LocationAv. Santa Cruz, Quillacollo, Bolivia
Architects in ChargeRalf Pasel, Andreas Skambas, Lorena Valdivia, Anna Wortmann
Design TeamArch. Students of Tech. University of Berlin Jasmin Auda, Sabrina Baschinski, Johannes Belz, Larsen Berg, Svenja Binz, Magdalena Böttcher, Antonia Breckwoldt, Ammon Budde, Vera Burkhardt, Anja Dotter, Oskar Ellwanger, Simon Finzel, Ellinor Förster, Carolin Friedrich, Paulina Hagen, Olga Herrenbrück, Lisa van Heyden, Anne Hommerich, Tom Jones, Detlev Kerkow, Felizitas Konrad, Bastian Landgraf, Jonathan Lewkowicz, Juri Lux, Annalena Morra, Canan Öztekin, Eyal Michael Perez, Tessa Poth, Charlotte Reh, Benjamin C. Schaad, Hong Mai Tran, Paul Walter, Karol Wojtas, Xiao Xiao.
Boarding House for an Agricultural School / Technical University of Berlin / CODE Chair Construction + Design - Ralf Pasel
The countdown has begun to the annual GAGAs - Galvanizers Association Galvanizing Awards. Entry is now open for these highly regarded awards, which offer an accessible yet powerful way of establishing a reputation for design excellence, within the architectural community and beyond.
The GAGAs are open to all within the construction supply chain from clients, architects, engineers, contractors and fabricators. All that is required is a short project description and photographs. Any new building or refurbishment project completed after 1st June 2015 is eligible.
The event will be held in June 2018 at the Royal Aeronautical Society in London, where judges
Update: The deadlines for this opportunity have been extended
- Call For tutors : Extended till January 28
- Call for participants : Ends on February 28
MEDS workshop “Meetings of Design Students” is an international workshop that takes part each summer in a different country, focusing on various issues, themes, topics and settings that will help any designer expand their expertise. It is a chance to get in touch with diverse approaches to design, different building techniques, traditions and skills. MEDS workshop is both practical and educational because it focuses not only on creative theoretical designs, but actually compels participants to execute these designs during the 2-week span of the workshop. You can apply to MEDS as a tutor or as a participant.
Dutch 3D-printing start-up MX3D has revealed new details about their plans to install the world’s first 3D-printed metal bridge over a historic canal in Amsterdam.
Originally slated to be built in place, further research concluded that the design would have placed too much stress of the canal walls. So it was back to the drawing board, and the studio, where the updated design is now under construction. Featuring complex curves and a 12-meter-span, the bridge is now being constructed by MX3D’s sophisticated 3D-printed robot. And with about one-third of the structure already completed, it is back on schedule for a late 2018 installation on Amsterdam’s Oudezijds Achterburgwal canal.
Beat Box: 30 apartments in 48 containers to transform the Danish neighborhood of Musicon, adjacent to the famous Roskilde Festival area. Designed by Arkitema Architects and constructed by Container Living, Beat Box is an integral part of Roskilde’s goal to revamp Musicon over the next 15 years by adding 1,000 jobs and 1,000 homes.
Arup's’ research into alternative production techniques and materials has focused on the potential of 3D printing metal in the construction sector. Complex and individually designed steel structural elements can be efficiently produced “resulting in endless possibilities in mass customisation, weight reduction, product integration and more.”
Working with the Anglo-Dutch company 3Dealise, their 3D-printed sand molds are used in the traditional casting process to create sophisticated, unique structural steel nodes as a certified material. Sand printing offers a quick technique that can reuse the materials and allows costs to be kept low.
Cracks, which could be classified according to their thickness as fissures or fractures, are serious problems in the construction industry that can negatively affect aesthetics, durability and, most importantly, the structural characteristics of a project. They can happen anywhere, but occur especially in walls, beams, columns, and slabs, and usually, are caused by strains not considered in the design.
High strength, ease of transport, and simplicity of assembly are among the many major advantages of steel. But while utilitarian steel structures tend to be hidden by architects, working with exposed steel can lead to attractive results. Steel not only brings lightness to a design, but can also offer different expressions of color and texture, depending on the treatment of the material. Below we present a selection of 14 photos of steel architecture from well-known photographers such as Adrien Williams, Imagen Subliminal, and Sergio Pirrone.
The premise for this design was to create an iconic space, with a concept adaptable to any property and versatile when exposing the product. It should also be a design that could be quickly built and at a moderate cost.
To reach this goal, DearDesign has designed an open store with a structure that, despite its rigid and orthogonal look, solves flexibility in terms of product display. The design of the store is based on a three-dimensional grid inspired by the Fibonacci sequence, which creates a variable rhythm in a permeable volume, ordering the space by generating niches to exhibit the product along its perimeter.
Polish architect, designer, and sculptor Oskar Zieta has unveiled his latest project: the arched NAWA pavilion on an island in Wroclaw, Poland. The pavilion forms part of the European Capital of Culture celebrations following the theme of “Metamorphoses of Culture” and was unveiled in June. The lightweight steel elements that make up the parametrically designed sculpture are made in a unique method called FiDU, a metal-inflating process created by Zieta during his PhD studies in ETH Zurich. Though Zieta has used FiDU successfully for various products (many exhibited in the Salone del Mobile in Milan), the NAWA Pavillion is the first project of this size to use the technology entirely, and is thus coined as “a manifesto of FiDU."
One of architecture’s most delightful anomalies is the diversity of solutions generated by any given site. From hypothetical university projects by architecture students to professional international design competition entries, the differing perspectives, stances, and experiences brought to rest on one site by several design teams can wield a bounty of contrasting ideas.
Recently, we reported on Nestinbox, a proposal by Swedish architecture firm Manofactory to attach a series of simple, functional houses to a cliff face in Stockholm, addressing the demands of increased populations and land prices in cities across the world. Now, the cliffs of Stockholm have been the subject of an entirely different, though just as evocative concept by Swedish firm UMA. Rather than private housing, UMA proposes the Stockholm Infinity Pool, a public pool 1km along the Sodermalm cliffs of Sweden’s capital.
Professor Alan Short of the University of Cambridge has published a book advocating for the revival of 19th-century architectural ideas to address the crippling energy use of modern skyscrapers. The Recovery of Natural Environments in Architecture proposes an end to the architectural fetish for glass, steel, and air conditioning, instead drawing inspiration from forgotten techniques in naturally ventilated buildings of the 1800s. The book is a culmination of 30 years’ research and design by Prof. Short and his colleagues at the University of Cambridge.
London-based architecture collective Assemble is set to transform an outdoor courtyard at A/D/O in Brooklyn into a ‘model factory’ to explore utopian ideals of work. The Turner Prize-winning architects will use their first site-specific installation in the U.S. entitled ‘A Factory As It Might Be’ to depict a vision of how society should build and function using abundant, malleable materials.
The SOCKEEL + OLGGA consortium have won a competition to design the new Tribut Stadium in Dunkirk, France. The historic stadium, in a prominent location on a canal bank in central Dunkirk, will be transformed into a 5,000 seat stadium seeking to maximize inclusiveness and accessibility.
A building’s materiality is what our bodies make direct contact with; the cold metal handle, the warm wooden wall, and the hard glass window would all create an entirely different atmosphere if they were, say, a hard glass handle, a cold metal wall and a warm wooden window (which with KTH’s new translucent wood, is not as absurd as it might sound). Materiality is of just as much importance as form, function and location—or rather, inseparable from all three.
Here we’ve compiled a selection of 16 materials that should be part of the design vocabulary of all architects, ranging from the very familiar (such as concrete and steel) to materials which may be unknown for some of our readers, as well as links to comprehensive resources to learn more about many of them.
Update: We've added a video of the process to the article!
This year's Architectural Association (AA) Summer DLAB program culminated in Weave.X, the final working prototype of three-dimensionally interwoven concrete structures. Designed and fabricated by 21 participants from 11 countries in July and August, the prototype explores computational design, geometry rationalization, material behavior, and robotic fabrication as applied to concrete and robotic rod-bending techniques. The result is a network of self-supporting concrete branches that envelop an amorphous enclosure.
LocationShanghai, Shanghai, China
Design TeamWANG Yan, WANG Yibo
DeveloperChimney (Shanghai) Culture Development Co., Ltd
ConstructionShanghai Puhong Construction Engineering Co., Ltd
Situated on the peak of Bergisel Mountain above the picturesque alpine city of Innsbruck, Austria, the Bergisel Ski Jump represents the contemporary incarnation of a historic landmark. Designed by Zaha Hadid between 1999 and 2002, the Ski Jump is a study in formal expression: its sweeping lines and minimalist aesthetic create a sense of graceful, high-speed motion, reflecting the dynamic sensation of a ski jump in a monumental structure that stands above the historic center of Innsbruck and the mountain slopes around.