Chair: The Latest Architecture and News

Designing a good chair is a much more challenging task than we might think. To begin with, several factors must be addressed, such as ergonomics, aesthetics, materials, functionality and durability. In addition, it is essential to define the purpose for which it will be used: an office chair has different requirements than a reading armchair or a dining chair, for example. Only when all these elements are carefully balanced and thought-out can you achieve a truly excellent chair. And often, a good design can end up triggering many other variations throughout the years.

Are you sitting comfortably right now? OK, I'll wait a few seconds so that you can adjust your posture and we can continue the text. As much as we all know that our backs should be upright, shoulders back and glutes against the back of the chair, as soon as we stop paying attention, we tend to let our body slide down the chair until our spine takes the shape of a big question mark. This can lead to various posture and circulation problems, chronic pain, and increased fatigue after a long day, week, month, or years of work. But know that you're not alone, and it's not (necessarily) your fault. What elements make a chair comfortable? How can they help you maintain a proper posture for longer? Is it possible to have design and comfort in the same product? In this article we will try to answer these questions and show some examples from the Architonic catalog.

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Since the early 2000s, it has been widely reported that the construction industry accounts for nearly 40% of the planet’s CO2 emissions. The role of interiors in that percentage has been historically underestimated, with common statistics suggesting that a project’s furniture, fixtures and equipment are only responsible for about 7 to 10% of its overall carbon footprint. However, new research notably indicates the contrary: in a building’s average life span, the carbon footprint of its interiors will equal – if not exceed – that of the structure and envelope. Interior design, to the surprise of many, has actually been doing great harm.

The idea of turning cold, raw materials into elegant shapes has always fascinated artists, architects, and designers. In the Carrara marble sculptures of Lorenzo Berdini and Michelangelo, human forms were carved from heavy blocks of stones with great detail and precision. There is no difference in architecture: from taking a light volume off the floor, to leaving a small indentation between a structure and a fence, to altering the lining of a block, there are several devices to make buildings visually lighter.

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The most recent Project by Okubo Studio is the Fulgar Chair, mixing traditional Mexican design with interactive technology and design to create a new piece of furniture with lights and personality. The Acapulco chair is emblematic of Mexican culture, which radically transforms not just its materials but its utility and environment.