Collage by Matthew Maganga. Image Courtesy of Forbes Massie-Heatherwick Studio
Fifty-one years ago, in 1970, a Japanese roboticist named Masahiro Mori came up with the concept of the “Uncanny Valley”. Around the same time, architectural renderings done using analog methods were still in vogue – collages and photomontages used to get ideas across to clients. A decade later, personal computers came along, and that saw the emergence of CAD and the wider adoption of digital rendering. Today’s architectural renderings are almost imperceptible from reality, with the increase in sophistication of rendering sofware. We struggle to tell the difference between what is a rendering and what is not – or rather we are able to tell a slight difference and it leaves us slightly uncomfortable, which brings us to Mori’s uncanny valley.
In Louisiana Channel's latest interview, Indian architect Anupama Kundoo shares her thoughts on the importance of balancing between traveling and being in solitude with oneself. "I think travel is important, but if you're not rooted yourself, you will go to a hundred places and not see anything", explained the architect, "traveling helps you step back from what you take for granted".
1964 World's Fair held in New York City. Image Courtesy of Abandoned NYC
World’s Fairs seem to be a memory of the distant past. These mega-scale events once brought us culinary staples, technological advancements, and introduced some of the most notable examples of architecture and landmarks that impact how we think about design and construction even in the present day. Throughout the numerous fairs and expos that were held, architectural discourse itself significantly advanced and the pomp and circumstance that surrounded these muscular flexes of international innovation reimagined what life would be like in the decades to come.
A multidisciplinary design team led by global architecture firm Grimshaw was selected as the winner of an international competition to design the Shenzhen Airport East Integrated Transport Hub. The winning design, which was inspired by the Mangrove tree, will provide travelers effortless transfers between high speed rail and other public transportation means in a new green and interactive way.
Calatrava's design for the Yuan Ze Arts and Conference Hall, now more than a decade in the making, finally broke ground this week. When ready, the project will serve as a venue for exhibitions and cultural events and will feature a Performing Arts Building, an Orchestra Hall and a Theatre, among other amenities.
I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.
Baca Architects have set out to build the world's largest natural marine observatory in Australia. Taking the form a whale emerging from the water, the project will be built at the end of the Busselton Jetty. Baca was appointed by marine contractor Subcon as Lead Architects for the new project. Called the Australian Underwater Discovery Centre (AUDC), the design will include an underwater trail and dining experience.
Entitled “A Roof for Silence”, the Lebanese Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, will investigate the question of living together, tackling the issue of coexistence through a questioning of the spaces of silence, and by putting into dialogue architecture, painting, music, poetry, video and photography. Curated by Hala Wardé, founder of HW architecture, in collaboration with Etel Adnan and Fouad Elkoury, the national pavilion will be on display at the Magazzino del Sale (Zattere), from May 22nd to November 21st, 2021.
Designed by Irish architecture firm Heneghan Peng, the long-awaited Grand Egyptian Museum devoted entirely to Egyptology is set to open this summer, sitting on the edge of the Giza Plateau, 2 km away from the Pyramids. Considered as the largest museum in the world dedicated to one civilization, the cultural complex will accommodate about 100,000 ancient artifacts, and will include 24,000m² of permanent exhibition space, a children’s museum, conference facilities, educational areas, a conservation center, and extensive gardens inside and around the museum's plan.
New London Architecture (NLA) published the results of the 2021 edition of its annual Tall Building Survey, showing both the impact of the pandemic on the construction industry of the UK's capital and the prospects of future development. Since launching in 2014, the report has provided a comprehensive review of London's skyline.
Ventilation serves two main purposes in a room: first, to remove pollutants and provide clean air; second, to meet the metabolic needs of the occupants, providing pleasant temperatures (weather permitting). It is well known that environments with inadequate ventilation can bring serious harm to the health of the occupants and, especially in hot climates, thermal discomfort. A Harvard University study demonstrated that in buildings with good ventilation and better air quality (with lower rates of carbon dioxide), occupants showed better performance of cognitive functions, faster responses to extreme situations, and better reasoning in strategic activities.
It is not difficult to see that ventilation plays a vital role in ensuring adequate air quality and thermal comfort in buildings. We have all felt it. But when we talk about ventilation, a light breeze from the window might come to mind, shifting through our hair and bringing a pleasant aroma and cooling temperature that brings fresh air and comfort. In mild climates, this experience can even be a reality on many days of the year. In harsh climates or polluted spaces, it could be quite different.
WeTransfer recently released its 2020 Ideas Report, which showcases the effects COVID-19 has had on creativity. At a time when the economy, employment rates, and overall morale were down, the report found a reason for hope—nearly half (45.3 percent) of the 35,000 creatives polled claimed that they experienced more creative ideas during the pandemic than before.
Which begs the question: How do we replicate the good that has come out of the pandemic and keep it going for the industry over the long term? ThinkLab sat down with business leaders within—and outside—the interiors industry to understand the shifts companies made to remain relevant in these changing times.
St. Louis-based architecture and design practice Patterhn Ives has broken ground on a new outdoor performing arts pavilion for Missouri State University. Located in Springfield, the project reimagines the plaza adjacent to Craig Hall and transforms the outdoor area into the Judith Enyeart Reynolds Arts Park. Named the John Goodman Amphitheatre, the design will serve as the new, permanent home for the university's acclaimed Tent Theatre.
Continuing our quest to redefine how architecture is perceived nowadays and exposing the different notions out there, ArchDaily gave space for its users to answer four fundamental questions: "What is architecture? What can architecture do? What is your architectural position? What is your design method?" With around 200 entries per interrogation, gathered from all over the world, the ideas shared are mostly complementary and non-conflicting, underlining a general understanding of the role and essence of this field.
The Green. Image Courtesy of Mimi Lien/Rendering by Timothy Leung
After several event cancellations due to the pandemic, Manhattan’s Lincoln Center for the Performing Arts complex have transformed their outdoor plaza into a green park and outdoor performance venue called The Green. As of May 10, the Restart Stagesinitiative will add fake grass across the 14,000-square-foot (1,300 sqm) Josie Robertson Plaza. The plaza, which was originally designed by Philip Johnson, Wallace K. Harrison, and Max Abramovitz, and renovated by award-winning architecture firm DS+R in 2010, will transform into a public urban space of gathering, leisure, and entertainment.
App update provides CO2 emission data on chosen routes. Photo: Pixabay
The GoogleMaps application will direct drivers to more eco-friendly routes that generate the lowest carbon footprint using mainly traffic data, road slopes and inclines, and other factors.
The eco-friendly option will be the application's default route if comparable options take about the same time. When alternatives are significantly faster, Google will offer choices and let users compare estimated emissions.
https://www.archdaily.com/960036/google-maps-to-start-showing-routes-with-the-lowest-carbon-footprintEquipe ArchDaily Brasil
This week’s curated selection of Best Unbuilt Architecture highlights cultural structures submitted by the ArchDaily Community. From pavilions to installations, this article explores the topic of cultural urban interventions and presents approaches submitted to us from all over the world.
Featuring a pavilion nestled in the sand dunes of the Persian desert, an afrofuturistic, interactive art installation proposed for the upcoming Burning Man event, and a new take on summer cinemas in Russia, this roundup explores how architects reimagined traditional gathering places and created urban interventions in all scales. The round up also includes a collection of structures in the United Arab Emirates, United Sates of America, France, and the United Kingdom, each responding to different contexts and topographies.