London-based firm Tonkin Liu has released images of its competition-winning Trade Centre in Zhengzhou, China. The Cradle Towers of Zhengzhou will comprise of five mixed-use towers swooping out of a ring-shaped podium. Inspired by the nearby Songshan mountainscape, the scheme aims to celebrate the city’s origins as it rockets into a high-tech future.
Furniture and design retailer XTRA's new flagship store in Singapore's Marina Square includes a Herman Miller "Shop-in-Shop" that draws inspiration from the furniture it showcases. Encircling the space is a 20-meter arched structure that, from a distance, gives the appearance of tufted fabric pulled taught over a frame. But in fact, this structure is built from a plywood "skin" that designer Pan Yicheng of PRODUCE Workshop has dubbed "fabricwood."
R2 Companies and Gensler have teamed up to revitalize the Milwaukee Post Office building and convert it into a mixed-use destination with retail and an activated riverfront arcade. The master plan aims to transform the brutalist building, which is one of Milwaukee's largest and most iconic, by carefully considering the existing site and accordingly defining an identity for Milwaukee's downtown.
.jpg?1476415842 "© R2 Companies")
With its iconic copper-clad tower looming over Wilshire Boulevard, the Bullock’s Wilshire has been a celebrated element of the Los Angeles cityscape since its opening in 1929. Known for its lavish Art Deco aesthetic, the department store made its mark as a prime shopping destination in a city filled with celebrities. But the Bullock’s Wilshire was more than a glamorous retail space; with a design centered around the automobile, it was to set a new standard for how businesses adapted to a rapidly changing urban environment.
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Design Capital 21 is an interior design competition for a new integrated mall. The integrated mall intends to adopt as its conceptual design this theme: the world’s famous capital cities from the five continents. Each floor must be representative of the continent by bringing to life the characteristics and identities of its capital cities.
Chilean-born artist and designer Sebastian Errazuriz has designed Swiss watchmaking brand Audemars Piguet's new lounge for Art Basel Hong Kong. "Taking inspiration from the ice formations and snowy winters of Audemars Piguet’s home in Le Brassus, Switzerland, the lounge will express the purity of nature and the passing of time," says Errazuriz.
"With water and ice as its main thematic elements, the new stand will give form to the concept of ice cycle as a metaphor of time. Three key components will anchor Errazuriz’s design: the icicle as a beautiful form, accumulating over time; the water drop, seen as nature’s ticking pulse; and ripples in the water, symbolizing the forward movement of new life. The drips of the melting icicles resemble nature’s pulse, like the beating of a heart or a ticking clock."
Schmidt Hammer Lassen Architects has won the international competition to design a new mixed-use development in the heart of Stockholm, Sweden: Hästen 21. The new development will comprise retail, office and residential spaces, creating a “central artery” for the area with a strong visual presence adapted to the history and skyline of the existing city.
With the rise of the internet, old-fashioned brick-and-mortar stores have struggled, as online ordering services have increasingly made it unnecessary to actually go to a store. The answer for the physical stores of the future? Make spaces not for purchasing the things people need, but experiencing the things people want, as explored in this article by Matt Alderton originally published on Autodesk's Redshift publication as "How Technology and Big Data in Retail Are Shaping Store Designs of the Future." Alderton looks at how forward-looking stores are being designed to appeal to customers, finding that the same technology revolution that threatened to make stores obsolete might also play a key role in saving them, too.
Shopping used to be stimulating. Although its end was sales, its means was a mix of status and spectacle. It was social commerce in which partakers transacted not just cash, but also cachet.
Nowhere was this more evident than in the earliest department stores, whose architects designed them to be destinations. In London, for instance, Harrods boasts the motto “Omnia, Omnibus, Ubique”—Latin for “All Things for All People, Everywhere.” Established in 1849, it has seven floors, comprising more than 1 million square feet across more than 330 departments. The store installed one of the world’s first escalators in 1898, opened a world-famous food hall in 1902, and sold exotic pets such as lion cubs until the 1970s.
Apple's new Foster + Partners-designed flagship store in Chicago is said to have been inspired by Frank Lloyd Wright's Prairie Style Homes outside the city. Unveiled first by the Chicago Tribune, the store will feature a 14-foot entry pavilion that will usher visitors from Michigan Avenue down into the sales floor backdropped with views of the Chicago River. A "grand flight of stairs" will offer pedestrians an alternative route to the riverside walkway that flanks the bank.
Produced by Dutch journalist Peter Veenendaal, City of Light is a documentary that covers the design, construction, and social effects of Willem Marinus Dudok’s De Bijenkorf in Rotterdam, the Netherlands. De Bijenkorf opened in Rotterdam in 1930, and after barely surviving the Second World War, it was destroyed in 1960 to make way for a Metro Station and a new store designed by Marcel Breuer and largely forgotten. City of Light presents Dudok’s shopping center as an important model for retail architecture that came about during the formative years of the shopping mall, and includes interviews with historians, former employees, and local enthusiasts to bring the building back to life.
Despite being relatively unknown today, Dudok’s De Bijenkorf was important not only for the architectural community, but also for the city of Rotterdam. In Veenendaal’s documentary, architectural historian Herman van Bergeijk remarks that at the time of its construction, De Bijenkorf was the “largest and most modern department store in Europe." The store was immensely popular with locals; according to the video over 70,000 people visited on opening day to explore the building, and over time, it became an icon of Rotterdam's growing commercial success.
.jpg?1486048343 "Prototype of the Fabricwood system. Image Courtesy of PRODUCE Workshop")
.jpg?1486048351 "Courtesy of PRODUCE Workshop")
.jpg?1448462729 "Owen Launch by Tacklebox Architecture. Image © Juliana Sohn for OWEN")
