Most people rarely remember a passage. They remember the classroom, the apartment, the gallery, or the plaza at the end of it. Passages are usually designed to disappear into the background, guiding movement from one destination to the next. Yet some of architecture's most memorable experiences happen while moving through a place rather than arriving at it.

Circulation is often treated as one of architecture's most practical elements. Corridors connect rooms, galleries provide access, and walkways organize movement through a building. Their purpose seems straightforward: to help people get from one point to another. Because of this, circulation spaces have long been considered secondary to the programs they serve. Attention tends to focus on destinations, while the spaces in between remain largely unnoticed.

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The Sharjah Architecture Triennial has announced the theme for its upcoming edition: Architecture Otherwise: Building Civic Infrastructure for Collective Futures. Scheduled for November 2026, the event will unfold across the city and the Emirate of Sharjah, UAE, through site-specific installations, exhibitions, performances, workshops, and public programs. Positioned as a platform for architectural and urban exploration across West Asia, South Asia, and the African continent, the Triennial will combine practical and theoretical approaches to contemporary urban life. Conceived by its curators, Vyjayanthi Rao and Tau Tavengwa, SAT03 aims to explore how architecture can shape collective life in regions undergoing rapid urban transformation. Consequently, selected participants will take part in month-long residencies, embedding their work within the social and cultural fabric of Sharjah.

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Videos

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Rahul Mehrotra is a practicing architect based in Boston and Mumbai and he has been teaching at Harvard’s GSD where he is currently Chair of the Department of Urban Planning and Design and Director of the Master in Architecture in Urban Design Degree Program. Born in 1959, Mehrotra grew up in Lucknow, a city in Northern India and an important cultural and artistic hub. His father was a manager at a large machine tool company. The family moved a lot following Mehrotra senior’s frequent promotions, which led to changing residences owned by his company. Besides a few years in Lucknow and Delhi, they lived in different neighborhoods within Mumbai.

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In a recent interview with Metropolis Magazine, Kenneth Frampton answered questions about his existing architectural influence and his opinion as it relates to the direction of architectural theory and criticism. Frampton has long been a prominent voice in the world of architectural theory and writing. He has taught at Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) since 1972, all the while publishing a large collection of critical essays and books on the topic of 20th-century architecture—the most notable of those being his 1983 essay “Towards a Critical Regionalism: Six Points for an Architecture of Resistance.”

Even today, Frampton's evaluation of critical regionalism is still widely appreciated. In the interview, Frampton admits that he now sees the influence of critical regionalism primarily outside of "the Anglo-American world," but he believes that the implied importance of a "direct democracy" is what he sees as most beneficial.

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