Architecture firms Selgascano and FRPO have been announced as a finalist in the competition to design Spain's National Pavilion for EXPO 2020 in Dubai. Their proposal includes an inflatable canopy of nine yellow ETFE cylinders set within a steel framework. Reinterpreting the Spanish plaza, the design creates a new take on the public square. The pavilion was made to be ultralight as a more sustainable structure that could be easily removed and transported. Formed as a 'breathing pavilion', the design allows two inflatables to move up and down to respond to views, light and breeze.
For the Dubai 2020 Expo, the United Arab Emirates and Sheikh Mohammed bin Rashid, Vice President and Ruler of Dubai, selected the theme Connecting Minds, Creating the Future. Organized around ideas of Sustainability, Mobility and Opportunity, the next world Expo will be the first to be held in the Middle East, North Africa and South Asia region. Organised every five years, the world expo lasts six months and is created as a global destination for millions of people to share ideas, showcase innovation, encourage collaboration and celebrate human ingenuity.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
In our rapidly changing world where ideologies and forms of life are under threat, history is being disregarded. The 2018 Bruges Triennale proposes one question: “How flexible, liquid, and resilient can a historic city like Bruges be in an age when nothing seems to be certain any longer?” In parallel, the inspiration behind the concept lies in the geography of the city itself. Bruges is a city wrapped and braided with water and has been a metaphor for Liquid City since early times. Till-Holger Borchert and Michel Dewilde, curators of the 2018 Bruges Viennale, have asked artists and architects to translate the city’s fluidity and artistic legacy into picturesque installations, allowing visitors to become part of the creative process.
September 22nd marked the start of fall in the Northern Hemisphere. This season of the year is excellent for architectural photography due to the effects of nature, which delights us with wonderful red and orange foliage. To mark the beginning of this season, we have created a selection of 10 works captured in fall by prominent photographers such as Francisco Nogueira, Jorge López Conde, and Steve Montpetit.
U.D. Urban Design AB and SelgasCano have won an international, invited competition to design the new Planning and Administrative Offices for the city of Stockholm, Sweden. Their project, "Drivhus” (Danish for "Greenhouse”) will be located south of the Stockholm city center in Söderstaden, an area set for redevelopment.
SelgasCano's Louisiana Hamlet Pavilion, designed in collaboration with Helloeverything, has been dismantled from its Copenhagen home and is set to be reconstructed in the sprawling Kibera slum, Nairobi, where it will begin a new life as a school. The structure, which is in transit to one of the largest slums in the country, will replace a dilapidated shelter which currently houses 600 pupils. The pavilion, originally commissioned by the Louisiana Museum of Modern Art (Copenhagen), has been relocated following discussions between Iwan Baan, SelgasCano, the museum, and Second Home.
Photographer Nikhilesh Haval of nikreations has shared with us this virtual tour of the 2015 Serpentine Pavilion. Taking viewers through a series of 360-degree panoramas shot on a mercifully sunny day, the tour shows off the pavilion's striking colors to good effect and gives some indication of the complex and dynamic arrangement of the design's double skin.
For those won't get the opportunity to visit for themselves, Haval's virtual tour is a great way to experience SelgasCano's psychedelic space as it gives a reasonable impression of what it feels like to actually be there. I can say that with some authority because, since I last wrote about the pavilion, I got the chance to visit it myself - and what I found was completely different to the pavilion I might have expected had I been taking cues from our comments section. I'd like to talk to our readers about that directly, if I may.
A prelude to Serpentine Park Nights, selgascano, Sou Fujimoto and Smiljan Radic sat down with Serpentine Directors Julia Peyton-Jones and Hans Ulrich Obrist to discuss the concepts behind the design of the 2015 Serpentine Pavilion and the history of the commission. The conversation, moderated by Sarah Ichioka, marks the 15th anniversary of the Serpentine Pavilion.
We're just three days into the four-month display of SelgasCano's 2015 Serpentine Gallery Pavilion and the comments it has generated from ArchDaily readers have already been as colorful as the pavilion itself - with criticisms ranging from "worst Serpentine Gallery Pavilion ever" to "trash bag monster" and a few other comparisons that I'd rather not even repeat. This may surprise some people, but at ArchDaily we do actually read the comments section, and we get it: unless you're the brave and persistent soul who comments as "notyourproblem," who thinks "it must be exciting getting inside those tunnels," there's a good chance that you hate this pavilion - and I don't use the word "hate" lightly.
But is this violent dismissal warranted? In short, is SelgasCano's pavilion as bad as you probably think it is? Fortunately, we're not the only publication giving the pavilion extensive coverage: as usual the Serpentine Gallery has attracted a number of the UK's most well-known critics. Find out what they thought of the pavilion after the break.
With the opening ceremony of SelgasCano's Serpentine Gallery pavilion earlier today, the Serpentine Gallery has released a set of images by Iwan Baan, capturing the riotous color explosion delivered by the pavilion's ETFE wrapping. Always one of London's most popular architectural attractions over the summer, this year marks the pavilion's 15th anniversary, and will be on display until October 18th.
Read on after the break for more images - and stay tuned to this posts for updates throughout the day!
The 2015 Serpentine Gallery Pavilion was revealed today in London, showcasing the colorful plastic design by SelgasCano to the public for the first time. Consisting of a minimal steel frame wrapped in multi-colored ETFE sheets and webbing, the design is encompassed by "secret corridors" which provide access to the main internal space, inspired by the multi-layered and sometimes chaotic network of the London underground.
With this year's Serpentine Pavilion in London scheduled to open next week, the Serpentine Gallery has released construction images of SelgasCano's multi-colored plastic shelter. The images by NAARO show the double-skinned ETFE-coated structure taking shape, and give an impression of the spatial experience offered by the "secret corridors" which circumnavigate and provide access to the interior space.