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Diébédo Francis Kéré: The Latest Architecture and News

Rethinking History: New Architecture in Burkina Faso

The history and architecture of Burkina Faso is tied to its landscape. As a landlocked country in western Africa, it occupies an extensive plateau with grassy savannas and sparse forests. More than two-thirds of the people live in rural villages, and as such, the country’s modern architecture is the product of ingenuity born from reimagining traditional building materials and techniques.

© Giovanni Quattrocolo © Iwan Baan © Siméon Duchoud © Ibai Rigby + 6

Francis Kéré and Office Kovacs Among 2019 Coachella Installations

The 2019 Coachella Arts and Music Festival has begun with installations by Francis Kéré, Office Kovacs, and NEWSUBSTANCE in Indio, California. The festival opened to the public for its 20th year with a lineup featuring Childish Gambino, Tame Impala, and Ariana Grande as the headliners for the two-weekend experience. Over half a dozen large-scale installations have been built at Coachella featuring the work of up-and-coming artists, designers and architects.

Spectra 2019. Image © Lance Gerber MISMO. Image © Lance Gerber Sarbalé ke. Image © Lance Gerber H.i.P.O.. Image © Lance Gerber + 16

Francis Kéré and Office Kovacs to Design 2019 Coachella Installations

Francis Kéré, Office Kovacs, and NEWSUBSTANCE are among a set of designers selected to create art installations for the Coachella Arts and Music Festival in California. The 2019 lineup has been announced with Childish Gambino, Tame Impala, and Ariana Grande headlining the two-weekend experience. Over half a dozen large-scale installations will be built at Coachella, where over 100,000 people will experience the work of up-and-coming artists, designers and architects.

Francis Kéré Designs a Wooden Art Pavilion for Tippet Rise

Berlin-based Burkinabé architect Diébédo Francis Kéré has designed a wooden pavilion for Tippet Rise Art Center in Montana. In addition to the pavilion, the Tippet Rise Fund of the Sidney E. Frank Foundation will also support Kéré's work to build an environmentally sustainable secondary school in Burkina Faso called Naaba Belem Goumma. Kéré designed the project in the Beartooth Mountains so visitors can experience a "rain of light" as sunlight filters through a structure of vertically stacked logs.

Life after Serpentine: Second Lives of Architecture's Famed Pavilions

If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.

Serpentine Pavilion 2015 / Selgas Cano. Image © Iwan Baan Serpentine Pavilion 2014 / Smiljan Radic. Image © Iwan Baan Serpentine Pavilion 2006 / Rem Koolhaas. Image © John Offenbach Serpentine Pavilion 2007 / Olafur Eliasson, Kjetil Thorsen, Cecil Balmond. Image © Luke Hayes + 20

Francis Kéré: "I Draw on Paper, but I Prefer to Draw on the Ground"

This phrase caught my eye during Diébédo Francis Kéré's speech at the AAICO (Architecture and Art International Congress), which took place in Porto, Portugal from September 3 to 8. After being introduced by none other than Eduardo Souto de Moura, Kéré began his speech with the simplicity and humility that guides his work. His best-known works were built in remote places, where materials are scarce and the workforce is of the residents themselves, using local resources and techniques.

Round-Up: The Serpentine Pavilion Through the Years

Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.

Serpentine Pavilion 2013. Image © Neil MacWilliams Serpentine Pavilion 2000. Image © Helene Binet Serpentine Pavilion 2006. Image © John Offenbach Serpentine Pavilion 2015. Image © Iwan Baan + 38

The Royal Architectural Institute of Canada Announces Recipients of 2018 Honorary Fellowships

The Royal Architectural Institute of Canada (RAIC) has selected four architects from around the globe to receive 2018 Honorary Fellowships. This year’s Honorary Fellows inductees demonstrate the diverse ways in which architects contribute exemplary designs to the profession that have a positive impact on society.

The architects receiving the honor are French architect Odile Decq, Burkina Faso native, Diébédo Francis Kéré, and American architects William J. Stanley III and John Sorrenti.

More about the Honorary Fellows after the break.

Francis Kéré’s 2017 Serpentine Pavilion To be Moved to Permanent Home in Malaysia

A month after its critically-lauded run came to a close, Francis Kéré’s 2017 Serpentine Gallery Pavilion has found a permanent home halfway across the globe.

As reported by the Star, the structure has been purchased by Kuala Lumpur-based Ilham Gallery, who are now searching for a permanent site of the pavilion in Malaysia.

Rafael Viñoly, Charles Jencks, and Kim Cook Among Lead Speakers for WAF 2017

The World Architecture Festival (WAF) has announced their program for the 2017 edition focusing on the theme of “Performance.” An incredible list of speakers including Alison Brooks, Charles Jencks, Pierre de Meuron and France Kéré will feature across 3 days from November 15th to 17th at the Arena Berlin, Germany. Conferences, city tours, lectures and critiques of the shortlisted projects from the 2017 WAF awards are among the events scheduled for the festival.

The seminars, speeches, debates and discussions will examine “the topic of performance from the perspectives of housing, public spaces, festivals, cultural institutions and new technologies.”

In "Vertical City," 16 Contemporary Architects Reinterpret the Tribune Tower at 2017 Chicago Architecture Biennial

© Laurian Ghinitoiu
© Laurian Ghinitoiu

In a large-scale, central installation at the 2017 Chicago Architecture Biennial, the likes of 6a architects, Barozzi Veiga, Kéré Architecture, MOS, OFFICE KGDVS, and Sergison Bates—among others—have designed and constructed sixteen five meter-tall contemporary iterations of the renowned 1922 Chicago Tribune Tower design contest.

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu + 56

Diébedo Francis Kéré Awarded Prince Claus Laureate Award for 2017

Architect Diébedo Francis Kéré was named Prince Claus Laureate for 2017, highlighting the cultural value and importance of beautiful, sustainable and empowering architecture.

Kéré received the award for his “design and construction of buildings of great beauty that meet people’s needs; …for honoring people’s pride in their cultural traditions and techniques, …for inventively combining relevant factors from two different knowledge systems to achieve practical solutions of global relevance and creating an exchange of ideas between Africa and Europe; …and for his ethical commitment to creating inspiring architecture that improves living conditions and uplifts communities...”

The Serpentine Pavilion. Image © Laurian Ghinitoiu Primary School in Gando. Image © Siméon Duchoud Tim Tiebout. Image Courtesy of PMA Courtesy of Kéré Architecture + 9

Diébédo Francis Kéré's Serpentine Pavilion Photographed by Laurian Ghinitoiu

Following the opening of the 2017 Serpentine Pavilion, designed this year by Diébédo Francis Kéré (Kéré Architecture), photographer Laurian Ghinitoiu has turned his lens to London. Designed to mimic a tree, or a canopy of trees, the wooden structure has been designed to fuse cultural references from Kéré's home town of Gando in Burkino Faso with more "experimental" construction techniques. His ambition is that the pavilion becomes a social condenser – "a symbol of storytelling and togetherness."

© Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu © Laurian Ghinitoiu + 41

Diébédo Francis Kéré's Serpentine Pavilion Opens in Sun-Drenched London – But Will Come Alive During Rain

The 2017 Serpentine Pavilion, designed by Diébédo Francis Kéré (Kéré Architecture), was unveiled today in London. Conceived as a micro cosmos—"a community structure within Kensington Gardens"—the pavilion has been designed to consciously fuse cultural references from Kéré's home town of Gando in Burkino Faso, with "experimental construction techniques." The architect hopes that the pavilion, as a social condenser, "will become a beacon of light, a symbol of storytelling and togetherness."

Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan Serpentine Pavilion 2017, designed by Francis Kéré. Serpentine Gallery, London (23 June – 8 October 2017) © Kéré Architecture. Image © Iwan Baan + 4

Francis Kéré to Design 2017 Serpentine Pavilion

The Serpentine Galleries have announced that the 2017 Serpentine Pavilion will be designed by Diébédo Francis Kéré (Kéré Architecture), an African architect based between Berlin, Germany, and his home town of Gando in Burkino Faso. The design for the proposal, which will be built this summer in London's Kensington Gardens, comprises an expansive roof supported by a steel frame, mimicking the canopy of a tree. According to Kéré, the design for the roof stems from a tree that serves as the central meeting point for life in Gando. In line with the criteria for the selection of the Serpentine Pavilion architect Kéré has yet to have realised a permanent building in England.

Francis Kéré Creates Installation from Brightly Colored Thread for First U.S. Retrospective

Currently on display at the Philadelphia Museum of Modern Art, Award-winning African architect Diébédo Francis Kéré has created Colorscape, a installation made from steel and brightly-colored fiber, to accompany his first solo show in the United States. The exhibition is titled The Architecture of Francis Kéré: Building with Community, and features of a retrospective of the architect’s career that includes material artifacts, tools and scale-models created for stand-out projects in both Africa and Europe.

© Tim Tiebout. Courtesy of PMA © Tim Tiebout. Courtesy of PMA © Tim Tiebout. Courtesy of PMA © Tim Tiebout. Courtesy of PMA + 23

Video: 7 Architects On What Makes Global Architecture Work

Doing architecture is listening. - Norman Foster

Peter Zumthor, Jean Nouvel, Norman Foster, Diébédo Francis Kéré and three other great architects come together in this Louisiana Channel video to share their thoughts on how to design for different cultures. For most of them, understanding context, collaborating with locals and using architecture to address larger social issues are what makes global architecture a success.

Louis Becker, Kjetil Trædal Thorsen and Kunlé Adeyemi also share their insights in the video above - "Bridging Cultures in a Global World."

AD Interviews: Francis Kéré / Chicago Architecture Biennial

Kéré Architecture’s “Place for Gathering” exhibition at the Chicago Architecture Biennial creates a meeting place at the entrance to the Chicago Cultural Center. Made from a locally sourced material (wood), the exhibition emits a fresh, natural smell, and creates a place for people to meet, connect and share “differing cultural narratives, traditions and aspirations," writes Kéré in the official Chicago Biennale Guidebook.

Selected by ArchDaily Editors as one of their favorite exhibitions at the Biennial, “Place for Gathering” is based on two themes that are central to the work of Francis Kéré: “maximizing local resources and facilitating the exchange of ideas and knowledge." Listen to Kéré explain the inspiration and philosophy behind the exhibition in the video above.