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Architect graduated from the Federal University of Santa Catarina in 2013, currently pursuing a master’s degree in architecture at FAUUSP. His fields of interest include film, architectural theory, urban art and public space. In ArchDaily Brasil he is the Editor responsible for the sections of News, Events and Competitions, besides often acting as a collaborator of ArchDaily.
"There are several ways of making films. Like Jean Renoir and Robert Bresson, who make music. Like Sergei Eisenstein, who paints. Like Stroheim, who wrote novels spoken in the days of silent film. Like Alain Resnais, who sculpts. And like Socrates - I mean Rossellini, who creates philosophy. Cinema, in other words can be everything at the same time, judge and litigant "- Jean-Luc Godard 
It is difficult to imagine cinema taking place in a vacuum. Without the scene to fill each storyline, we cannot be transported away from our reality to the world of the film we are immersed in. Within Godard's list of ways to make films, we can add another: cinema as architecture. The interaction between cinema and architecture - "the inherent architecture of cinematic expression and the cinematographic essence of architectural experience" is a complex, often multifaceted dialogue between both disciplines. 
"What characterizes and gives meaning to Brasilia is a game of three scales... the residential or everyday scale... the so-called monumental scale, in which man acquires a collective dimension; the urbanistic expression of a new concept of nobility... Finally the gregarious scale, in which dimensions and space are deliberately reduced and concentrated in order to create a climate conducive to grouping... We can also add another fourth scale, the bucolic scale of open areas intended for lakeside retreats or weekends in the countryside." - Lucio Costa in an interview with Jornal do Brasil, November 8, 1961.
Photographer Joana França shared with us an impressive series of aerial photographs of the national capital of Brazil, Brasilia. The photoset is divided into four sub-series each presenting a scale: residential, monumental, gregarious and bucolic.
You've probably used or heard of the app Shazam, used by millions of people to identify songs and song lyrics. A team of researchers from Cirad, IRA, Inria / IRD and Tela Botanica Network - had the idea of developing a similar application, but instead of identifying songs, the application identifies plant species.
Pl@ntNet is a new tool that helps identify plants using pictures. Collecting data from a large social network that constantly uploads images and information about plant species, Pl@ntNet has a visualization software that recognizes the plant photographed and links it to its plant library.
The representation of architecture is important in the absence of tangible space. Throughout a lifetime, even the most devoted, well-travelled design enthusiast will experience only a small percentage of architectural works with their own eyes. Consider that we exist in only one era of architectural history, and the percentage reduces even further. Many architectural works go unbuilt, and the buildings we experience in person amount to a grain of sand in a vast desert.
Then we consider the architecture of the future. For buildings not yet built, representation is not a luxury, but a necessity to test, communicate and sell an idea. Fortunately, today’s designers have unprecedented means to depict ideas, with an explosion in technology giving us computer-aided drafting, photo-realistic rendering, and virtual reality. Despite these vast strides, however, the tools of representation are a blend of old and new – from techniques which have existed for centuries, to the technology of our century alone. Below, we give five answers to the question of how architecture should be depicted before it is built.
Technology giant Google, through the Google Arts & Culture project, is offering a different experience in terms of culture. In addition to providing thousands of online exhibits, the project offers the possibility to explore more than 2,500 museums through a feature very similar to Google Street View. Users can virtually visit museums all over the world, the project offers 360° views of places that can often be inaccessible due to financial costs or distance.
Following its official opening on October 5, 2016, the new MAAT building reopened to the public on March 22, 2017, with two major exhibitions that take up the whole building: Utopia/Dystopia – A Paradigm Shift, curated by Pedro Gadanho, João Laia and Susana Ventura – and Order and Progress by Mexican artist Héctor Zamora, curated by Inês Grosso.
The 2017 Portuguese Commemorative Coins were unveiled this week in the Casa da Moeda, where the themes, authors and designs for the commemorative, chain and collector's coins to be issued throughout the year were shown.
Among the novelties, a new series dedicated to Portuguese Architecture stands out, which includes a coin dedicated to Álvaro Siza Vieira designed by Eduardo Souto Moura, two great names in Portuguese architecture.
A mere six months after the torch was snuffed, the Brazilian Olympic sites that once hosted scores of locals, tourists, and athletes in a global celebration of athleticism and camaraderie now lie in ruin. This "ghost town" cost Brazil around $4.6 billion plus an estimated $1.6 billion in budget overages, according to reports by the Financial Times and Quartz.
Artist and photographer Rob Carter shared with us a video in which, through montages and digital collages, shows the urban growth of the city of Charlotte, in the state of North Carolina, USA. The video, titled Metropolis, is "an abbreviated city narrative [...] that uses stop-motion animation to physically manipulate aerial imagery, creating a landscape in constant motion."
Charlotte is one of the fastest growing cities in the US and Carter's production features the changes that have taken place in recent years in its central region. Verticality and density of buildings (not necessarily people) continue to mark the urbanization of the city.
Graduation often leaves a void in a new architect’s life. After five years or more (lets face it, usually more) of being with the same friends, colleagues and teachers, it’s only natural that the transition from academic to professional life is accompanied by a feeling of nostalgia for long discussions in college corridors, late nights designing together, parties, and, above all, a student routine.
The most common route after receiving a degree is facing the (savage) job market. Finding an internship and becoming an architect, finding a job in a new office, and spending some time getting to know the insides of studios, offices, and architectural firms seems to be one of the options that most interests new architects. The idea of starting your own business in the long-term future seems to be adequate compensation for those years of dedication to projects that are not always tasteful or aligned with the ideals of those who have just left college.
Thinking of continuing your studies but don't want to start a master's or a doctorate just yet? Around the world, short-term courses taken remotely are increasingly popular alternatives, and platforms such as edX, created by Harvard and MIT Universities make it even easier to dive deeper into the most diverse topics.
Of course, for long-term and undergraduate courses, the face-to-face experience cannot be replaced by online classes. However, being able to follow lessons and participate in discussions with people from around the world online is definitely an important advantage offered by the internet.
We have compiled a few courses in areas ranging from video game design to bio-cellular engineering, and from the history of Japanese architecture to courses in architectural imagination. See our list below:
Did you know Pngimg has a large number of free images available for download in .png. The best part? They are perfectly clipped and background-free! The collection is divided into categories that includes trees, people, objects, appliances, sports, clothing, and a host of other strange but perhaps useful animals/things. Just when you needed fresh trees in your renders, Pngimg comes to the rescue.
Adding contextual objects and scale figures can really give life and added value to project visualizations. See the .pngs here here and check out other tools that might be helpful, below.
Oscar Ribeiro de Almeida Niemeyer Soares Filho, or simply Oscar Niemeyer, was one of the greatest architects in Brazil's history, and one of the greats of the global modernist movement. After his death in 2012, Niemeyer left the world more than five hundred works scattered throughout the Americas, Africa and Europe. Niemeyer attended the National School of Fine Arts in Rio de Janeiro in 1929, graduating in 1934. He began working with the influential Brazilian architect and urban planner Lúcio Costa in 1932, a professional partnership that would last decades and result in some of the most important works in the history of modern architecture.
"The Architect", directed by Jonathan Parker, is a film that moves between drama and comedy. It features a humorous (and some would say believable) satire of architects. In the film an egocentric, and grandiose architect named Miles Moss, played by actor James Frain, works with a couple who wants to build their dream home.
Tree and Design Action Group is a group that “shares the collective vision that the location of trees, and all the benefits they bring, can be secured for future generations through better collaboration in the planning, design, construction and management of our urban infrastructure and spaces.”
“Trees make places look and feel better, as well as playing a role in climate proofing our neighborhoods and supporting human health and environmental well-being, trees can also help to create conditions for economic success.” The Trees in the Townscape guide presents a modern approach to urban forestry, providing officials and professionals with the principles and references needed to realize the potential of vegetation in urban areas.
This is an approach that keeps pace with and responds to the challenges of our times. “Trees in the Townscape offers a comprehensive set of 12 action-oriented principles which can be adapted to the unique context of [any] own town or city.”
Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus. With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.