After being postponed for one year, the 17th Venice Architecture Biennale opened its doors to the public on May 22nd, 2021, revealing a wide range of answers to Hashim Sarkis’ question of "How will we live together". With over 112 participants from 46 countries, the contributions are organized into five themes: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Due to travel restrictions, many curators were unable to be physically present at the inauguration of the event, resorting to digital platforms for interviews and presentations. ArchDaily had the chance to physically attend the exhibition and meet with some of the curators to further explore their pavilions. The following are 9 interviews from ArchDaily’s Youtube playlists that feature these exclusive interviews.
Naoshima, Teshima, and Inujima are the three main islands of an archipelago in Japan's Seto Inland Sea. What sets them apart from the many other Japanese islands is the large number of exceptional architectural works designed by some of the greatest architects and artists in the world. These projects are part of the Benesse Art Site Naoshima, an art complex idealized by billionaire businessman Soichiro Fukutake in the 1980s, composed of eighteen museums, galleries, and open-air installations.
Zero kilometer materials can be purchased locally, do not need to be transformed by large stages of industrial processing or toxic treatments and, at the end of their service life, they can be returned to the environment.
For example, wood from a nearby forest eliminates the need for long transfers, valuing local resources, and allowing architecture to lessen its environmental impact while committed to the landscape and context.
"For more than a generation, federally funded historic tax credits (HTCs) have been instrumental in incentivizing developers to revive and reuse historic buildings and keep them economically viable, rather than replace them with shiny new objects. These credits create jobs, promote responsible development, and leverage billions in private investment to enable income-generating buildings". Read the interview between Justin R. Wolf and Meghan Elliott, founding principal of New History, a firm specializing in adaptive reuse.
https://www.archdaily.com/966687/why-use-is-the-best-form-of-preservationJustin R. Wolf
Reclaimed wood is wood that has been taken from its original application and repurposed. Old buildings such as houses, barns, and warehouses, often have to be torn down, resulting in demolition waste, which can be recycled and reused. Reclaimed wood can be used for many purposes, from cladding to building structures, and is very popular in contemporary architecture all over the world.
To get you inspired, here is a selection of 12 Brazilian houses that use this recycled material in flooring, walls, decks, bathrooms, outdoor areas, and stairs.
Paul Clemence has released a new series of images showcasing the incomplete construction of Diller Scofidio + Renfro's Copacabana Museum of Image and Sound (MIS). The project first took shape in 2014 but was completely suspended in 2016. Although the project has been untouched since then, a recent announcement by Governor Cláudio Castro promised the revival of construction works at the museum, with an expected public opening in early 2023.
Videos
‘Carbon to Rock’ en la Biennale Architettura 2021. Fotografías: Raul Betti y Adolfo Guiard Torre-Marín. Image Cortesía de Igneous Tectonics
Climatic conditions throughout the world are changing and with extreme temperatures and scarce resources becoming the norm, architectural materials and techniques are having to innovate to prepare for the future.
'Carbon to Rock' is an installation by IGNEOUS TECTONICS (Cristina Parreño and Sergio Araya) being presented in the 2021 Venice Biennale that highlights volcanic rock as a promising material in the global push to mitigate climate change.
The Royal Institute of British Architects has announced the 13 regional winning projects of the 2021 South Awards. The projects ranged from complex civic buildings to refined residential extensions and context-integrated interventions, with an emphasis on landscaping and craftsmanship. The winning architects will now be considered for a highly-coveted RIBA National Award in recognition of their architectural excellence, which will be announced later this year.
via Shutterstock by ArboursAbroad. ImageAerial View of the Almeda Wildfire in Southern Oregon
The Intergovernmental Panel on Climate Change, the UN's body for assessing the science related to climate change, has recently published a comprehensive report documenting the extent of global warming. The paper provides new time estimates for crossing the 1.5 degrees Celsius threshold, urging immediate and large-scale action to reduce greenhouse gas emissions. Following the publication of the report, UK Architects Declare has issued a statement inviting decision makers to a dialogue on how to collectively address the climate crisis while at the same time calling for the design professionals to re-evaluate their practice to support meaningful change.
Burnout syndrome is an occupational phenomenon resulting from chronic workplace stress and emotional tension and has been affecting more and more professionals every day. It is directly associated with each person's daily work life, not only with the operational aspects of the job but also the physical environment.
We spend on average 1/3 of our day in workspaces, so it's no wonder they considerably affect our mental health. Following a period of intense home office activity during the year 2020, now people are returning to collaborative workplaces. These spaces offer a great alternative to escape the domestic environment and create separate places for each function of our lives, a much-needed change after a year of isolation.
In a recent interview with Louisiana Channel, graphic designer-turned-architect Bruce Mau explains how design is a mindset "of optimism and action". The designer talks about how architecture and design can influence and give form to the world we are sharing, and explains how we are the ones who design the outcomes of life, leaving no room for cynicism.
Jasper Architects has recently won a competition to design an immersive hotel experience within the desert landscape of Kuwait. Featuring a curved structure echoing the surrounding dunes, the project is intended to recreate an oasis where visitors can fully observe the natural environment. Through its colors, textures, use of wood, and rammed earth, the concept emulates the surrounding. Reiterating the local topography, a circular roof rises and touches the ground, creating an array of alternating interior and exterior spaces.
Capturing aerial photographs allows raising awareness of a project feature usually complex to capture using traditional methods. Based on the technological opportunities offered by small unmanned aerial vehicles (UAVs), commonly called drones, architecture photographers have begun to explore new ways of capturing a project in order to expose design decisions such as implantation, dialogue with the environment, or the relationship with nearby buildings.
Library of Muyinga. Image Courtesy of BC Architects
In his 1983 now-classic essay Towards a Critical Regionalism, Six Points of an Architecture of Resistance, Kenneth Frampton discussed an alternative approach to architecture, one defined by climate, topography and tectonics, as a form of resistance to the placeness of Modern Architecture and the gratuitous ornamentation of Postmodernism. An architectural attitude, Critical Regionalism proposed an architecture that would embrace global influences while firmly rooted in its context. The following explores the value and contribution of Frampton’s ideas for contemporary architecture.
Columbia University’s Manhattanville Campus expansion has ushered in a crystalline district of glass-clad buildings amid the masonry vernacular architecture of Harlem. The latest additions to the 17-acre, $6.3 billion campus, which was master-planned by SOM, are two buildings designed by Diller Scofidio + Renfro (DS+R) in collaboration with FXCollaborative that provide a new home for the Columbia Business School. Set to open in early 2022, Henry R. Kravis Hall and the East Building rise 11 and 8 stories, respectively, and provide 492,000 square feet of classrooms, public space, and faculty offices.
What’s in a name? Well, when it comes to building names, it can be a lot. While some monikers are fleeting and change with the most recent highest bidder, some names are indelible and leave a lasting mark on the public imagination. Client names, towns, corporations, and streets provide ample naming fodder, but some architects are more strategic. Architects like Peter Eisenman created a numbered series (House I, House II, etc.) , or MOS architects adopt a composer-like generic naming system (House with 10 trees, House with 2 Chimneys). For these architects, the name situates each building within a larger collection of projects. It ensures people will consider each act of building as part of a grand plan. Finally, sometimes, no matter how diligent a marketing team tries, a building will find a nickname it just can’t shake...Gherkin. This video considers all these as it explores how buildings get their names.
Bjarke Ingels Group has collaborated with NASA and ICON to create Mars Dune Alpha, a 3D-printed research habitat that will provide long duration habitation for astronauts on missions to Mars. The 1,700 sq.ft. structure, which is currently located at the Johnson Space Center in Houston, Texas, is designed by the award-winning architecture firm, 3D printed by construction developers ICON, and will soon be home to NASA's future crew.
.jpg?1615469357&format=webp&width=640&height=580)
.jpg?1628582806&format=webp&width=640&height=580)
.jpg?1628583235 "© Paul Clemence")
.jpg?1628583065 "© Paul Clemence")
.jpg?1628583007 "© Paul Clemence")
.jpg?1628582926 "© Paul Clemence")
.jpg?1628582806)
.jpg?1623868861&format=webp&width=640&height=580)
