Materials & ProductsExclusive Articles, from ArchDaily

The buildings and construction sector accounts for around 39% of global CO₂ emissions and nearly 50 per cent of global material extraction. Operational carbon emissions which are associated with the energy consumed to run the buildings also rose by 1% to 9.9 billion tonnes of CO₂ in 2024, even as building energy use intensity (EUI) has improved. These figures point to persistent gaps in the way buildings are designed, constructed and upgraded. One important area for closing those gaps is the building envelope insulation, which remains central to controlling energy demand, improving thermal resilience and reducing carbon emissions.

An architecture degree provides the foundations of the discipline, but the transition into professional practice often extends well beyond the classroom. Building experience, developing a portfolio, and navigating the realities of architectural offices are challenges that many graduates face in their first years of practice.

Created by California surfers who wanted to bring the lines of surfing onto asphalt, skateboarding soon outgrew its role as a simple alternative for flat days. It established itself as a practice that reads the city through a different logic, reinterpreting steps, handrails, walls, and interstitial spaces as possible lines, challenges, and opportunities. Over time, it evolved into a global urban culture, a way of inhabiting and transforming public space through movement. What was once marginal has become a catalyst for community building and new uses for overlooked spaces. At its core, skateboarding reveals how many cities coexist within the same city, depending on who moves through them and how each person is able to reinterpret their surroundings.

While architecture often responds to a specific program of uses, taking into account areas, contexts, and various economic and technical conditions, buildings rarely remain the same throughout their lifespan. Programs, spatial dynamics, and users' needs change, as do environmental, economic, and technological conditions, requiring interventions that were likely not anticipated at the beginning of a project. Steel structures make it possible to envision architecture capable of growing, transforming, being disassembled, and reassembled. Their dimensional precision, industrialized components, and potential for mechanical connections enable the design of open systems prepared for future interventions.

In the story of the Three Little Pigs, the choice of material determines the fate of each house. The wolf's breath brings down the structures made of straw and wood, while the brick house remains standing. The moral is that the more solid the construction, the greater its ability to resist. A building, however, has to respond to much less straightforward questions. Remaining standing is still essential, but heat, light, air, and sound are not forces that necessarily need to be blocked. Sometimes sunlight needs to be kept out; at other times, daylight needs to be let in. Retaining heat may be desirable in winter and counterproductive in summer. Air needs to circulate, sound may need to be absorbed, and the conditions that determine these responses change throughout the day, across seasons, and over the life of the building itself. More material does not necessarily mean better performance. In some cases, it can simply add complexity without improving how the building responds.

In the face of the climate crisis and within the framework of the United Nations Sustainable Development Goals, the reuse of materials has become prominent in the fields of construction and architecture in recent years. From "urban mining" to life cycle assessments (LCAs), professionals, organizations, and researchers are exploring different solutions and strategies to address the same overarching challenge. Project (Un)Build is a research initiative developing reversible timber construction methods that use straps and friction pads to facilitate material reuse. It contributes to the ongoing debate and reflection on the act of building itself.

Acoustic design is often associated with permanent building elements, such as walls, roofs, ceilings, and insulation systems, which help control how sound travels through a space. However, not all noise sources or environments are permanent. A construction site changes as work progresses; machinery is replaced or relocated from one area to another; an industrial space may incorporate new equipment; and a temporary work area may emerge in a space that was never designed to accommodate it. Acoustic conditions are not static—they change over time and require solutions that can respond to these transformations. So, what happens when acoustic control becomes a flexible strategy?

Videos

The office chair has evolved alongside changing workplaces over time. In each office era, the chair has reflected the way people work. Early office seating was built for clerical work: fixed wooden chairs arranged in rows across large administrative offices, where paperwork followed standardized routines. By the 1980s, computers began changing how people occupied a desk, and office furniture followed. Designers approached seating through ergonomics and biomechanics, refining adjustable height, lumbar support, synchronized recline, and the relationship between the body and the workstation. Later designers combined ergonomic research with new materials such as breathable suspension mesh instead of conventional foam upholstery.

Videos

Wood and coastal architecture have always gone together. It's one of the defining materials of coastal structures. But creating that aesthetic in an environment where weather is a constant part of life demands more from the wood you choose.  

"After all, time is a key ingredient of my profession," states Francis Kéré in his book Francis Kéré: Building Stories. Architecture is constantly evolving and transforming over time. Bricks, doors, windows, walls, stairs, and other elements become the protagonists of a process that begins with a sketch and eventually takes shape as a built work.

The 9th Oslo Architecture Triennale unfolds in a setting that already embodies many of the questions it raises. Sofienberg Church, a 19th-century Gothic brick building now being converted from a place of worship into a cultural center, serves as the main venue for an edition organized around a central question: "What if Nature Comes First?" From September 17 to October 1, 2026, seminars, debates, workshops, and exhibitions examine what this shift in priorities could mean for architecture, from the way resources are used to how buildings relate to their surrounding ecosystems.

The Steel Architectural Awards ASEAN 2026, presented by BlueScope, has announced the 12 finalist projects selected to advance to the ASEAN-level appraisal. Representing outstanding achievements in architecture across Indonesia, Malaysia, Thailand, and Vietnam, the finalists were selected through the Country Awards programs and now move forward to regional evaluation by an international judging panel.

Masonry is often perceived through its weight, depth, texture, and sense of permanence. Yet these physical qualities also have several implications for the performance of a building envelope. From the thickness of the mortar joint to the weight of the material, every masonry decision is connected to considerations of durability, stability, and long-term performance, while preserving the material character associated with solidity and permanence. At Summer Street Apartments, thin brick offered a way to retain these qualities while accommodating the insulation and envelope requirements of an all-electric, net-zero energy building. Just as importantly, it helped give the project the residential character the architects were looking for.

Sustainability in architecture is often discussed as though it were a universal standard—and, in principle, it should be. Buildings are increasingly evaluated through energy performance, embodied carbon, certification systems, material efficiency, biodiversity, and whole-life impact. Yet the rules determining what must actually be done remain highly local. A project designed in London, New York, or Copenhagen may be shaped by stringent energy codes, environmental review, disclosure requirements, planning controls, and increasingly ambitious carbon targets. The same practice working elsewhere may encounter a very different regulatory landscape.

What can a textile do that glass, wood, concrete, or metal cannot? Architectural composite fabrics don't replace conventional building materials. Instead, they can complement them and often add another layer of performance to the building envelope. Their application changes with context. A composite membrane can become an exterior shading system for a tropical conservatory, an interior skin that shapes acoustics and spatial experience in a museum, or part of a facade strategy that improves the environmental performance of an existing building.

Buildner is pleased to announce the results of its Architect's Chair Competition Edition 5, the fifth edition of the annual international competition inviting architects and designers worldwide to create a signature chair that reflects their individual design philosophy and vision.

The relationship between humans and wood has endured since the Greco-Roman era, when a variety of techniques were developed to maximize its unique properties and characteristics. Beyond its warmth, texture, and natural appeal, wood has proven its ability to meet a wide range of technical requirements while adapting to diverse environmental and geographic conditions, maintenance demands, and fire-resistance standards. In response to the evolving needs of the built environment, interior and exterior finish materials that replicate the appearance of wood have emerged as viable alternatives. Among them, Wood Finish Aluminum offers a durable, high-performance solution for long-lasting projects, providing a textured wood-look appearance while maintaining minimal environmental impact.

What happens when architecture is asked to create a room without boundaries? Convention halls, stadiums, factories, and logistics centers all begin with the same architectural challenge: creating large, uninterrupted interiors that can accommodate movement, visibility, and changing uses. The larger the span, the greater the structural demands, and the greater the architectural possibilities.