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The Milano Cortina 2026 Winter Olympics officially opened on Friday, February 6, with a ceremony staged across four locations in northern Italy. The main opening event took place at San Siro Stadium, one of Milan's most significant modernist landmarks, and combined dance and performing arts, referencing Italian culture with performances by international artists, including pop star Mariah Carey. Although several competitions had already begun on February 4, the opening ceremony marked the start of a broader programme of sporting, social, and cultural events distributed across Milan and the three Alpine host areas: Cortina d'Ampezzo, Valtellina, and Val di Fiemme. The Games are scheduled to run until February 22, concluding with a closing ceremony at the Verona Arena, ahead of the Paralympic Games, which will take place from March 6 to 15. As a large-scale international event, the Olympics place significant demands on sports infrastructure, transportation networks, accommodation, and tourism capacity, offering early indications of the longer-term urban, architectural, and territorial impacts the Games may leave behind.

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Nearly one week before the start of the Milano Cortina 2026 Winter Olympics, the organizing committee has released official information on the event's Cultural Olympiad: an arts and culture programme accompanying the Olympic and Paralympic Games. The programme is recognized by the IOC as one of the three pillars of the Olympic Movement, alongside sport and education. Conceived as a widespread platform involving territories, institutions, and communities across Italy, the Cultural Olympiad aims to highlight the Italian Alps and Milan's cultural heritage while promoting Olympic values through art, history, and participation beyond the official sports venues.

The built environment is expected to reduce carbon emissions, support biodiversity, and respond to changing ecological conditions, all while providing housing for communities and reflecting their cultural values. In this shifting landscape, a once-maligned architectural style emerges in a surprising new form. Brutalism, long associated with institutional gravitas and material austerity, is now being reframed through an ecological lens. This hybrid movement, known as eco-brutalism, combines the power of concrete with greenery and climate-sensitive design strategies. The result is a set of spaces that are visually arresting, conceptually complex, and increasingly popular among designers, urban planners, and the general public. This movement includes not only the direct lineage of 1960s Brutalism but also contemporary projects that, while not strictly Brutalist, share its material honesty, monumental scale, and use of expressive concrete forms.

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Seven years after the inauguration of Bosco Verticale in Milan, Stefano Boeri Architetti presented a video documentary of Trudo Tower, the first Vertical Forest in social housing. The 19-storey residential tower, which is built in Eindhoven, The Netherlands, features hundreds of various species on each of its four facades, with 125 affordable apartments that accommodate low-income residents. The miniseries consists of 3 episodes that explore how "living in contact with trees and greenery - and enjoying their advantages - is not the prerogative of rich people but could well become a possible choice for millions of citizens around the world.”

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With the COVID-19 pandemic sweeping through the world's urban centers, governments worldwide are urging citizens to hunker down at home in a bid to quell the virus' spread. For apartment dwellers under quarantine, balconies have become the new platforms for entertainment and social interaction, making now an opportune moment in rethinking how we design and build these outdoor urban spaces.

Until the recent outbreak of the COVID-19 pandemic, the climate crisis was perhaps the fundamental design problem of our Anthropocene era. The threat of climate change has forced us as designers to reevaluate how we realize designs at all scales. Eco-friendly interior finishes, net-zero energy skyscrapers, and strategies to prevent the rising sea levels from pushing residents in coastal cities more inland are just some of the innovative solutions that have come from the increased urgency to mitigate the effects of the climate on our world.

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Following natural disaster or conflict, architecture plays a critical role in not only reconstructing lost infrastructure but also responding to the need for comfort and safety for those affected. Successful post-disaster architecture must meet both the short-term need for immediate shelter, as well as long-term needs for reconstruction and stability. Eight years after the 2010 Haiti earthquake, those displaced continue to reside in temporary shelters without adequate access to plumbing and electricity, revealing the critical importance of addressing long-term needs after disaster and conflict.

Below, we've rounded up 10 impressive examples of post-disaster architecture that range from low-cost, short-term proposals to those that attempt to rebuild entire communities from the ground up:

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Videos

In August 2016, a powerful 6.2-magnitude earthquake struck central Italy, resulting in the loss of nearly 300 lives and the destruction of centuries-worth of historic architecture. At the center of the destruction was Amatrice, a beautiful hill town set in the Latium Apennines, which was reduced to mere rubble, leaving hundreds dead or injured and the survivors homeless.

But the community could not be held down. Shortly after the disaster, rebuilding efforts began, with the assistance of some of Italy’s top architects, including Renzo Piano and Stefano Boeri Architetti, who were able to construct a brand new canteen in just a few weeks time.

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This August 19th is World Photo Day, which celebrates photography on the anniversary of the day on which France bought the patent for the daguerreotype, one of the earliest photographic processes, and released it to the world for free in 1839. At ArchDaily, we understand the importance of photography in architecture—not only as a tool for recording designs, but also as a discipline that many of us enjoy. To celebrate the occasion, we decided to reveal the most popular images ever published on ArchDaily, as selected by you, our readers. Using data gathered from My ArchDaily, we have ranked the 100 most-saved images from our database; read on to see them.

Are tree covered buildings really in tune with ecological and sustainable principles, or are they just a form of greenwashing? This is the question posed by Kurt Kohlstedt in his essay, Renderings vs. Reality: The Improbable Rise of Tree-Covered Skyscrapers, for 99% Invisible. The author notes that vegetated designs come about for myriad reasons – the appearance of sustainability, better air and views, investment intrigue – but that most of these concepts will never leave the realm of paper or virtual architecture. For as many reasons that these buildings have become popular, there are detractors for why they simply cannot be built, including daunting construction hurdles (extra concrete and steel), vast irrigation systems, added wind load complexities, and the trees themselves having difficulty adapting to their vertiginous conditions.