Museum Design: The Latest Architecture and News

The Dallas Museum of Art (DMA) announced Madrid-based practice Nieto Sobejano Arquitectos as the winner of the international design competition Reimagining the Dallas Museum of Art. The project was selected out of 154 submissions from around the world, and a shortlist featuring internationally recognized names such as David Chipperfield Architects, Diller Scofidio + Renfro, Johnston Marklee, Michael Maltzan Architecture and Weiss/Manfredi. The winning proposal was conceived ‘as a reflection of the original building, transforming the relationship between art, landscape, and community into a balance of memory and innovation,’ according to the architects. The winner’s concept design is available to view in a free presentation on Mezzanine Level 2 at the DMA through this Fall and on the competition website.

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Switzerland-based office Oppenheim Architecture has been announced as the winner of a two-phase competition for the redesign and restoration of the Besa Museum in Tirana, Albania. The institution is dedicated to showcasing the Albanian code of honor represented through the name “Besa,” a concept that dictates welcoming any guests as one’s own. The museum is conceived as a continuation of the Jewish Museum on Vlora, diving deeper into the principle of Besa and its role in the help given to the Jews in Albania during the Holocaust.

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In the capital city of Poland, WXCA won a competition to design one of the largest museums completed in Europe today. The museum is now under construction at the Warsaw Citadel. The development is a combination of the Polish History Museum and the Polish Army Museum. Located on the site of a former fortification, the complex will become a culture hub rooted in remembrance.

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Kengo Kuma and Associates have just been awarded second place in an architecture competition to design the expansion and renovation of the Egyptian Museum in Torino, Italy. It served for many decades as the primary civic space in Turin, with its public areas closed off from the rest of the city. Kengo Kuma’s proposal aims to recreate the public plaza, a city center covered by a thin glass canopy. Founded in 1824 and is the oldest museum for Ancient Egyptian culture, the Egyptian Museum in Torino held a competition earlier this year and received entries by Pininfarina Architecture, Carlo Ratti Associati, and Snøhetta. The winning project by OMA / David Gianotten and Andreas Karavanas will transform the museum into a cultural space, creating one covered courtyard and a series of connected urban rooms within the existing settlement.

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Perkins&Will has been selected as one of the five finalists in the nationwide artistic ideas competition for the design of the new National Museum of the U.S. Navy. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and BIG. Organised by the Naval Heritage History and Command’s (NHHC), the competition’s aim is to create a modern museum for Naval veterans and the public, a new building and ceremonial courtyard to reflect the Navy’s values and legacy. The campus would consist of approximately 270,000 square feet, with 100,000 square feet of gallery space. The Navy’s preferred location for the museum is on a site adjacent to the Washington Navy Yard.

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Bjarke Ingels Group (BIG) was selected as one of the finalists in the Naval Heritage History and Command’s (NHHC) competition for the design of the new National Museum of the U.S. Navy. The competition’s aim is to create a publicly accessible modern museum for Naval veterans and the public, a memorial to the U.S. Navy’s heritage, and a center for education and cultural events. The other finalists are DLR Group, Frank Gehry Partners, Quinn Evans, and Perkins&Will.

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Heatherwick Studio has unveiled a new project to transform an old desalinization plant into the centerpiece of a new cultural district on the waterfront of Jeddah, Saudi Arabia. The industrial structure is set to be reconfigured to become The Museum, large complex offering production spaces, studios, and ateliers for artists and makers. Its program also includes exhibition spaces that can accommodate large-scale commissions to help visitors to learn and feel inspired by the next generation of artists.

LEVER Architecture has been selected to lead the design team for the campus expansion of the Portland Museum of Art. The project aims to not only expand the existing campus but also to create a unified identity for the institution, one that ties together all the architecturally significant buildings on site. The winning proposal is primarily a mass timber structure inspired by Maine’s communities, history, and culture.

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The contemporary museum in Sydney, Powerhouse Ultimo, announced the winning architectural design to revamp its past galleries and bring innovative exhibitions and educational spaces. From more than 100 registrations across Australia, the selected proposal was designed by Australian team Architectus, Durbach Block Jaggers Architects, Tyrrell Studio, Youssofzay + Hart, Akira Isogawa, Yerrabingin, Finding Infinity, and Arup. The winning team will deliver a world-class visionary museum that will support the creative industries in Australia and reinforce Sydney's reputation as a global cultural destination.

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Four teams have been declared the finalists in the competition to design the Portland Museum of Art campus expansion located in Portland, Maine. The finalist teams are led by Adjaye Associates, Lever Architecture, MVRDV and Toshiko Mori Architect + Johnston Marklee + Preston Scott Cohen. The project includes a 60,000 square feet expansion in the form of a six or seven-story structure planned to accommodate an increase in the number of visits and a growing collection of art. The museum is now asking for public feedback on the designs, as the projects are on view at PMA until December 11^th.

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New York-based firm Marvel revealed schematic designs for The Bronx Museum's new multi-story entrance and lobby, as part of the museum's revamp for its 50th anniversary. With a budget of USD $26 million and slated for completion in 2025, the renovation will relocate the access on the Grand Concourse Street, one of the most iconic The Bronx boulevards, and focus on the cohesion of the multiple sections for a fully accessible route through all of the galleries. Coinciding with this announcement, the Museum reinvented its brand identity and website for the first time in over two decades to reflect its ethos as a vital space at the intersection of art and social justice in New York City.

Museums play a critical role in preserving local cultures, promoting a better understanding of our collective heritage, and fostering dialogue, curiosity and self-reflection. In recent years –and largely driven by the Covid-19 pandemic– technological advances have enabled users from all over the world to visit exhibitions virtually, at any time and from the comfort of their own home. However, although online tours are a good way of increasing accessibility, there is something about the in-person museum experience that will never get old: the ability to witness, embrace and closely admire artefacts, paintings and sculptures in their true form, as well as the chance to experience the unique ambiance and essence of a traditional museum setting. Viewing the Mona Lisa virtually will never live up to appreciating it face-to-face at The Louvre, for instance.

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The construction of the new building of Palmer Museum has begun. Located at Penn State, USA, and scheduled to open in the spring of 2024, the new 6600 square meters complex will expand nearly double the space of the current gallery to host the growing collection of more than 10,000 pieces. The design features a series of pavilions, educational areas, and courtyards to boost accessibility to the art collections for students, staff, and the public. The construction aligns with the 50th anniversary of the museum along with a multitude of events, including the exhibition of Allied Works' pieces of the design process for the new Palmer Museum.

Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.

In definition, the modern museum is either a building or institution that cares for or displays a collection of numerous artifacts of cultural, historical, scientific or artistic importance. Through both permanent and temporary exhibits, most public museums make these artifacts available for viewing and often seek to conserve and document their collection, to serve both research and the general public. In essence, museums house collections of significance, whether these be on a small or large scale.

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Following Qatar's ambitious museum-building project to further promote cultural institutes in the country, Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums has announced that OMA, Herzog & de Meuron, and ELEMENTAL will be designing three new museums in Doha that explore the themes of Islamic art, contemporary art, and evolution of the automobile industry respectively.

The new Kremlin museum set within the UNESCO protected museum ensemble in Red Square nestles a contemporary structure within the vast courtyard of a 19th-century building. Designed by Moscow-based practices NOWADAYS office and Meganom, the project will house the vast Armory collection, of which only 30% is currently available to the public with the Kremlin walls. The refurbishment of the historic Middle Trading Rows building, together with the new extension, complement each other, creating a diverse and complex museum experience.

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Landscape and design office Karres en Brands has won the international competition to design Norway’s National Logging Museum. Selected out of 136 submissions, the team's winning proposal was chosen by the jury and the Commission of Museums in Akershus for building connections to the regional wetlands and local history. Sited on Northern Europe's largest inland delta, the new museum will focus on Norway's cultural and natural heritage.

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