In theory, architecture is separate from art. Some even argue that there is a hierarchy between the two. Fortunately, Vão is an example of how this separation doesn't need to exist and how having a hierarchy between them is unproductive for both sides. Founded in 2013 by Anna Juni, Enk te Winkel, and Gustavo Delonero in São Paulo, the office develops architectural projects fueled by artistic thought. It also develops artistic works on an architectural scale.
SpaceX founder and science-fiction fan Elon Musk is attempting to make the fiction of space travel a scientific reality. ‘In order to safeguard the existence of humanity,’ he explains, ‘we need to become a multi-planetary civilization.’ Musk says he’s laser-focused on ensuring we make a second home elsewhere in space, and has his sights set on Mars. He’s not alone, of course. NASA’s recently-released Moon to Mars Architecture Concept Review is a ‘study of the hardware and operations needed for human missions to the Moon and Mars,’ leading to long-term scientific discovery and human habitation in deep space.
But there’s a long way to go before we get there – and not just the 140 million miles (average distance to Mars). The biggest challenge to Mars habitation and eventual colonization is humanity itself, and our indecision. Many of us question why we should sink so much of our energy – both effort and resources – into such a task, when there are plenty of more pressing matters to address here on Earth?
The 15-story residential building designed by MVRDV in Montevideo, Uruguay, has been approved for construction. Named "Ziel," the project consists of individual homes creating an open and permeable environment that allows light and air to flow through the structure, resulting in spacious green spaces for the enjoyment and coexistence of residents. This project is MVRDV's first in Uruguay, designed for developer IXOU in collaboration with Monoblock's executive architecture.
Two years ago, as part of an initiative by the Barragan Foundation, the launch of the institution's renewed website was announced via its Instagram account. This represented an effort to compile all the information that exists so far from the Barragán Archive that enriches the study of his career, opening up the panorama to understand his trajectory and evolution from a clear chronology, experiments, and collaborations, as well as unrealized or demolished projects. The website compiles these five decades of career, presenting a list of 170 works inside and outside the country that is updated as more material is researched and collected.
The ninth edition of Concéntrico, the international festival of architecture and design in Logroño, was inaugurated on April 27th to once again promote dialogue between the city, heritage, and contemporary architecture. Until May 2nd, citizens will have the opportunity to rediscover their urban environment alongside the work of more than 60 professionals from 15 different nationalities who have proposed an extensive program with 21 interventions, meetings, and activities.
As early as the 20th century, women in Finland were already involved in the field of architecture. In fact, Signe Hornborg (1862-1916), a Finnish architect, was the first woman in Europe to graduate as an architect in 1890. Pirkko-Liisa Schulman, in her essay on The Changing Careers of Women Architects, notes that Hornborg was granted special permission to study at the Polytechnic Institute of Helsinki. After her, several other women such as Inez Holming, Signe Lagerborg, Bertha Enwald, Wivi Lönn, and Albertina Östman also pursued careers in architecture, with eighteen women having already trained as architects by the time the Polytechnic Institute became a university in 1908.
Wivi Lönn (1872-1966) established and ran her own architectural office in Finland, becoming the first woman to do so. Lönn designed a number of significant public facilities and received widespread professional recognition, serving as a role model for aspiring female architects. And in May 1942, while a group of female architects gathered to commemorate Wivi Lönn's 70th birthday, they founded Architecta, the Finnish Association of Women Architects. At that point, up to a hundred women architects had already graduated in Finland. To celebrate the 150th birthday of architect Lönn and the 80th anniversary of the organization, Architecta commissioned interviews that highlight the different types of careers pursued by women in the field. Discover the profiles of 11 female Finnish architects with texts by Paula Holmila, journalist and architecture critic at Helsingin Sanomat, translated by Pirkko-Liisa Schulman.
If we were to design an ideal building material, it would look like bamboo. At least, that's what Neil Thomas, director of the London-based structural engineering firm Atelier One, claims. Its tubular shape, vascular bundles, fast growth rate, and ease of manipulation make it ideal for construction. Today, it is even more interesting to the market as a renewable source with low environmental impact compared to other materials. Additionally, it is extremely versatile and can be used in various ways in construction. Here, we list some of them.
While Egyptian architects were exercising their understanding of modernism in the urban fabric in the 1970s, a “chubby rebellion” in the form of Villa Badran defied the standardized curvilinear forms and rigid geometry. Gamal Bakry dived deep into his imagination to construct this unique piece of architecture that still stands as part of the city of Cairo today. With curving and free-flowing facades, Villa Badran drew inspiration from natural forms. In an attempt to create a living space that was more natural in its essence, the bubbly intervention puts in place a monolithic composition that hosts a two-story detached home for an Egyptian family.
Though it has long been assumed that newborns don't see color at all, more recent studies have shown that they can indeed distinguish between different shades. And even though young minds may not fully realize what they're looking at, the impression and effect of a bright visual still elicit a potent response. This remains true throughout our lifetime: colors can influence our feelings in powerful ways. Architects and designers have long employed this to their advantage, especially when it comes to interior spaces. Whether it be to highlight specific architectural features, create certain moods, distinguish areas in open concept layouts, or brighten a room with its finishing touches, colors are a pivotal tool for professionals throughout the design process. The combination of multiple bold shades — color blocking — in particular can be a success if done right.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss how to prepare for undergraduate architecture school. The two cover learning different skills and tools such as software programs, sculpture, drawing, and painting; learning about construction; common challenges students face; architectural education in general; dealing with negativity in the profession of architecture; and more.
Minimaforms Presents The Order of Time at the Architectural Association School of Architecture Gallery. It is an immersive installation aimed to connect the preoccupations of physics, art, and architecture by revealing the ordering of spaces and constructed relationships through direct experience.
Three Sculptural installations are the highlight of the exhibition. Spherical organizations deployed through mathematical logic and designed to extend space within reflective light boxes, gifting its viewer a new immersive moment at every turn. ArchDaily had the chance to engage in a conversation with Theodore Spyropoulos; Artist & Architect at Minimaforms and Director of the Architectural Association’s Design Research Lab, on issues that tackled the interdisciplinary nature of architecture, the creative process of the installation, and how it influences the creation of spaces, buildings & cities.
Architect Tadao Ando has been commissioned to design this year’s Costume Institute exhibition highlighting the work of Karl Lagerfeld. The opening of the exhibition titled “Karl Lagerfeld: A Line of Beauty” was marked by the world-renown Met Gala, a fundraising event attended by celebrities and personalities perceived to be culturally relevant in the fashion scene. Perceived as a thematic and conceptual essay on Lagerfeld’s work, rather than a traditional retrospective, the exhibition aims to illustrate the designer’s method of creative expression and its significance in the industry.
The skin absorbs matter, and the world is contemplated, touched, heard, and measured through our bodily existence. Juhani Pallasmaa, a Finnish architect known for propagating sensory architecture, defends the notion that, unlike vision, touch is the sense of proximity, becoming a main axis by covering the entire body. It is a fact that, when speaking of touch, the first image that comes to mind is usually contact with hands. However, there are other ways to feel architecture that can be developed in projects, such as the touch of bare feet on a particular surface.
This article was originally published on Common Edge.
This year marks the centennial of the first edition of Vers Une Architecture, Le Corbusier’s epoch-making book. Though a new English translation appeared in 2007 to much acclaim, most other practicing architects read the first English edition that appeared in 1928, entitled Towards a New Architecture. Comparing the three editions is instructive, particularly in one crucial respect: the insertion of the word “new” in the title. The book wasn’t really about new architecture, because very little of it showed buildings in the International Style. Instead, it was in many respects a clever diatribe intended to convince Europeans that they had no choice but to renounce every kind of architecture that had been built before the Great War and begin anew. It was remarkably successful in fulfilling that aim.
Yasmeen Lari, recognized as the first female architect in Pakistan, has had a significant impact both in her home country and internationally due to her innovative and socially conscious approach to architecture. Through a systemic approach, Lari’s work takes into consideration local culture, site-specific opportunities, and challenges. Born in Pakistan in 1941, Yasmeen Lari moved to London with her family at the age of 15. After graduating from Oxford Brooks School of Architecture, she returned to Pakistan at the age of 23 to establish Lari Associates with her husband, Suhail Zaheer Lari. The couple settled in Karachi. Here, she began to study Pakistan’s ancient towns and the vernacular architecture of earth buildings, igniting her interest in the architectural heritage and traditional techniques of her country. In 1980, she co-founded the Heritage Foundation of Pakistan with her husband, becoming instrumental in the preservation of her country’s rich cultural heritage.
From April 20 to 30, the second edition of the Model: Festival d'Arquitectures de Barcelona took place, debuting a new theme, Radical Empathy, and a new location, the surroundings of the new Parque de las Glorias. This year, managed by the Fundació Mies van der Rohe, the event turned the city into a laboratory of experimentation and dissemination of architectural and urban thought, providing an opportunity to rethink new models and new imaginations of the city.
During the 10 days of the festival, 5 temporary installations were presented as a tool to build a more sustainable, fraternal, and fair city. Among the proposals, we could find a breastfeeding area designed by Equal Saree, the roof of a parking lot transformed into a mushroom structure by Harrison Atelier, and a surface that provides information about the benefits and disadvantages of the city's air created by Daryan Knoblauch, among others. At the same time, a series of 4 digital architectures and augmented realities were added, incorporating new experiences and technologies.
The city of Panama has been experiencing an architectural rebirth. Buildings that have become outdated and deteriorated over time are now being renovated, restored, and modernized - and one of the main offices carrying out this task is Sketch, an architecture studio that defines itself as "energetic, multidisciplinary, and a firm believer that design should be both smart and fun."
Their renovation and remodeling projects, such as the STEPS Dance Academy, the DiabloRosso Gallery, and the mixed-use building La Moderna, are clear indications of this transformative spirit that revolves around efficiency and relevance. Learn about these projects in detail below.
The UIA World Congress of Architects 2023 is an invitation for architects from around the world to meet in Copenhagen July 2 – 6 to explore and communicate how architecture influences all 17 UN Sustainable Development Goals (SDGs). For more than two years, the Science Track and its international Scientific Committee have been analyzing the various ways in which architecture responds to the SDGs. The work has resulted in the formulation of six science panels: design for Climate Adaptation, design for Rethinking Resources, design for Resilient Communities, design for Health, design for Inclusivity, and design for Partnerships for Change. An international call for papers was sent out in 2022 and 296 of more than 750 submissions have been invited to present at the UIA World Congress of Architects 2023 in Copenhagen. ArchDaily is collaborating with the UIA to share articles pertaining to the six themes to prepare for the opening of the Congress.
In this first feature, we met with the Head of the Scientific Committee Mette Ramsgaard Thomsen, Professor and Head of the CITA (Centre for IT and Architecture), Royal Danish Academy of Fine Arts, School of Architecture, Design and Conservation who is also co-chairing the panel design for Rethinking Resources with Carlo Ratti, Professor and Director of the Senseable Lab, MIT, Founding Partner of CRA-Carlo Ratti Associati.
