Land reclamation from the sea has become a popular phenomenon in coastal development. It is the most preferred solution to the need for land in coastal areas and has been implemented for various use cases, including flood control and agriculture. Nowadays, it has become a famous urban response to the rapid increase in coastal urbanization, economic activity, and global population. Countries like China and the Netherlands lead the chart on the amount of land area reclaimed. However, most reclamation projects today take place within urban centers in the global south. Cities in West Africa, East Asia, and the Middle East produce these new lands as economic forerunners for their commercial industry and as platforms to house luxury residences.
But the relationship between the design and production of reclaimed lands and the response of water in ocean environments is complex. It requires a symbiotic relationship with water bodies for stability but can provoke natural forces when negligently imposed on the sea. Ocean water behaviors, including tidal accumulation, sea level rise, connection to wetlands, and aquatic biodiversity, can question the success or failure of land reclamation projects in different contexts.
Even as a child, the Venetian architect Carlo Scarpa was very aware of the fundamental element that would describe and underpin his work many years later: water. When he played and ran around the maze of streets and canals, Scarpa listened to everything around him, especially the richness of stimuli that his hometown offered him. A sensitive reader of places, he found his great text in Venice. This culture, subtle and almost academic, except for that devotion to scenography and the esoteric, is built over time; art, space, history, all compiled in his readings, trips to knowledge, and in his contact with artists and writers.
Scarpa would base his evolution as an architect on his extraordinary visual culture and his respect for tradition and the way of doing things in past eras; taking up the baton of that time and converting his reality into architectural space where all the pieces are independent units, dialoguing with each other or, as he liked to say, singing. He positions himself before what exists, whether it be an artistic piece or architectural space, from knowledge and sensitivity. He will apprehend the history and place in which it occurs and accentuate the existing beauty in things, showing the prominence of the new as a precious element.
As awareness of water scarcity, water stress and environmental sustainability grows around the world, the concept of "water footprint" is becoming increasingly relevant. Unlike its more popular cousin, "carbon footprint", which focuses on greenhouse gas emissions, the water footprint (WF) provides a holistic view of water used throughout the life cycle of a product, process, or activity. It measures the amount of water consumed (directly and indirectly) and polluted –taking into account different types of water resources– and serves as a valuable tool for companies, policymakers, and individuals to understand and address their water-related impacts. There are even online calculators that measure our individual footprints through simple questions about our homes, appliances and even eating habits.
Perspectiva exterior por Nicolás Belcic. Image Cortesía de Bruno Stagno
From Costa Rica, architect Bruno Stagno not only reflects on how responses to the environment can be the main basis for inspiration and identity in architecture but also proposes going a little further, with contemporary tropical architecture for an entire latitude.
What happens when these limits are extended? What happens when these motivations escape outside of the tropical context? Bruno Stagno presents here the project "A Mangrove for Berlin", his participation in the 1995 competition for the Reconstruction of the Berlin Academy of Architecture, "Berliner Bauakademie", an emblematic work of the architect Friedrich Schinkel.
Health Through Water / GROHE SPA. Image Courtesy of GROHE SPA
Milan Design Week represents one of the biggest annual design events in the world, bringing together Salone del Mobile.Milan, the largest furniture and design trade fair worldwide, and Furiosalone, along with many other exhibitions, product launches, conferences, and design-related events. This year’s edition, held between April 17th, 2023 and April 21st, 2023, brought together architects, designers, manufacturers and enthusiasts, both Italian and international. Many architectural offices contributed by collaborating with various brands to develop architect-designed products and to create architectural installations to highlight not only furniture and object design but also the larger context of Milanese architecture and culture.
Featuring designs from internationally recognized architecture offices such as OMA, MAD Architects, Stefano Boeri Interiors and CRA-Carlo Ratti Associati, the following selection showcases temporary interventions in both historical and contemporary contexts. The designs present several recurring themes, such as the interest and fascination with the properties of water, be it contained within man-made structures or in its natural state. Many of the participating companies chose to showcase not only their products but also the historical architecture of Milan, by using buildings such as Pinacoteca di Brera, Casa Maveri, or the deconsecrated church of San Vittore e 40 Martiri as a backdrop for their installations.
Danish Maritime Architecture Studio MAST, working together with the Municipality of Segrate, plans to transform a former sand quarry into a central park to reconnect the surrounding neighbourhoods and create a new destination for the residents of Milan, Italy. The abandoned quarry has left behind a unique landscape. The off]ice’s proposal includes a series of buildings along the lake’s perimeter linked by a public walkway and a cluster of islands in the centre of the lake. MAST is currently working with the Municipality of Segrate toward realising the project.
The Portugal pavilion at the 18th International Architecture Exhibition - La Biennale di Venezia 2023 will present the Fertile Futures project, curated by Andreia Garcia and assistant curators Ana Neiva and Diogo Aguiar. The project aims to address water resources issues in seven Portuguese hydro geographies and encourage reflection on building a sustainable, equitable, and fertile future. The exhibition will take place at Palazzo Franchetti from May 20 to November 26, 2023.
Plataforma de Mergulho ICEBERG / Bulot+Collins. Image Cortesia de Bulot+Collins
The aquatic environment has always fascinated dreamers and researchers. Around 1960, in the midst of the fierce space race of the Cold War, French explorer Jacques Cousteau developed equipment such as the Aqualung to unravel the depths of the sea, which remained as unexplored as outer space itself. He even stated that in 10 years we could occupy the seabed as “aquanauts” or “oceanautas,” where it would be possible to spend long periods extracting mineral resources and even growing food. Sixty years later, the seabed is still reserved for few, and mankind has been more concerned with plastic in the oceans and rising sea levels than colonizing the ocean floor. But being close to a body of water continues to attract most people. Whether out of interest or in response to risks of flooding and over-population, some have turned to utopian proposals and floating architecture, examples of which have been featured in the ArchDaily project archive. But what are the fundamental differences between building houses on land versus on water, and how do these buildings remain on the surface rather than sinking?
In October, the ArchDaily team spoke with Henry Glogau during his stay in London, where he was working on a number of projects. At only 26 years old, his resume includes an impressive amount of international awards, which he has received for the relevance of his work to issues both so basic and urgent for humanity: access to potable water, sanitation and quality of life. Born in New Zealand, Henry moved to Copenhagen in 2018 to study at the Royal Danish Academy and for the past two years has been working at the 3XN GXN office as an architect in their innovation unit, alongside a multidisciplinary team. Below, read the conversation we had about some of his projects, his beliefs about the role of architecture, and his views on our responsibility to the planet.
On December 13th, the Directorate of Cultural Affairs of the Argentinian Foreign Ministry announced the winners of its open curatorial competition to select the country's entry for the 18th International Architecture Exhibition of the Venice Biennale, which will take place next year from May 20th to November 26th.
David Adjaye, in partnership with Bedrock and the city of Cleveland, unveiled the masterplan for the Cuyahoga Riverfront, a 15-to-20-year vision that will transform 35 acres of the riverfront to improve accessibility, equity, sustainability, and resilience of the downtown area. The design embraces the city’s rich history and connection to nature and creates a sustainable infrastructure that prioritizes pedestrian movement and activates open public spaces. David Adjaye, a British-Ghanian architect, has been awarded Britain’s Order of Merit, making him the fifth architect to be appointed the honor.
Danish Maritime Architecture Studio MAST has developed the “Land on Water” project, a system that provides an adaptable solution to building almost anything on the water: floating homes, campsites, even small parks, and community centers. The project represents a response to the acknowledgment of raising sea levels and increased risks of urban flooding, which has led to a growing interest in adapting architecture to be built on water. The “Land on Water” proposes a flexible and sustainable solution, a departure point from previous solutions, which are proven to be difficult to adapt, transport and are often using unsustainable materials such as polystyrene-filled concrete foundations or plastic pontoons. The project is developed with the support of Hubert Rhomberg & venture studio FRAGILE.
The end of the summer season is usually marked by crowds rushing to public pools to enjoy their final days splashing around the water. Public pools are much more complex than the fenced-in, chlorinated, and noisy bodies of water that they may seem to be. A delicate history and many socio-economic influences lie beneath the surface and dictate who gets to go for a swim. What happens when pools shift towards becoming private property and a sort of status symbol, and when these public spaces aren’t intended for everyone?
Few architectural typologies have the power to invoke a sense of being dual-natured quite as the modernist swimming pool can. The design of pools themselves implies that there are moments of activity both above and below the water. Above, and in the more obvious and visible sense, pools act as a space for leisure and athletic training. But underneath the surface, swimming pools have a long-standing history of acting as symbols of surveillance, death, and social conditions associated with an economic class.
The climate crisis has accentuated changes in the amount of rainfall, causing droughts or storms with large volumes of water, which result in floods that can cause great damage to urban infrastructure. To combat this, the sponge city is a solution that has a green infrastructure to operate the infiltration, absorption, storage and even purification of these surface waters.
Machu Picchu, also known as "The Lost City of the Incas", located high in the Peruvian Andes (2430 m.a.s.l.) in Cuzco, is one of the most famous archaeological complexes and one of the 7 wonders of the modern world. It is here, under the dense foliage of the surrounding jungle, that a network of hidden river channels has been discovered.
It could be said that one of the main aspects to take into account when designing a swimming pool is the choice of colour for the coating. The light, the shadows, the depth, the environment and the elements that surround it are variables that directly affect the final tonality of the water. The effects of artificial and/or natural lighting also determine the final aesthetic, because if it's located outdoors, reflecting the sky, it will create a different effect than if it's located indoors, where the ceiling would influence its colour.
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‘Precision O-ring’ in EcoSmart hand showers: If the water pressure is high, the size of the opening decreases. If it is low, it expands.. Image Courtesy of Hansgrohe
Water scarcity will directly affect nearly 20% of the human population by 2025, according to several UN reports, and indirectly influence the rest of the planet’s inhabitants as well as economies and the whole ecosystems. Designing effective water management systems is an important process that encompasses the planning, developing, and managing of water resources, in terms of both water quantity and quality, across all water uses. It includes the institutions, infrastructure, incentives, and information systems that support and guide water management.
