imagine a film that is not related in any way to the architecture, either through the construction of scenarios, the locations, or even the compositions within each plane and sequence - that make use of light, shadow, varied scales, and characters.
In many films, architecture and the city play a much more decisive role than the mere backdrop or stage for the narrative, acting as crucial elements or even characters. Next, we selected five films in which landscape and urban spaces are essential for the construction of the plot.
A collaboration between the British Library and Microsoft, titled Turning the Pages 2.0, made 570 pages of Leonardo da Vinci's' Codex Arundel available for free online. Now anyone can navigate the writings of one of the most inventive minds of the Renaissance. In the hundreds of digitized pages are ideas for airplanes, helicopters, parachutes, submarines and automobiles, centuries before they were developed and brought to the world.
During his lifetime, part of his ideas and reflections were recorded in his notebooks. Some of these manuscripts have been lost over the centuries, and those that remain have become rare objects accessed only by a select group of collectors and historians - until now.
On July 15, the city of Paris announced the opening of three natural swimming pools that receive their water supply from the Seine River, located in the La Villette Basin in the 19th arrondissement of the city. Spanning a total of 1,600 square meters, the new attraction is divided into a children's area, with depths of up to 40cm; an area of medium depth of 1,2m; and a larger pool, with depths of about two meters.
The swimming pools are part of the "Swimming in Paris" project, presented for the first time by the City Council of The French Capital in June 2015, with the goal of "encouraging the practice of swimming for Parisians and Tourists." According to an official statement from the city government, the project aims to allow, by 2020, the "modernization of water parks and the creation of new swimming pools and areas for bathing."
If you haven't gotten a chance to visit Brasília, Joana França's photographic projects offer a comprehensive interpretation of the capital of South America's most populous country. França has dedicated a significant part of her career as an architecture photographer to the pursuit of amassing an impressive archive of images of the city planned by Lúcio Costa and Oscar Niemeyer.
We recently published an exceptional selection França's aerial photographs of Brasília divided by scale - residential, monumental, gregarious and bucolic. These overhead views solidify what, in theory, is already evident: the city lacks human scale, or the human scale of Brasília is just vast and (perhaps) not very human at all.
Developed in 2008, "ARCHIPORN" is a world architecture guide by architects Marcio Novaes Coelho Jr and Silvio Sguizzardi created with the aim of identifying, gathering and sharing information about architectural works around the world by renowned professionals to emerging talents in the field.
The online guide is composed of a world map punctuated by the works, which are divided by historical periods ranging from before the industrial revolution to the present decade. The map also highlights architecture-oriented institutions including the Canadian Center for Architecture in Montreal and the Netherlands Architecture Institute in Rotterdam as well as bookstores such as Livraria Vilanova Artigas and William Stout Architectural Books (San Francisco, USA).
Need some data on the world's inhabitants? Population Explorer is an online software that can estimate population information from any region of the world based on the Landscan application and is described as a "high-precision population database produced by the Oak Ridge National Laboratory" in the United States.
The tool is the first and only application of its kind, and instantly displays population and density counts in a user-selected flexible area, allowing you to create and save scenarios based on that data - Developers of Population Explorer.
It is possible to use the platform to know a variety of statistics: how many people live in a certain region, the number of women and men living in a given area, the age pyramid of a given population, and how densely populated a territory is (among other applications) - making the tool useful for both municipal and government authorities around the world.
Developed in Germany, the CityTree is a mobile structure that incorporates mosses and urban furniture to create a possible solution to the polluted air of urban centers.
Rectangular, trunkless and flat, this "tree" basically consists of a large vertical panel, a wall of mosses which, according to its creators, has the capacity to absorb the same amount of nitrogen dioxide and microscopic particles from the air as 275 natural trees.
It is said that the world is increasingly developed when in fact it is, undeniably, more technological and globalized. However, it seems risky to talk about development when the advances do not appear everywhere or for all inhabitants.
In such an uneven picture, a select few of the global population enjoy these advances, while a huge number live below the poverty line.
Such contrasts often go unnoticed in the city's daily life, however, are set forth on a diptych relationship with the urban layout, being, at the same time the cause and consequence of deep marks in city design. In Brazil, for example, we have the slums and poor communities that contrast with the buildings and upper-middle-class homes architecture, designed and built with all the necessary resources.
With the new millennium, architectural photography has gained exponential prominence in the relationship that architects have with society. The FG+SG studio has taken on the challenges presented by the greater media impact of architecture, which today constitutes a photographic practice rewarded with international prizes and recognition.
There are many ways to get to know a city. There are those who, when commenting on a particular city they have visited, remember the gastronomy and restaurants they frequented. Other travelers will remember the music and the parties; others will remember specific markets or events. You, a keen ArchDaily reader, probably took careful note of the architecture above anything else.
Each of these means of knowing a city keeps specificities and riches, but none of them alone can recreate a faithful mental landscape of the real city. There is no problem in this, after all, the same city can be very different for two people who live in it or who are visiting it. Among these ways of getting to know a city, we focus on architecture, more specifically, the modern architecture of São Paulo, in an attempt to offer our readers a look at one of the largest city in South America from an architectural approach
"There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote novels spoken in the days of silent film. Like Alain Resnais, who sculpts. And like Socrates - I mean Rossellini, who creates philosophy. Cinema, in other words can be everything at the same time, judge and litigant "- Jean-Luc Godard 
It is difficult to imagine cinema taking place in a vacuum. Without the scene to fill each storyline, we cannot be transported away from our reality to the world of the film we are immersed in. Within Godard's list of ways to make films, we can add another: cinema as architecture. The interaction between cinema and architecture - "the inherent architecture of cinematic expression and the cinematographic essence of architectural experience" is a complex, often multifaceted dialogue between both disciplines. 
"What characterizes and gives meaning to Brasilia is a game of three scales... the residential or everyday scale... the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility... Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping... We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside." - Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.
Photographer Joana França shared with us an impressive series of aerial photographs of the national capital of Brazil, Brasilia. The photoset is divided into four sub-series each presenting a scale: residential, monumental, gregarious and bucolic.
You've probably used or heard of the app Shazam, used by millions of people to identify songs and song lyrics. A team of researchers from Cirad, IRA, Inria / IRD and Tela Botanica Network - had the idea of developing a similar application, but instead of identifying songs, the application identifies plant species.
Pl@ntNet is a new tool that helps identify plants using pictures. Collecting data from a large social network that constantly uploads images and information about plant species, Pl@ntNet has a visualization software that recognizes the plant photographed and links it to its plant library.
The representation of architecture is important in the absence of tangible space. Throughout a lifetime, even the most devoted, well-travelled design enthusiast will experience only a small percentage of architectural works with their own eyes. Consider that we exist in only one era of architectural history, and the percentage reduces even further. Many architectural works go unbuilt, and the buildings we experience in person amount to a grain of sand in a vast desert.
Then we consider the architecture of the future. For buildings not yet built, representation is not a luxury, but a necessity to test, communicate and sell an idea. Fortunately, today’s designers have unprecedented means to depict ideas, with an explosion in technology giving us computer-aided drafting, photo-realistic rendering, and virtual reality. Despite these vast strides, however, the tools of representation are a blend of old and new – from techniques which have existed for centuries, to the technology of our century alone. Below, we give five answers to the question of how architecture should be depicted before it is built.