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On paper, entering an architecture competition is one of the most challenging things an architecture student can do. What draws students to them is the chance to experiment, approaching a loosely defined program that leaves room to test unconventional ideas and unfamiliar tools outside the rhythm of the semester. That distance from assessment is a relatively recent development, as competitions were once central to architectural education.

At the École des Beaux-Arts, teaching was split between the atelier, where students developed projects under a practising architect, and the competition, where a jury of professors judged the students' work without having followed its development. This model was later brought to schools such as MIT, Penn, and Cornell by French-trained instructors. Over time, most schools held on to the atelier, which became the design studio, and pushed the competition to the edges of the curriculum.

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Solar panels are often treated as equipment added to a building. What happens when they become part of the architecture itself? Once integrated into the envelope, photovoltaics can generate energy while also influencing the building's form, construction, and environmental performance.

Roofs are often the most obvious location for photovoltaic panels, yet other parts of the building can generate power while performing additional architectural functions. Facades can provide shading, louvers can control sunlight, and ventilated rainscreens can combine weather protection with energy generation. Their orientation, position, and integration into the building envelope therefore become part of the architectural design rather than a separate technical decision.

This month's Brazil in Focus looks at how architecture and urban development intersect with questions of housing, education, public space, and mobility across the country. This month's selection includes an indigenous settlement in Maricá recognized by UN-Habitat for its approach to adequate housing, editorials examining university campuses and planned cities as frameworks for collective life, and projects ranging from a timber-structured airport expansion to a commercial building that engages São Paulo's public realm and a residence shaped by its landscape. Also on the radar are the winning proposal for Itaú Cultural's new headquarters on Avenida Paulista, international recognition for two Brazilian landscape architecture projects, and a national diagnosis highlighting persistent gaps in pedestrian infrastructure and road safety.

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On October 11, 2026, Donald Insall Associates announced the passing of its founder, Sir Donald Insall. Describing him as "a man of great tact, charm and humour," the practice recognized his contribution to the structures, institutions, and tools of heritage preservation in England, as well as his practical knowledge and application of the craft of restoration. An architect, conservationist, planning consultant, author, and teacher, he led one of Britain's leading conservation practices for four decades after founding it in 1958. His practice undertook the renovation of William Morris's Kelmscott Manor in Oxfordshire and Robert Adam's Kedleston Hall in Derbyshire, the conservation of Chester's historic center, and the restoration of Windsor Castle following the 1992 fire, among other British landmarks.

Using shipping containers as the basis for a structure—also known as "cargotecture"—seems like a simple approach to building. Perhaps deceptively so. While it's true that containers are a quick, cost-effective, and often low-effort building material, and that they're durable and customizable, container conversions also bring their challenges. Without careful planning, the build process can be painful and the results underwhelming.

To understand whether containers are the right choice for a construction project, it's important to look past their industrial allure to the realities and constraints of steel boxes as a building material.

Walk along a river in almost any Latin American city and you will find stretches that have been straightened, lined with concrete, buried beneath roads, or pushed behind industrial areas and residential neighborhoods. Throughout the twentieth century, urban expansion gradually occupied riverbanks and former floodplains, while waterways were redirected or confined within infrastructure intended to control them. Yet the water continued to return. For decades, flooding has been the most frequent natural disaster in Latin America and the Caribbean, according to the Inter-American Development Bank.

Some cities have begun to reconsider what happens along these edges. Across Chile, Mexico, and Brazil, parks are being developed within riverbeds, drainage channels, and other territories exposed to flooding. These spaces accommodate water during heavy rainfall while providing areas for recreation, circulation, and gathering throughout much of the year. Their design also changes how surrounding neighborhoods access territories previously associated with flooding, pollution, or limited public use.

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Created by California surfers who wanted to bring the lines of surfing onto asphalt, skateboarding soon outgrew its role as a simple alternative for flat days. It established itself as a practice that reads the city through a different logic, reinterpreting steps, handrails, walls, and interstitial spaces as possible lines, challenges, and opportunities. Over time, it evolved into a global urban culture, a way of inhabiting and transforming public space through movement. What was once marginal has become a catalyst for community building and new uses for overlooked spaces. At its core, skateboarding reveals how many cities coexist within the same city, depending on who moves through them and how each person is able to reinterpret their surroundings.

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